Um jeden Preis - At Any Price

I nearly wept at the end of this movie, over all the acting talent gone totally to waste on this dumb little story. It is more than dumb; it doesn't make any sense. I think that one scene sums up the problems this film creates for itself and then fails to solve. One of the characters (it doesn't even matter which one) breaks into a store by shooting a handgun through the window. When the window conveniently falls into a billion pieces, the character leaps through the open space and steals some stuff. Then he and his pal and girlfriend roar off, tires squealing. The event is presaged by nothing and leads to nothing. One is left only with a sense of mystification that anyone (even a film director) would think that a logical way to commit a burglary would be to shoot out the front window of a store with a gun. The rest of film is like that. One silly contrivance piled on another to create a nonsensical melodrama.

At Any Price (2012)

** 1/2 (out of 4)

Ramin Bahrani's latest deals with farmer Henry Whipple (Dennis Quaid) who sees himself in trouble over the family business but he also finds his relationship with his youngest son (Zac Efron) slipping away. Both men appear to be wanting something they can't have and after a tragic accident their love for one another is tested. AT ANY PRICE certainly contains some good performances and it's heart is certainly in the right place but if you take away the profanity you're actually left with something that probably wouldn't be workable as a TV movie. Director Bahrani clearly wanted to make a simple film about simple people in a bad situation due to greed and there's no question that he wanted to give out a message but sadly his screenplay is just too simple for its own good. If you've ever seen a family drama in your life then I think it's going to be pretty easy to see every twist and turn in the story coming a mile away. You know that the father is eventually going to realize that he isn't a great father. You know that the son is going to hurt those around him. You know the two are going to have to have something happen that brings them together. Even the supporting characters are all rather predictable and especially the entire subplot dealing with someone turning Whipple in for illegal activities. Again, there's no question that the director had his heart in the right place but sadly there's just not enough here to keep the viewer entertained or at least caught up in everything going on. Quaid turns in one of his best performances in years as he does a very good job and especially during the scenes where he's trying to sell his skill. The character is certainly a flawed human and Quaid does a very good job at showing his good side as well as his bad. Efron continues to impress with these independent films and he too is good in his part. Clancy Brown, Kim Dickens, Red West and Heather Graham are all good in their supporting roles but it's Maika Monroe who easily steals the film in her part. AT ANY PRICE still contains some mild appeal to make it worth viewing if you're a fan of the cast members but there's no question that it needed a richer screenplay to make everything work.

At Any Price shows the nasty little ordinary things we do to get us ahead of others, and the not so ordinary or little.

The good. It's a frank view of what industrial farmers go through in regards to GMOs. You also really get into the shoes of the father.

The actors. It's was difficult for me to see Dennis Quaid, who usually plays heroic figures, if only family ones at time, give life to such a flawed character. To his credit, he did it very well.

The bad. There's a number of scenes where we don't relate very well to what's happening. The director doesn't make us feel or understand what's on the screen.

Ugly. Lack of depth in most secondary characters. The B and C stories are too thin.

Not impressive. But more than good. That kind of film about family, values, expectation of father and the option of sons who seems traditional but it is real useful for remind, in simple and precise manner, elementary things. Dennis Quaid did a great job and Zac Efron sustain in nice way his Dean. But, sure, Kim Dickens , giving the fair traits to Irene Whipple is admirable.A film about competition, ambition and wisdom. And, in my case, Clancy Brown presence was a good return to the years of Carnivale. So, a honest story.

It's a story where the characters aren't sympathetic and seem to create all their own problems. None of their problems are all that involving either. So what's to care about? The script is poorly structured taking to long to set up the situation while at the same time failing to set up some key characters that come into play in the rushed final part of the film.

Quaid is very good, sometimes a bit mannered though he's supposed to be playing a kind of obnoxious salesman so that's part of the film can be accepted as being done on purpose. I heard the director speak after a preview screening and he mentioned the influences that kind of create the problem with the film. DEATH OF A SALESMAN meets THE LAST PICTURE SHOW with some Robert Altman thrown in. If you know either of these classic pieces of writing you might guess this isn't up to either of those standards and it's not. If you don't know those films it won't make it a better film. The film wastes too much time setting up the characters all of whom are unlikable selfish jerks for much of the film. The key dramatic incident comes too late--and won't be revealed here--and is left dangling at the films end. The one son, played with no depth, by Zac seems to be the focus of the story for too long and then is kind of pushed back and other characters take over. Aside from him there is little to fault with any of the acting.

One other key character, Quaid's Dad, appears out of nowhere in the film--you'll actually think he's been dead for years and years the way people talk about him until he suddenly shows up, and Heather Graham's character just pops up and pops out of the story with little logic aside from some kind of possible sexual interest, though there is no nudity in the film and the story doesn't go in that direction ultimately. Both of these characters need more thought on a screenplay level.

Some odd details here and there successfully touch on Robert Altman but those are just minor details of how modern farming works amid a messy script.

There is just little to hold your interest for far too long in the screenplay. Digital photography is OK but has a bit of a video edge to it and doesn't do the actors any favors in close up either. The film could use more and a better music score. The film ultimately is forgettable.