IMDb-BEWERTUNG
5,7/10
2841
IHRE BEWERTUNG
Die Schatzsuche im Inneren des Einzelnen und der Familie ist ein bewundernswertes Trio, dessen Interpretation ebenso nuanciert wie ergreifend ist.Die Schatzsuche im Inneren des Einzelnen und der Familie ist ein bewundernswertes Trio, dessen Interpretation ebenso nuanciert wie ergreifend ist.Die Schatzsuche im Inneren des Einzelnen und der Familie ist ein bewundernswertes Trio, dessen Interpretation ebenso nuanciert wie ergreifend ist.
- Auszeichnungen
- 3 Nominierungen insgesamt
Empfohlene Bewertungen
I never had a secret cartoon voice with my brothers growing up. But I was fascinated by the quirky relationship between the three siblings in "The Adults". I took a gamble on the movie, because Sophia Lillis was in it, and I remembered Michael Cera from Juno and Scott Pilgrim vs. The World. Seeing Michael Cera as an adult was sad. His sister Rachel was nicknamed Mopey Mopey, but Michael's character Eric was the one who moped around the whole time. He looked beaten down and barely squeaked out an emotion. This was juxtaposed to Sophia Lillis' character Maggie who had no problem showing her emotions. Since Michael's depressing character, Eric, was the protagonist, I had trouble getting through a number of his scenes, including most of his scenes when he was gambling in the shady backroom poker games. It was hard for me to see the man he had become after both of his parents died. From personal experience, after my mother passed away, it was hard to get the brothers back over for family dinners very often. Life got busy, and mom wasn't there to bring everyone together anymore. I see this with the three siblings in the movie.
The best parts of this movie were watching the three siblings reconnect through their cartoon language and their musical theater routines. Those elements felt real to me. My guess is that the writer based these on actual experiences. The longer Eric stayed with his sisters and fell back into his childhood world, I think the better adult he became. His sisters seemed to improve their disposition the longer he stayed with them also. It was interesting watching Rachel try out her cartoon voice with a co-worker who didn't get it. She was becoming more of herself, and perhaps eventually others will start appreciating her creativity. My older brother is the practical joker. He's also a very creative person as a writer. As a grandfather, he is teaching his 3-year-old granddaughter all kinds of annoying habits that he was laughing about, such as telling her that her dad went bald because a squirrel came and ate his hair. Perhaps he said a skunk came. I often block out what my brother says! Then, he gets a call from his daughter asking what he's been telling his granddaughter. She was asking her dad about the squirrel who came to eat dad's hair and if it was coming back to eat her hair! My brother thought this was hilarious. My brother is 72 years old and still not what you would call an adult. Perhaps we never grow up or if we grow up too much, it doesn't hurt to remember what we were like as kids.
This was by no means a perfect movie, but if you enjoy watching strong acting performances, I recommend it. It was another great role for Sophia Lillis. And I'll give an honorable mention to Mopey Mopey, Hannah Gross. I believed her, and by the end, I felt for her character. I wouldn't mind visiting with the siblings again one day to see their newest song and dance routine!
The best parts of this movie were watching the three siblings reconnect through their cartoon language and their musical theater routines. Those elements felt real to me. My guess is that the writer based these on actual experiences. The longer Eric stayed with his sisters and fell back into his childhood world, I think the better adult he became. His sisters seemed to improve their disposition the longer he stayed with them also. It was interesting watching Rachel try out her cartoon voice with a co-worker who didn't get it. She was becoming more of herself, and perhaps eventually others will start appreciating her creativity. My older brother is the practical joker. He's also a very creative person as a writer. As a grandfather, he is teaching his 3-year-old granddaughter all kinds of annoying habits that he was laughing about, such as telling her that her dad went bald because a squirrel came and ate his hair. Perhaps he said a skunk came. I often block out what my brother says! Then, he gets a call from his daughter asking what he's been telling his granddaughter. She was asking her dad about the squirrel who came to eat dad's hair and if it was coming back to eat her hair! My brother thought this was hilarious. My brother is 72 years old and still not what you would call an adult. Perhaps we never grow up or if we grow up too much, it doesn't hurt to remember what we were like as kids.
This was by no means a perfect movie, but if you enjoy watching strong acting performances, I recommend it. It was another great role for Sophia Lillis. And I'll give an honorable mention to Mopey Mopey, Hannah Gross. I believed her, and by the end, I felt for her character. I wouldn't mind visiting with the siblings again one day to see their newest song and dance routine!
In dreary 'real life' hipster drama "The Adults" Michael Cera revisits his cold, drab NY state hometown where he'd rather play poker with strangers than reconnect with sisters Hannah Gross (between he & whom there are issues since their mum passed 5yrs back) & Sophie Lillis (who's apparently always idolised him (tho who knows why)). Over its 1hr 31mins (that seems longer) the siblings awkwardly communicate in in-jokes, silly voices and (most cringe-worthily) self-written song & dance routines that they used to do at Christmas etc. It may mean something to writer / director Dustin Guy Defa, but to most anyone else it'll be an excrutiating bore. Flush.
Really interesting to see the mixed opinions on this. I really enjoyed it. It's a beautiful portrayal of sibling relationships, and so much in the movie is in what's unsaid. This can sometimes be frustrating in movies like this but there's so much depth in the characters and performances from the three leads that you can feel their complexities and pain, but also the unique connection they have. Reminiscent of the also great Skeleton Twins. I think it's currently really underrated on here and I'm glad I decided to watch it, based purely on a clip of Michael Cera's (excellent) Tony Soprano impression.
I like(d) Michael Cera (the leading actor) comical charisma before in many other movies, one being in Barbie recently. Michael Cera was even producer of this movie himself so he must have had a lot of cloud to mold this movie, but it unfortunately fell flat.
The bad: it isnst a comedy, not even a quirky one. It isnt a drama for sure either. It is some sort of slowburning and BLAND portrait of 3 siblings (1 brother, 2 sisters) who get together again after a long time no see.
No surprising storyline. No original direction. No impressive technical details (sound, photography). No actor's chemistry.
I guess they wanted to create a quirky, comical personal portrait, but they failed big time...
The bad: it isnst a comedy, not even a quirky one. It isnt a drama for sure either. It is some sort of slowburning and BLAND portrait of 3 siblings (1 brother, 2 sisters) who get together again after a long time no see.
No surprising storyline. No original direction. No impressive technical details (sound, photography). No actor's chemistry.
I guess they wanted to create a quirky, comical personal portrait, but they failed big time...
I love Michael Cera's work and really rate him as an actor and his taste in projects. He is always interesting.
This film, although a long way from what we usually expect from him was still a good effort. This film is straight up family drama, not a comedy. It shows the quirks and reality of a trio of siblings left without their matriarch and patriarch to find their own path in the world, as they develop their own quirks and flaws as individuals apart from each other. The family house is still there, and the remnants of the siblings routines and mannerisms they developed as they grew up together, now apart.
Cera's character has developed an obsessive card game addiction, and we see this through him fobbing off friends and family in order to get his gaming fix, Sophia Lillis's character had drifted along with her frail quirky character and Hannah Gross's character had pulled back into her shell, still damaged by the loss of their mother and trying to find her path.
The movie was well made and acted and I appreciated the non hollywood approach to the film-making as they made a very real, honest, recognisable portrayal of family dynamics and human failings.
If you were looking for some light relief with good Cera style humour this isn't it, but you can admire and acknowledge the good small movie this team have created. Cera wears the same clothes throughout, the house is realistically spartan, the family show love and failings believably, and the messages are subtle.
This film, although a long way from what we usually expect from him was still a good effort. This film is straight up family drama, not a comedy. It shows the quirks and reality of a trio of siblings left without their matriarch and patriarch to find their own path in the world, as they develop their own quirks and flaws as individuals apart from each other. The family house is still there, and the remnants of the siblings routines and mannerisms they developed as they grew up together, now apart.
Cera's character has developed an obsessive card game addiction, and we see this through him fobbing off friends and family in order to get his gaming fix, Sophia Lillis's character had drifted along with her frail quirky character and Hannah Gross's character had pulled back into her shell, still damaged by the loss of their mother and trying to find her path.
The movie was well made and acted and I appreciated the non hollywood approach to the film-making as they made a very real, honest, recognisable portrayal of family dynamics and human failings.
If you were looking for some light relief with good Cera style humour this isn't it, but you can admire and acknowledge the good small movie this team have created. Cera wears the same clothes throughout, the house is realistically spartan, the family show love and failings believably, and the messages are subtle.
Wusstest du schon
- WissenswertesMichael Cera wrote the childhood songs the siblings perform.
- SoundtracksL-Train
Written by Jordan Pilz, Daniel Alvarez de Toledo
Performed by TOLEDO
Courtesy of Grand Jury Music
Top-Auswahl
Melde dich zum Bewerten an und greife auf die Watchlist für personalisierte Empfehlungen zu.
- How long is The Adults?Powered by Alexa
Details
- Laufzeit1 Stunde 31 Minuten
- Farbe
Zu dieser Seite beitragen
Bearbeitung vorschlagen oder fehlenden Inhalt hinzufügen