Verfolgt den Tod von Peter Farquhar und Ann Moore-Martin in dem Dorf Maids Moreton, Buckinghamshire, und die außergewöhnlichen Ereignisse, die sich in den folgenden Jahren abspielten.Verfolgt den Tod von Peter Farquhar und Ann Moore-Martin in dem Dorf Maids Moreton, Buckinghamshire, und die außergewöhnlichen Ereignisse, die sich in den folgenden Jahren abspielten.Verfolgt den Tod von Peter Farquhar und Ann Moore-Martin in dem Dorf Maids Moreton, Buckinghamshire, und die außergewöhnlichen Ereignisse, die sich in den folgenden Jahren abspielten.
- 2 BAFTA Awards gewonnen
- 7 Gewinne & 11 Nominierungen insgesamt
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A really good production based on the true story of an evil man and his accomplice. I wasn't aware of this case before seeing this but it's a pretty accurate encapsulation of the events.
Outstanding cast and well written script and, as it's filmed in and around Bath and Bristol, very familiar location filming for me. Tim Spall is as brilliant and understated as ever and the two perpetrators, whilst totally opposite in character, are superbly played.
The casting is absolutely perfect and there's little to criticise about the entire show other than that I'd like it to have been a little more detailed in terms of the evidence gathered by the police and the building of the prosecution case.
Outstanding cast and well written script and, as it's filmed in and around Bath and Bristol, very familiar location filming for me. Tim Spall is as brilliant and understated as ever and the two perpetrators, whilst totally opposite in character, are superbly played.
The casting is absolutely perfect and there's little to criticise about the entire show other than that I'd like it to have been a little more detailed in terms of the evidence gathered by the police and the building of the prosecution case.
An excellent drama by the BBC. The acting was of a high standard and the script was respectful in favour of the victims. It was compelling viewing but difficult to watch at times and heartbreaking the way the victims were used and manipulated.
Although the drama does expose and show the chilling coldness and evil of the killer, it doesn't in any way glamorous him. Instead I felt it honoured the victims and gave them a voice, as well as providing an insight into how the families must have suffered. It also showed the diligence of one of the victim's families along with the police investigation to get justice.
Although the drama does expose and show the chilling coldness and evil of the killer, it doesn't in any way glamorous him. Instead I felt it honoured the victims and gave them a voice, as well as providing an insight into how the families must have suffered. It also showed the diligence of one of the victim's families along with the police investigation to get justice.
Wow, wow and more wow.
You watch Timothy Spall in something and go...what a good performance...and then you watch this. Wow! It has award stamped all over it.
Anne Reid, who I think is one of the UK's much underrated actresses, shines like a supernova in her portrayal of Anne.
Éanna Hardwicke? Yes, I know. I haven't heard of him either. Wherever he's been hiding then this superb creepy, manipulating, hazy devil's portrayal is absolutely top notch and you should be seeing more of him no doubt.
The remainder of the cast put in fabulous performances in this four part excellently written and paced "true story".
You MUST watch this. This makes the Licence Fee top value.
You watch Timothy Spall in something and go...what a good performance...and then you watch this. Wow! It has award stamped all over it.
Anne Reid, who I think is one of the UK's much underrated actresses, shines like a supernova in her portrayal of Anne.
Éanna Hardwicke? Yes, I know. I haven't heard of him either. Wherever he's been hiding then this superb creepy, manipulating, hazy devil's portrayal is absolutely top notch and you should be seeing more of him no doubt.
The remainder of the cast put in fabulous performances in this four part excellently written and paced "true story".
You MUST watch this. This makes the Licence Fee top value.
A well done 4 parter, despite many omissions.
But I read that many things had to be omitted , just to fit into the allocated time. But surely even 1 line of dialogue would have sufficied instead of omission.
No mention of how the murderer got hold of psychotics, or why medics would not test for psychotics on first reports of symptoms.
The weakest part for me was the portrayal of the start of the fake relationship between the murder and first victim, quite not credible , although later parts of the script partly explain.
Unclear exactly how the murderer had some hold or influence over Martyn Smith.
One puzzling thing. What is the significance of the many shots of the clock tower, and tolling bell, in the last two episodes. Wasted moments maybe could have been used for wider dialogue about the omissions.
Strong performance by all the leads, and Éanna Hardwicke is positively creepy in this role, even down to the manufactured accent, which only slips in one few-seconds scene.
Marvellous to see Anne Reid, Timothy Spall, Sheila Hancock giving their all.
But I read that many things had to be omitted , just to fit into the allocated time. But surely even 1 line of dialogue would have sufficied instead of omission.
No mention of how the murderer got hold of psychotics, or why medics would not test for psychotics on first reports of symptoms.
The weakest part for me was the portrayal of the start of the fake relationship between the murder and first victim, quite not credible , although later parts of the script partly explain.
Unclear exactly how the murderer had some hold or influence over Martyn Smith.
One puzzling thing. What is the significance of the many shots of the clock tower, and tolling bell, in the last two episodes. Wasted moments maybe could have been used for wider dialogue about the omissions.
Strong performance by all the leads, and Éanna Hardwicke is positively creepy in this role, even down to the manufactured accent, which only slips in one few-seconds scene.
Marvellous to see Anne Reid, Timothy Spall, Sheila Hancock giving their all.
A dramatisation of actual events, the deaths of Peter Farquhar and Ann Moore-Martin, two mature residents and neighbours from the small village of Maids Moreton, who both died after meeting and falling in love with a younger man, one Ben Field.
Arguably the best drama of 2023 so far, it's been a little time since I've said it, but this is truly The BBC at its very best, this is an outstanding, uncomfortable, sometimes upsetting watch.
This story was big news when it broke, it never seemed to make any sense, what this dramatisation does, is give you an almost factual detail of events, I understand that much of it was obviously dramatised, but I think they've got the core essence of what happened.
It is remarkable just how much Eanna Hardwicke looks like the real life Ben Field. His performance here was quite exceptional, and whilst I will rave about Timothy Spall and Anne Reid, Hardwicke made the whole thing come to life.
Timothy Spall should win an award for his performance, he was incredible, Anne Reid also phenomenal.
Fantastic.
9/10.
Arguably the best drama of 2023 so far, it's been a little time since I've said it, but this is truly The BBC at its very best, this is an outstanding, uncomfortable, sometimes upsetting watch.
This story was big news when it broke, it never seemed to make any sense, what this dramatisation does, is give you an almost factual detail of events, I understand that much of it was obviously dramatised, but I think they've got the core essence of what happened.
It is remarkable just how much Eanna Hardwicke looks like the real life Ben Field. His performance here was quite exceptional, and whilst I will rave about Timothy Spall and Anne Reid, Hardwicke made the whole thing come to life.
Timothy Spall should win an award for his performance, he was incredible, Anne Reid also phenomenal.
Fantastic.
9/10.
Wusstest du schon
- WissenswertesAt one point, Ben Fields is listening to "Smash That" by Doc Brown. Doc Brown is the stage name of Ben Bailey Smith, who plays Simon Blake--the husband of Anne-Marie Blake.
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