Ein unerschrockenes Mädchen in den Ozark Mountains begibt sich auf nicht ungefährliches soziales Terrain, um ihren Drogen handelnden Vater zur Strecke zu bringen und ihre Familie zusammenzuh... Alles lesenEin unerschrockenes Mädchen in den Ozark Mountains begibt sich auf nicht ungefährliches soziales Terrain, um ihren Drogen handelnden Vater zur Strecke zu bringen und ihre Familie zusammenzuhalten.Ein unerschrockenes Mädchen in den Ozark Mountains begibt sich auf nicht ungefährliches soziales Terrain, um ihren Drogen handelnden Vater zur Strecke zu bringen und ihre Familie zusammenzuhalten.
- Für 4 Oscars nominiert
- 63 Gewinne & 131 Nominierungen insgesamt
Philip Burnley
- Baby Ned
- (as Phillip Burnley)
Ausgewählte Rezension
You can tell by the Title that this is going to be Cold and Hard. Add to that, Bleak, Despairing, Ruthless, and Sneering. There is Barely a Smile in this Study of the Backwoods with its Hypocrisy of Clannish Detachment. It is a Chilling Atmosphere that is Void of Sunshine and has Very Little to Offer in the Form of Empathy.
Outstanding Performances Inhabit this Unyielding Environment that is Captured by the Camera with its Unforgiving Truthfulness. There isn't much to Uplift the Spirit in the Film or the Audience. it is Realism through the Prism of Unflattering Faces and Unclean Milieus. It is a Slice of Life Without Spice.
When Our Heroine is asked by Her Uncle, offering Methamphetamine, "Have you gotten a taste for it yet?", She answers "Not so far." When She is skinning a Squirrel and Discards the Guts, Her little Brother asks, "Are we going to eat those?" She answers "Not yet."
This Demonstrates just how close to Total Surrender and Defeat things are. She is 17 and is Forced into a Situation beyond Her Years. She is Virtually Alone, on Her Own with Two Young Siblings Hanging in the Balance. This all is Interwoven with sort of a Mystery, but that is not what is going on Here. It is not so much a Story as it is a Reflection of Resolve and a Test of the Human Condition.
This one is not for Everyone and is an Independent Film that Tries Hard not to be Artsy but it is Despite Itself. The Characters, Dialog, Environment, and Story are Nothing if Not Beautifully Barren Americana.
Outstanding Performances Inhabit this Unyielding Environment that is Captured by the Camera with its Unforgiving Truthfulness. There isn't much to Uplift the Spirit in the Film or the Audience. it is Realism through the Prism of Unflattering Faces and Unclean Milieus. It is a Slice of Life Without Spice.
When Our Heroine is asked by Her Uncle, offering Methamphetamine, "Have you gotten a taste for it yet?", She answers "Not so far." When She is skinning a Squirrel and Discards the Guts, Her little Brother asks, "Are we going to eat those?" She answers "Not yet."
This Demonstrates just how close to Total Surrender and Defeat things are. She is 17 and is Forced into a Situation beyond Her Years. She is Virtually Alone, on Her Own with Two Young Siblings Hanging in the Balance. This all is Interwoven with sort of a Mystery, but that is not what is going on Here. It is not so much a Story as it is a Reflection of Resolve and a Test of the Human Condition.
This one is not for Everyone and is an Independent Film that Tries Hard not to be Artsy but it is Despite Itself. The Characters, Dialog, Environment, and Story are Nothing if Not Beautifully Barren Americana.
- LeonLouisRicci
- 25. Okt. 2013
- Permalink
Handlung
WUSSTEST DU SCHON:
- WissenswertesJennifer Lawrence was originally turned down for the role of Ree for being "too pretty." She flew overnight into New York City, walked 13 blocks in the sleet to the casting office, and auditioned with a runny nose and hair she hadn't washed in a week. Lawrence won the role, and ultimately, her first Academy Award nomination (for Best Actress) at 20 years old.
- PatzerFLIPPED SHOT: When the sheriff first talks to Ree, the neighbor walks past a truck to eavesdrop. The truck's logo and license plate are reversed, as if in a mirror.
- SoundtracksThe Missouri Waltz
(1914)
Words by J.R. Shannon
Music by John Valentine Eppel
a.k.a. "Hush-a'bye, Ma Baby"
Performed a capella by Marideth Sisco
Top-Auswahl
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Details
Box Office
- Budget
- 2.000.000 $ (geschätzt)
- Bruttoertrag in den USA und Kanada
- 6.531.503 $
- Eröffnungswochenende in den USA und in Kanada
- 84.797 $
- 13. Juni 2010
- Weltweiter Bruttoertrag
- 13.796.834 $
- Laufzeit1 Stunde 40 Minuten
- Farbe
- Sound-Mix
- Seitenverhältnis
- 1.85 : 1
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