Der Duft von Apfelblüten

This has many of the usual plot elements. Save the family orchard. Lady exec, Tess, who has an amazing assistant, up for promotion inherits half the estate. Quest to find hidden or lost family treasure. Tess had single mom and now is finding family she never knew. Male opposite, Damhniac, helps with the quest. Yet somehow it didn't feel like the same old same old. There is a bit more of a detective mystery than the usual quest story.

Meanwhile there is the relationship between Tess and Damh but it doesn't get as much screentime as a simple rom/com. Niall Matter and Rachelle Lefevre do have chemistry even if it's shortchanged for screentime.

Tess Delaney (Rachelle Lefevre) is a globetrotting high class art hunter who is too busy for a personal life. She inherits an apple orchid from her father who supposedly abandoned her at birth as told by her absent mother. The other inheritor is her newly discovered half-sister Isabel (Helena Marie). Damhnaic McAuley (Niall Matter) is the estate executor.

This is a Hallmark movie, but they're really pushing the romance that hard. The bigger story seems to be a family mystery turned treasure hunt. I am not overly interested in any of the plotlines although the mystery kept my interest. It's a mixed bag although Hallmark does not set the bar that high.

I'm a big fan of Rachel Lefevre, the redhead beauty who plays Tess. I also like Hallmark vet Niall Matter, who plays Dominic. Rachel was in another solid Hallmark movie this year called Moriah's Lighthouse and Niall was in a really great Hallmark movie this year called Rip in Time.

This is NOT another cookie cutter Hallmark movie. It's an engaging lost and found story that was somewhat reminiscent of The Christmas Note and My Christmas Family Tree (2 great Hallmark movies that explored the emotional impact of having a complicated and incomplete family history).

The Secrets of Bella Vista is based on the novel The Apple Orchard by New York Times bestselling author Susan Wiggs and ties a key plot point about old historical items to the escape, by Tess' grandparents, from Nazi-occupied Denmark during World War II. Tess, unaware of this history, coincidentally has an interesting job as a high end art and antiques expert in San Francisco. She's presented as someone too busy to even eat. Just as I was getting annoyed with Tess, I realized the script had given her a believable back story of abandonment that explained most of her actions (with one glaring exception). I also found the explanation for the Orchard's financial problems to be surprisingly credible.

I was drawn in by the story and appreciated the careful plot details that made this a (mostly) believable family mystery. I cared about Tess and Isabel (warmly played by Helena Marie) and was grateful that this wasn't a story of scheming and back stabbing beneficiaries. In fact, Tess was unrealistically portrayed as too far on the other end of the spectrum.

Specifically, it's revealed at the beginning that she's inherited half of a big apple orchard property, home and business near Napa that she thinks is worth as much as $20 million. And yet she flippantly tells the banker she doesn't want it and is willing to sign it over to a newly discovered family member she's never met.

Really??

She's supposedly only 30 years old (which the radiant 43 year old Lefevre pulls off) and though she seems successful, how rich could she possibly be? And who just walks away from what seems like a huge inheritance? Heck, she could have sold her share and donated the proceeds to Ukraine War Relief. Her lack of interest in her inheritance was wildly unrealistic.

But that was just one of only a few off key notes in an otherwise entertaining and enjoyable movie.

Random Observations:

The growing (and wonderful) relationship between Tess and Isabel seemed believably warm and healthy for both of them.

I've heard the phrase "bankers' hours", but the banker in this movie really never seemed to work.

There's a bad outdoor green screen scene at the orchard that looks more fake than most.

There's a terrible, and terribly misplaced, song that plays over the pie baking scene with lyrics that include "we don't need money no, we don't need money for rainy days. We don't need anyone". Ugh. But the scene was cute.

I love Hallmark's increasing inclusion of LGBTQ characters without having their lifestyle being the source of any drama.

Hoping to see Rachel Lefevre again in another Hallmark movie soon.

The good: female lead did a great job in this role. She was very believable and was quite subtle and nuanced. The actress did a great job providing the character with an emotional story arc. You don't necessarily like her character at first, but grow to sympathize with her. Frankly it was one of the best performances I've seen in a Hallmark film. The chemistry between this character and her half sister was also great.

The script was also very good. Generally had sharp dialogue and didn't get too bogged down in unnecessary exposition, which is something Hallmark does a lot.

The less good: Lead actor, who was good in Aurora Teagarden, was subpar here. His character come across quite creepy. This might be a script and direction thing as much as an acting one.

The other thing I didn't love was how a certain pivotal plot point regarding the farm and the lead female's role in it were written. Her reaction didn't really feel true to the character we had been introduced to. She should have been a lot angrier.

Overall this was a real nice film which resonated with me.

I have grown tired of the Hallmark formula applied to every movie so this was a very pleasant change. Still Hallmark, but the tired scripts did a pleasant change up, and it really was a pleasant change. A very enjoyable movie, mystery and romance.

There were both a host of new characters, all likable, and a couple of old standbys, also very likable. Great scenery, so they must have sprung for a slightly higher budget, a good choice. Everybody loves a little mystery, some honest appearing suspense, and a happy ending.

Keep the changes coming and trash the worn out storylines that are totally predictable and boring.