Die Peanuts - Der Film

I loved the Peanuts half hour TV specials as a kid, particularly Halloween and Christmas. I make my kids watch them each year and they enjoy them. We have also watched at least one fuller length movie made some time ago (about a spelling bee?) that ran a little too long. Before the specials even existed I loved the Peanuts comic strips. This movie handled the characters great, no complaint there. I just got part way through and said okay where are we going with this and how much is left. So maybe the bottom line is Peanuts is more effective in small doses than in a full length movie. They seemed to realize that in having a short movie to start and keeping the running time down. Of the story lines the best (and the one that could be enjoyed the longest) was the Snoopy WWI theme. But the bottom line is that it may be hard to make this work for an hour or more no matter how you do it, even if you have stupendous graphics. In any event, nice to see a new generation of Schulz's carrying the torch.

P.S. In watching some of the older shows recently, I remembered that the best of the TV shows was where they basically just strung a bunch of the daily cartoons together, rather than tell a traditional story. Charles Schulz was a cartoon genius, and had a penchant for running a series of consecutive strips on the same subject, sort of a continual story with a daily punch line, which is directly transferable to the screen. Maybe they could go back to that format next time around?

A little red-haired girl has moved across the street from Charlie Brown. He sees her and falls in love. He wants to ask her out or impress her but everything he tries fails. Meanwhile Snoopy is in his doghouse plane fighting the Red Baron for cute little poodle Fifi.

I was expecting the worst when this was announced. I'm glad to announce that I was wrong. This is a charming, amusing and excellent update of the Peanuts. Actually there's no updating of the characters and their world. They still use phones and typewriters, No computers, cells or such exist here. The animation is now all CGI but manages to retain the charm of the hand-drawn originals. The aerial battles between Snoopy and the Red Baron are VERY well-done. The voices are now done by actual children and not adults like the previous ones did. Also there's no crude humor or violence--this is VERY G rated. Even better it has messages that say be yourself and don't give up no matter what. And of course it has a big old happy ending! Warm, amusing and perfect for the whole family. Recommended.

Blue Sky hasn't had a great track record. The Ice Age movies and the Rio films are okay at best but somehow they managed to really shine with The Peanuts and bring the strip justice. That probably has something to do with the fact that this film was actually written by Charles Schulz's son Craig. All the characters are here with their personalities intact and voiced by some really good kid actors. I didn't once think to myself that these kids don't sound like The Peanuts. The parts involving Snoopy's adventures against The Red Baron are also quite engaging almost like something out of Duck Tales or Chip 'n Dale Rescue Rangers. I think this is a good film any fan of Charlie Brown will love and those of you unfamiliar with the material, this is probably a great place to jump onto.

A worry going in to The Peanuts Movie was simply this: in 2015, in a time where animation is all computer-animated and with super-sophistication but also lacking the sort of approach that came with the simple, quirky, edgy-but-cute style of the Peanuts cartoons from the past half century, how do you bring that world out and make it feel right? And there was an element of the story that made me raise an eyebrow, and reminded me of an issue I had with the recent 2011 return of The Muppets - a new character comes to the universe of the Peanuts. Would this character fit in? Would it be distracting if he or she looks different or acts un-Peanuts-like? And what does Peanuts-like mean, you might ask, by the way? It's that thing where, simply, kids think like kids, but with an extra level of sophistication in the writing. Let me put it this way: The Peanuts Movie is the only movie that kids will see which has a reference to Tolstoy's War and Peace (though it's not initially called that by Peppermint Patty).

But fears are assuaged as I return from seeing the movie and find the movie is very successful at what it aims to be. In short, this is at its best... just another Peanuts movie, but that's a sincere compliment. You watch some of those movies and specials, which have stood the test of time due to the wit of the writing and the beautiful (yes, beautiful) animation that does simply to bring Charles Schulz's comic to life, and those shows and movies (i.e. the best, A Boy Named Charlie Brown, but also Snoopy Come Home and Bon Voyage, Charlie Brown) with issues that kids deal with, whether or not they directly relate to the hero. In this story it's all about this new girl coming to school (we never learn her name, there's really no need to), and how good old Chuck can barely deal with his ridiculously nervous reaction. How can he even say hello to her, much less carry a conversation? What can he do to build up his confidence? Can Lucy with her Nickel-store advice and 10-step book help? Can he become a success in some way?

Whether you're coming to this as someone who has been watching Peanuts all your life, or if you have a little kid (or are one) and have never seen one of these and it's your introduction, it is a wholly delightful experience. Schulz's kids were co-screenwriters, which could have been great or not-so-great (one never knows if the purity will work or become too stifling, or if there are too many attempts to make it "hip" and "Modern", which means it won't age so well years down the line). All of the Peanuts characters we know and like are here - I couldn't find one major one who wasn't, and everyone gets a moment or two (I even forgot for a moment Lucy's crush for Schroeder, but it's here too). And of course Snoopy as the super rascal/charmer/adventurer of the lot who tries to do things like sneak into school as a teacher ("No dogs allowed!" duh) and spends his part time writing stories about being an ace pilot with the "Red Baron" plane.

With the exception of a couple of elements that, frankly, I could've taken or left, like some of the Red Baron bits (some are OK, some may drag unless you're a kid into the action-loaded visuals), and the inclusion of a couple of pop songs (not annoying ones, but they are of this time period) and a lack (not completely, but not enough) of Vince Guaraldi's irreplaceable jazz score, the movie really works. I cared about Charlie Brown on his journey through building up his confidence, through ups and downs that were not, and occasionally were, his fault. And along the whole way, there's that special thing that made Peanuts work, has always made it work, and will continue for many years to come: you want to see this guy win, and yet it's funnier/more realistic when he falls on his face. But maybe every Charlie Brown has his day in this case? Between the talent show, school dance, book report, summer pen-pal deal, can Charlie Brown say ONE word to this girl? Who knows.

They're all here and its spirit is pure. What else do you need to know? The Peanuts Movie is a blast of family entertainment in the young and old sense of the word, full of clever lines and visual-eye-pleasing slapstick and, (happy surprise) pathos.

Source of my comment: hitfix.com Review By Drew McWeeny.

When we live in an age when everything, no matter how pure the intent of the creator, is simply IP to be farmed, it is right to be suspicious of a "Peanuts" movie. After all, Charlie Brown and the rest of the characters created by Charles Schulz have been huge business for decades, and it makes sense that they would put something together if for no other reason than to keep the characters active in pop culture.

Thankfully, it appears that the people behind "The Peanuts Movie" take the legacy of these characters very seriously, and the result is a gentle, charming movie that seems far less frantic than much of what is created for young audiences these days. Blue Sky, one of the two major producers of CG animated films for Fox, has produced ten feature films now, and while the majority of their efforts have been originals, it was clear from "Horton Hears A Who" that when they adapt someone else's property, they try to do so from a position of authenticity and respect.

One of the things that makes "Peanuts" such a broad target is all the different versions there have been. Even in our editorial meetings at HitFix, as we talk about the films or the specials that we think of when "Peanuts" is mentioned, we all have our own take on what that means. For me, the old school TV specials and the first few movies were the defining version. Louis Virtel told me he always thinks of "Race For Your Life, Charlie Brown!" first. My kids have been exposed to some of the specials, but Toshi took it upon himself to read the Fantagraphics collections of all of the strips that I have on my shelves. And to any of those people, I would say, "You'll recognize the 'Peanuts' you love in this movie, and you'll be happy." That could not have been an easy task, so for that alone, Blue Sky and Fox deserve some accolades.

One of the most interesting choices they made in approaching the movie was how to design the characters. They are 3D CG objects, but the faces are "drawn" onto the heads in a way that always feels like there's a physical brush stroke, a pencil mark. I assume the entire thing is CG, but it connects the characters to the long hand-made tradition that started with the comic strip itself. It's a strong stylistic decision, and it makes sure the characters feel like the characters we already know. Steve Martino, working from a script by Bryan Schulz, Craig Schulz, and Cornelius Uliano, touches on any number of familiar jokes and scenes and set-ups, with a number of references to the long history of the characters. Snoopy spends most of the movie working on a book on his newly-discovered typewriter, the story of a flying ace and his battle against the infamous Red Baron. Sally's got her crush on her sweet baboo, Linus, who nurses his faith in the the Great Pumpkin. Lucy gives advice at her sidewalk psychiatric stand while making passes as Schroeder every chance she gets. Peppermint Patty and her assistant Marcie both play their familiar roles as well, with Charlie Brown at the center of everything, constantly put upon, constantly taking one on the chin. If this is going to be true to the original strip that Schulz created, then Charlie Brown has got to be suffering, a kid who can't catch a break.

What surprised me was the way they took a quiet approach to finding something else to say about Charlie Brown. I was worried that this was going to be a film where they had to turn him into something he wasn't just to tick some demographic checklist, and instead, the film makes some very strong and interesting points about what is heroic when you're just a kid trying to define yourself. In this case, there's a new kid in school, the Little Red-Haired Girl, and Charlie Brown is determined to reinvent himself in a way that will win this girl's attention and approval. This being Charlie Brown, things are not that easy, but I thought the way they eventually bring it together was unexpectedly honest. At this point, these characters have been playing the same beats for so long that it is genuinely surprising to see them do something new that doesn't feel like a violation of the characters, but rather a natural extension of what we already know about them.

The cast of young voice actors all seem appropriately chosen, and it's interesting to hear how they've gone out of their way to find kids who naturally sound like the voices that have been connected to the characters for over 40 years now. One of the reasons I don't ever want a "Calvin & Hobbes" adaptation to happen is because I don't want to hear anyone else's take on how Hobbes should sound, but with these characters, they've had the same voices for so long now that it's kind of like a magic trick. It's a cast of real kids here, but they sound like the "real" Charlie Brown, the "real" Lucy, the "real" Linus.

Frequently very funny, undeniably aimed at younger audiences, and true to the source material, "The Peanuts Movie" is too mild-mannered to win over brand new audiences, but it's going to please people who were already fond of the underlying property, and it should be a big nostalgia-driven hit for the studio.