Verfolgt die Lebensgeschichte der größten Opernsängerin der Welt, Maria Callas, während ihrer letzten Tage im Paris der 1970er Jahre.Verfolgt die Lebensgeschichte der größten Opernsängerin der Welt, Maria Callas, während ihrer letzten Tage im Paris der 1970er Jahre.Verfolgt die Lebensgeschichte der größten Opernsängerin der Welt, Maria Callas, während ihrer letzten Tage im Paris der 1970er Jahre.
- Für 1 Oscar nominiert
- 6 Gewinne & 30 Nominierungen insgesamt
Erophilie Panagiotarea
- Young Yakinthi
- (as Erofili Panagiotarea)
Lyès Salem
- Waiter
- (as Lyes Salem)
‘Snow White’ Stars Test Their Wits
Handlung
WUSSTEST DU SCHON:
- WissenswertesAngelina Jolie, refusing to be dubbed and wishing to perform her own singing, took 7 months of opera lessons to prepare for her role. For the scenes set during Callas' heyday, an estimated 90 to 95 percent of Callas' original recordings were used, with Jolie lip-synching along to these songs. However, Jolie's singing comes to the fore during the film's final act.
- PatzerIn the third part of the movie, a Citroën 2cv Charleston gray-black is parked in the background. The car was first presented on the Paris Carshow in 1980, 3 years after La Callas death..
- Zitate
Maria Callas: Book me a table at a café where the waiters know who I am. I'm in the mood for adulation.
- VerbindungenFeatured in MsMojo: Top 10 Best Netflix Releases of 2024 (2024)
- SoundtracksOtello Act 4: 'Ave Maria' (Desdemona)
Performed by Maria Callas, Orchestre de la Société des Concerts du Conservatoire
Conductor: Nicola Rescigno
Written by Giuseppe Verdi, Arrigo Boito
A Warner Classics Release, (p) 1964 Parlophone Records Limited
Remastered 2014 Parlophone Records Limited
Courtesy of Warner Music Group Germany Holding GmbH, a Warner Music Group Company
Ausgewählte Rezension
Pablo Larraín's film Maria attempts to portray the life of the famous opera singer Maria Callas, but it doesn't fully capture her strength and mystery. The film focuses mainly on the tragic aspects of her life, such as her difficult relationship with Onassis, the pressure of her career, and the pain caused by her fame. It is a film about sadness and suffering, but it misses the opportunity to highlight her immense talent and the beauty of her voice.
Nevertheless, the film does have its strengths. The cinematography is stunning, and Larraín's direction captures the heavy atmosphere of Callas' life well. The film subtly portrays the loneliness of her existence. The costumes and sets are beautiful and provide a visual tribute to the opera world in which Callas lived. The music is also well-chosen and creates some emotional moments that deepen the story.
One of the biggest issues with the film is the casting of Angelina Jolie in the lead role. She is a talented actress, but her appearance doesn't quite align with how Maria Callas looked. Callas had a very unique, but not "perfect" face-her face was full of emotion and vulnerability, which made her so human and real. Jolie's face often looks too polished, making it harder to see the true Maria Callas. Instead of Callas, the viewer mostly sees Angelina Jolie.
The film also lacks balance between showing Callas' sadness and celebrating her incredible musical talent. Callas' voice was one of the most beautiful in opera, and it's a shame that the film focuses so much on the difficult moments of her life. Yes, her life was filled with pain, but it would have been good to also show how magical her performances were, how technically skilled she was, and how much passion she put into every aria. A film about Callas should not only show her as a victim, but also as the great artist she was, who captivated the world again and again with her art.
If Maria Callas had seen this film, she might have felt uncomfortable. Instead of a film that celebrates her talent and voice, we get a somber portrait of her life, with little room for the beauty that defined her career. The film emphasizes her pain, rather than her most glorious moments. This is not what she deserved. Maria Callas deserves more than a film that focuses solely on her sorrow. She deserves a film that celebrates her as the legendary artist she was.
Nevertheless, the film does have its strengths. The cinematography is stunning, and Larraín's direction captures the heavy atmosphere of Callas' life well. The film subtly portrays the loneliness of her existence. The costumes and sets are beautiful and provide a visual tribute to the opera world in which Callas lived. The music is also well-chosen and creates some emotional moments that deepen the story.
One of the biggest issues with the film is the casting of Angelina Jolie in the lead role. She is a talented actress, but her appearance doesn't quite align with how Maria Callas looked. Callas had a very unique, but not "perfect" face-her face was full of emotion and vulnerability, which made her so human and real. Jolie's face often looks too polished, making it harder to see the true Maria Callas. Instead of Callas, the viewer mostly sees Angelina Jolie.
The film also lacks balance between showing Callas' sadness and celebrating her incredible musical talent. Callas' voice was one of the most beautiful in opera, and it's a shame that the film focuses so much on the difficult moments of her life. Yes, her life was filled with pain, but it would have been good to also show how magical her performances were, how technically skilled she was, and how much passion she put into every aria. A film about Callas should not only show her as a victim, but also as the great artist she was, who captivated the world again and again with her art.
If Maria Callas had seen this film, she might have felt uncomfortable. Instead of a film that celebrates her talent and voice, we get a somber portrait of her life, with little room for the beauty that defined her career. The film emphasizes her pain, rather than her most glorious moments. This is not what she deserved. Maria Callas deserves more than a film that focuses solely on her sorrow. She deserves a film that celebrates her as the legendary artist she was.
- nelvandamme
- 9. Feb. 2025
- Permalink
Top-Auswahl
Melde dich zum Bewerten an und greife auf die Watchlist für personalisierte Empfehlungen zu.
- How long is Maria?Powered by Alexa
Details
- Erscheinungsdatum
- Herkunftsländer
- Sprachen
- Auch bekannt als
- María Callas
- Drehorte
- Budapest, Ungarn(Opera House, Music Academy, various locations)
- Produktionsfirmen
- Weitere beteiligte Unternehmen bei IMDbPro anzeigen
Box Office
- Weltweiter Bruttoertrag
- 22.818.206 $
- Laufzeit2 Stunden 4 Minuten
- Farbe
- Sound-Mix
- Seitenverhältnis
- 1.85 : 1
Zu dieser Seite beitragen
Bearbeitung vorschlagen oder fehlenden Inhalt hinzufügen