IMDb-BEWERTUNG
7,1/10
27.635
IHRE BEWERTUNG
Ein beinahe tödlicher Unfall lässt einen Freund im Krankenhaus zurück, während der Rest in den Jahresurlaub fährt. Aber ihre Geheimnisse und ihre persönliche Trauer drohen sie auseinander zu... Alles lesenEin beinahe tödlicher Unfall lässt einen Freund im Krankenhaus zurück, während der Rest in den Jahresurlaub fährt. Aber ihre Geheimnisse und ihre persönliche Trauer drohen sie auseinander zu treiben.Ein beinahe tödlicher Unfall lässt einen Freund im Krankenhaus zurück, während der Rest in den Jahresurlaub fährt. Aber ihre Geheimnisse und ihre persönliche Trauer drohen sie auseinander zu treiben.
- Auszeichnungen
- 4 Nominierungen insgesamt
Ausgewählte Rezension
Guillaume Canet creates films (Tell No One, Whatever You Say, J'peux pas dormir..., Je taim) that though they are about love, loss and life, they probe more deeply into the human condition than the glossy entertaining surface can conceal. In the end all of his films demand that the viewer connects to his concept of the flow of life and death and those aspects of living that make a difference. Les petits mouchoirs AKA Little White Lies magnifies these attributes. The story is so conversationally written that for a while it is difficult to pull together where the film is going, but by the end of the film the audience is so choked by the discoveries revealed that tears and a stunned afterburn are inevitable.
Every year, Max Cantara (François Cluzet), a successful restaurant owner, and Véronique (Valérie Bonneton), his eco-friendly wife invite a their close-knit circle of friends to their beautiful Cap Ferrat beach house near Bordeaux to celebrate the birthday of Antoine (Laurent Lafitte) and kick-start the vacation. But, this year, before they all leave Paris, their mutual friend Ludo (Jean Dujardin) is hurt in a serious motorcycle accident, ends up the ICU and as the doctors say nothing can be done to change things for at least two weeks, the friends all proceed with their plans for vacation: no one stays behind to be supportive of Ludo, not even his apparent love partner Marie (Marion Cotillard). This sets off a dramatic chain of reactions and emotional responses. The eagerly anticipated vacation leads each of the protagonists to raise the little veils that for years they have draped over what bothers and upsets them. Pretenses become increasingly hard to keep up. Until the moment when the truth finally catches up with them all: each member of the group of friends has a problem that needs the support of real friends but none of them has the ability to share personal secrets. There are many concepts that are present here - one married man Vincent (Benoît Magimel) has an inexplicable physical and emotional attraction to Max who loathes the idea of a possible gay liaison; Marie is visited by an infrequent lover Nassim (Hocine Mérabet), Eric (Gilles Lellouche) longs to be reunited with the woman who has found another, Jean Louis (Joël Dupuch) awaits messages from his emotionally distant Juliette (Anne Marivin) - and so on. Yet each of these little situations confound Antoine who cannot believe this group would not stay near their critically injured friend Ludo. The consequences are revealing and point out the importance of owning up to the truths that define a life. To reveal the ending would be a disservice to all who may see this little masterpiece.
The entire cast is of the highest caliber and Canet succeeds in getting brilliant performances from each. Though each actor is excellent, the performances by Benoît Magimel, Marion Cotillard and François Cluzet are exceptional. This is a thinking person's film but one that holds as much brilliant drama and impact as any film before us today. Grady Harp, February 13
Every year, Max Cantara (François Cluzet), a successful restaurant owner, and Véronique (Valérie Bonneton), his eco-friendly wife invite a their close-knit circle of friends to their beautiful Cap Ferrat beach house near Bordeaux to celebrate the birthday of Antoine (Laurent Lafitte) and kick-start the vacation. But, this year, before they all leave Paris, their mutual friend Ludo (Jean Dujardin) is hurt in a serious motorcycle accident, ends up the ICU and as the doctors say nothing can be done to change things for at least two weeks, the friends all proceed with their plans for vacation: no one stays behind to be supportive of Ludo, not even his apparent love partner Marie (Marion Cotillard). This sets off a dramatic chain of reactions and emotional responses. The eagerly anticipated vacation leads each of the protagonists to raise the little veils that for years they have draped over what bothers and upsets them. Pretenses become increasingly hard to keep up. Until the moment when the truth finally catches up with them all: each member of the group of friends has a problem that needs the support of real friends but none of them has the ability to share personal secrets. There are many concepts that are present here - one married man Vincent (Benoît Magimel) has an inexplicable physical and emotional attraction to Max who loathes the idea of a possible gay liaison; Marie is visited by an infrequent lover Nassim (Hocine Mérabet), Eric (Gilles Lellouche) longs to be reunited with the woman who has found another, Jean Louis (Joël Dupuch) awaits messages from his emotionally distant Juliette (Anne Marivin) - and so on. Yet each of these little situations confound Antoine who cannot believe this group would not stay near their critically injured friend Ludo. The consequences are revealing and point out the importance of owning up to the truths that define a life. To reveal the ending would be a disservice to all who may see this little masterpiece.
The entire cast is of the highest caliber and Canet succeeds in getting brilliant performances from each. Though each actor is excellent, the performances by Benoît Magimel, Marion Cotillard and François Cluzet are exceptional. This is a thinking person's film but one that holds as much brilliant drama and impact as any film before us today. Grady Harp, February 13
Handlung
WUSSTEST DU SCHON:
- WissenswertesThe French title "Les Petits Mouchoirs" refers to an idiomatic expression that is similar to the English term "Sweeping something under the rug". You cover something up with a napkin or a handkerchief and pretend it's no longer there even though everyone knows it is. The English term "Little White Lies" is a similar if not identical concept.
- PatzerEric sends a text message to Marie's cell phone to call him back urgently, while he is in the restaurant with the blonde actress. Marie's cell phone beeps when receiving this text message, but when Marie opens the text message, the cell phone's display shows that it is set on mute ("silencieux").
- Alternative VersionenThere are three versions. These are the running times for them: "2 hr 34 min (154 min), 2 hr 34 min (154 min) (France), 2 hr 14 min (134 min) (theatrical) (South Korea)".
- VerbindungenFeatured in Estrenos Críticos: El Castor, NowhereBoy... (2011)
- SoundtracksAre You Gonna Be My Girl
Written by Nic Cester and Cameron Muncey
Performed by Jet
Courtesy of MCA Records
Top-Auswahl
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Details
- Erscheinungsdatum
- Herkunftsländer
- Offizielle Standorte
- Sprache
- Auch bekannt als
- Little White Lies
- Drehorte
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Box Office
- Budget
- 15.268.310 € (geschätzt)
- Bruttoertrag in den USA und Kanada
- 206.088 $
- Eröffnungswochenende in den USA und in Kanada
- 25.654 $
- 26. Aug. 2012
- Weltweiter Bruttoertrag
- 53.319.615 $
- Laufzeit2 Stunden 34 Minuten
- Farbe
- Sound-Mix
- Seitenverhältnis
- 2.35 : 1
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