Eine Frau versucht, ihren Bruder, der wegen Mordes verurteilt wurde, zu entlasten, indem sie beweist, dass das Verbrechen von einem übernatürlichen Phänomen begangen wurde.Eine Frau versucht, ihren Bruder, der wegen Mordes verurteilt wurde, zu entlasten, indem sie beweist, dass das Verbrechen von einem übernatürlichen Phänomen begangen wurde.Eine Frau versucht, ihren Bruder, der wegen Mordes verurteilt wurde, zu entlasten, indem sie beweist, dass das Verbrechen von einem übernatürlichen Phänomen begangen wurde.
- Auszeichnungen
- 3 Gewinne & 17 Nominierungen insgesamt
Garrett Ryan
- Young Tim
- (as Garrett Ryan Ewald)
Brett Murray
- Officer 1
- (as Brett Luciana Murray)
Odina Odette
- Skype Worker
- (as Elisa Victoria)
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Far more than a tale of supernatural horror, "Oculus" explores the fundamental terror of not being able to trust one's own mind. Newly released from mental institution incarceration, a young man is swept along by his sister to confront the demon in the mirror to shattering results. Too often, an evil force is described as unbeatable, and then easily beat. Not so here...
As ends go, this one goes dark-perhaps to realism within the rules of the world, but unsatisfying to those wishing for any kind of redeeming factor.
Other points dissatisfy, such as the amount of dialogue the actors have to say as quickly as they can, particularly Kaylie. And then Kaylie's odd face-framing bangs and her extension ponytail.
Overall though, a terrifying experience. If you'd like to watch a movie by this director Mike Flanagan that does balance a sense of consequence as well as victory, watch "Doctor Sleep" based on Stephen King's sequel his classic story The Shining.
As ends go, this one goes dark-perhaps to realism within the rules of the world, but unsatisfying to those wishing for any kind of redeeming factor.
Other points dissatisfy, such as the amount of dialogue the actors have to say as quickly as they can, particularly Kaylie. And then Kaylie's odd face-framing bangs and her extension ponytail.
Overall though, a terrifying experience. If you'd like to watch a movie by this director Mike Flanagan that does balance a sense of consequence as well as victory, watch "Doctor Sleep" based on Stephen King's sequel his classic story The Shining.
This is a classic ghost story.
I won't spoil anything, but for a haunted mirror movie, I found it VERY effective.
There are only really 6 people in the film. The parents, and the children at 2 different ages. The film is not really linear, and it took me a while to get the flow of the constant changing from today and yesterday. Once I got it, I found it very clever.
What impressed me the most, however, is that there is hardly any blood, no nudity, no profanity, no sex, no gore and it scared the crap out of me!
No, it doesn't reinvent the genre (can you even really do that with the haunted mirror genre?), but it is a well crafted, well acted movie that really kept my interest all the way through.
The young girl was especially effective.
The film starts off slow and methodical and really hits its stride about the half way mark.
We need more films like this. Smart, clever "little" films - a few characters, a few props and lots of chills and thrills.
Please see this!
8/10
I won't spoil anything, but for a haunted mirror movie, I found it VERY effective.
There are only really 6 people in the film. The parents, and the children at 2 different ages. The film is not really linear, and it took me a while to get the flow of the constant changing from today and yesterday. Once I got it, I found it very clever.
What impressed me the most, however, is that there is hardly any blood, no nudity, no profanity, no sex, no gore and it scared the crap out of me!
No, it doesn't reinvent the genre (can you even really do that with the haunted mirror genre?), but it is a well crafted, well acted movie that really kept my interest all the way through.
The young girl was especially effective.
The film starts off slow and methodical and really hits its stride about the half way mark.
We need more films like this. Smart, clever "little" films - a few characters, a few props and lots of chills and thrills.
Please see this!
8/10
21 year old Tim Russell is released from a mental institution.That same week his older sister is able to get a few days alone with the Lesser mirror. Kaylie, the sister, decides to take the mirror back to their old house, where unspeakable horrors unfolded during their childhood shortly after they moved to the back-then-new-house, and their father bought the infamous mirror. Kaylie is convinced the mirror is haunted: the mirror being some sort of evil supernatural being. Tim, on the other hand, has grown completely skeptic about the supernatural aspect of the mirror, believing his sister only holds on to that notion simply to have a way to cope with the horrific events of their childhood. Needless to say, the mirror does seem haunted, and as the night progresses for the adult siblings, the door to those memories open up, revealing more and more those events which both are trying to move on from; albeit in very different ways. These two timelines (their childhood and their present-day adult selves) unfold in a parallel manner, with the ending of the film culminating the two timelines' climaxes together.
One of the things the film gets right is the acting. Both Karen Gillian and Brenton Thwaites do a very decent job in portraying the adult version of the siblings. Their children counterparts also do an impressive work in portraying two small, terrified brother and sister with no one to turn to for help, slowly accepting the fact that they are both alone against the mirror.
The second good thing about it is the staging of the story. Although the concept is nothing new or original, the execution of such concept is both new and original. This injects a healthy dose of re-freshens and also a decent amount of unexpectedness to the film. Both helping in making this horror film one in which the audiences are actually engaged and interested in what will happen next, and at the same time they can have fun in the direction the story advances to.
A neutral element in it is the way they decided to unfold both story-lines (past and present). Like mentioned above, both of them move forward hand-in-hand, with various parallels presenting themselves in the way of flashbacks from both siblings. While this works wonderfully in the first half of the film, the second half of it loses a good chunk of the excitement which this sort of narrative added to the first half. That is not to say however, that it hurts it, but by the ending it just feels it needed to continue this way to explain what had happened, rather than using it to strengthen the present events.
More personally speaking, the ending felt rather frustrating and just almost unimaginative. While the final events fit into the pattern of what the mirror does, it feels like it should have had a more surprising ending due to the excellent build-up the film provides in the first two-thirds. The moment when the final twist happens, it is shocking, with everything falling into place seconds later, only to add more shock to what happens. However, moments later the feeling of shock is quickly replaced by one of been-there-done-that, leaving the audience feeling that there should have been more to it, rather than it being so simple and straight-forward.
If you are expecting an explanation for what the mirror really is, what entity it holds, or how it came to be, you will be disappointed. If you are rather more interested in the how (instead of the why's or what's of the mirror) you will feel more satisfied. The focus of the film is in tricking its characters, and along with them the audience as well. The story is very effective in messing with one's psyche, making one actually wonder what is actually happening to the characters, and what is fake and just a product of the mirror.
Overall, adjust your expectations into knowing that this film is good, but it does not redefine the genre in the slightest. It does feel refreshing, but other than in its execution, there is nothing new to see here. The movie is fun and unexpected (something very few recent horror movies can say), so with everything else, it is definitely an enjoyable ride as a whole.
One of the things the film gets right is the acting. Both Karen Gillian and Brenton Thwaites do a very decent job in portraying the adult version of the siblings. Their children counterparts also do an impressive work in portraying two small, terrified brother and sister with no one to turn to for help, slowly accepting the fact that they are both alone against the mirror.
The second good thing about it is the staging of the story. Although the concept is nothing new or original, the execution of such concept is both new and original. This injects a healthy dose of re-freshens and also a decent amount of unexpectedness to the film. Both helping in making this horror film one in which the audiences are actually engaged and interested in what will happen next, and at the same time they can have fun in the direction the story advances to.
A neutral element in it is the way they decided to unfold both story-lines (past and present). Like mentioned above, both of them move forward hand-in-hand, with various parallels presenting themselves in the way of flashbacks from both siblings. While this works wonderfully in the first half of the film, the second half of it loses a good chunk of the excitement which this sort of narrative added to the first half. That is not to say however, that it hurts it, but by the ending it just feels it needed to continue this way to explain what had happened, rather than using it to strengthen the present events.
More personally speaking, the ending felt rather frustrating and just almost unimaginative. While the final events fit into the pattern of what the mirror does, it feels like it should have had a more surprising ending due to the excellent build-up the film provides in the first two-thirds. The moment when the final twist happens, it is shocking, with everything falling into place seconds later, only to add more shock to what happens. However, moments later the feeling of shock is quickly replaced by one of been-there-done-that, leaving the audience feeling that there should have been more to it, rather than it being so simple and straight-forward.
If you are expecting an explanation for what the mirror really is, what entity it holds, or how it came to be, you will be disappointed. If you are rather more interested in the how (instead of the why's or what's of the mirror) you will feel more satisfied. The focus of the film is in tricking its characters, and along with them the audience as well. The story is very effective in messing with one's psyche, making one actually wonder what is actually happening to the characters, and what is fake and just a product of the mirror.
Overall, adjust your expectations into knowing that this film is good, but it does not redefine the genre in the slightest. It does feel refreshing, but other than in its execution, there is nothing new to see here. The movie is fun and unexpected (something very few recent horror movies can say), so with everything else, it is definitely an enjoyable ride as a whole.
Even though it wasn't as scary or gory, as I wanted it to be. It still managed to creep me out and get on my nerves, with it's very creative and elaborate story and excellent performances from all it's cast. I really enjoyed the chemistry between the two younger actors played by Annalise Basso & Garrett Ryan, and the relationship they had as characters, which added a lot of heart and sentiment to the whole story. Moreover, this movie was more a drama with some horror, because it didn't played with the whole scare and gore factors, but instead it was more about the the story behind the mirror and the effect it had with the people that surrounded it. It would be a good idea to make this a franchise because of how extensive its universe could be, as well as how many different stories and characters it could incorporate and continue to haunt, even though it's ending was melodramatic to me, it felt conclusive and eerily heartbreaking. Overall, it was a very good little drama-horror film that goes more farther than you could imagine and think.
Tim Russell (Brenton Thwaites) gets released from a mental hospital. Eleven years earlier, his parents (Katee Sackhoff, Rory Cochrane) get a mysterious mirror. His father supposedly tortured and killed his mother. In the present, his sister Kaylie Russell (Karen Gillan) rediscovers the mirror. Tim has only fragmentary memories of the incident. Kaylie aims to prove the murderous supernatural nature of the mirror. Michael Dumont (James Lafferty) is Kaylie's boss at the auction house and her boyfriend.
This movie has great moodiness. Much of it is due to the cold look and the vibrating sound design. Gillan is great. There is real tension about memories and reality when Tim disagrees with Kaylie. It's an old fashion horror like a ghost story told by the camp fire. It is expertly revealed. Everybody including the kids are great. The last act does get a little muddled as it tries to ramp up the excitement while trying to wind down the plot. It would have been great to have Gillan continue as the lead as the franchise inevitably continues.
This movie has great moodiness. Much of it is due to the cold look and the vibrating sound design. Gillan is great. There is real tension about memories and reality when Tim disagrees with Kaylie. It's an old fashion horror like a ghost story told by the camp fire. It is expertly revealed. Everybody including the kids are great. The last act does get a little muddled as it tries to ramp up the excitement while trying to wind down the plot. It would have been great to have Gillan continue as the lead as the franchise inevitably continues.
Wusstest du schon
- WissenswertesHad director Mike Flanagan agreed to film "Oculus" in the "found footage" genre (like Paranormal Activity (2007)), a number of studios would have backed it as early as 2006. However, Flanagan refused.
- PatzerWhen Kaylie starts recording her video, she says the time is 4:15PM. Two minutes later when Michael calls her, she says "Could you try and call on the hour? It's about seven past."
- Zitate
Alan Russell: I've met my demons and they are many. I've seen the devil, and he is me.
- VerbindungenFeatured in The Nostalgia Critic: Top 11 New Halloween Classics (2014)
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Details
Box Office
- Budget
- 5.000.000 $ (geschätzt)
- Bruttoertrag in den USA und Kanada
- 27.695.246 $
- Eröffnungswochenende in den USA und in Kanada
- 12.005.402 $
- 13. Apr. 2014
- Weltweiter Bruttoertrag
- 44.459.951 $
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What is the streaming release date of Oculus: Das Böse ist in dir (2013) in France?
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