I'm a Virgo

Brilliant concept, provocative writing and laser focused direction from Boots Riley. He manages to paint another colorful dystopia that once again highlights the evils of capitalism by flipping concepts on their head and putting a mirror up to show you the world we live in. I love that someone is touching on the concept of giants in American history I feel like there is a lot of new clippings like that you can still find through the years of giant remains being found across the world. Who knows but it's an interesting concept and dope that Boots touched on that. Mike Epps and the whole cast is great as well. Looking forward to anything Boots Riley does which hopefully includes a new The Coup album.

In our current mass media landscape oversaturated with superhero stories, it's become increasingly hard to find ones that stand out from the pack. Gone are the days of Sam Raimi's Spider-man where the storytelling was played straight, with bright colors and energy that seek to evoke the feeling of reading a comic-book. In the 2020's, we have reached peak of the superhero craze, and it seems studios have bottlenecked their output into two different flavors of media:

1. Superhero stories that infuse their characters into a different blockbuster genre (a superhero spy movie, a superhero sci-fi epic, etc.) 2. Superhero stories that ask "what if Superman was BAD?"

"I'm a Virgo" is the third Amazon show I've watched that falls into category 2, and despite not advertising itself a superhero show, it contains the most interesting answer to that question by far.

In the other two Amazon shows I mentioned, "The Boys" and "Invincible", the drama comes from the insurmountable odds of defeating an antagonist who wields godlike powers. There's always the looming threat of this evil Superman figure who is capable of wiping out all the heroes (or anti-heroes) without breaking a sweat. In "I'm a Virgo", this threat is also present, as "The Hero", a sort of Iron Man/Batman archetype played by Walton Goggins, always shows up to intimidate the characters who seek social change. The show starts off slow, introducing us to this familiar-yet-bizarre universe (similar in tone to Donald Glover's Atlanta) and the players that inhabit it. Eventually, however, we reach a turning point that forces our main characters to confront this force of "justice".

The main between this show and those other two is the conclusion. Without spoiling anything, the finale of this series is some of the most thought-provoking, well-explained examinations of what it means to be superhero, and why anyone who tries to take on that mantle will fail. There have been plenty of superhero media that examines the inherit fascism associated with being a superhero, but almost all of them reach the conclusion that "we should kill them" or worse, "I'll just be better". This show does not say either of those things, and I hope more people get to experience Boots Riley's superhero manifesto for themselves.

Really good. That's all I can say. The best art to me is the kind I can't effectively describe. It is itself. That's the highest compliment I can give. This show never did what I expected but felt 100% appropriate to itself the whole time. It was engaging and bizarre and sweet and packed a punch and I love seeing stuff like this get made. It's worth the watch and I don't even mind if there's another season or how the second one goes, this one stands on its own and will still be enjoyable for me no matter what else happens to it in the future. Definitely recommend checking it out now and not worrying too much it's just a good ride.

The industrial strength superhero is a well established part of modern day media while the folk heroes that preceded them are mostly forgotten.

This show is the black Paul Bunyan, man.of the community vs the industrial superhero, enforcer of the corporate state. Of course the show's Paul Bunyan is not equipped for this showdown even with his supporting team of Oakland, CA neighborhood X-Kids who are more concerned with using their powers to do their jobs, score, and help others impoverished by the system.

While the Paul Bunyan folk tale is a celebration of the boundless opportunity and natural resources of the earlier American experience (at least for some people), this version exists in a decaying landscape of fast food, desperation, and death.

It's weird, surreal and sometimes preachy, but definitely worth a watch.

Is it the constant relateability? I'm not sure but so many movies and shows that are coming of age are well done. To be fair there are plenty of bad ones too but this is not one of them. Boots riley plays with our creature comforts that we're exposed to every day. He wants you to see the familiarity as what's wrong but at the same time he celebrates it. I'm only a couple episodes in but what's clear is the lead actors are what make this show. Sure it's got some weird characters. If you didn't like soery to bother you check this out as it's a step up for sure. My parents liked the first episode but got lost on the second. It's a show about a giant it's not grounded in reality. But the ties to reality keep the heart of it.