Greetings again from the darkness. Even among sports fans and women's activists, Mildred Burke is not a household name. Writer-director Ash Avildsen and co-writer Alston Ramsay set out to correct this by adapting Ms. Burke's own writing and the 2010 book "The Queen of the Ring: Sex, Muscles, Diamonds and the Making of an American Legend" by Jeff Leen. Avildsen is the son of Oscar winning director John Avildsen (ROCKY, 1976; THE KARATE KID, 1982).
Mildred Burke was a three-time World Champion in Women's Wrestling, and the first million dollar female athlete. Her career spanned the 1930's into the 1950's, and the film opens in the ring during the brutal 1954 Women's World Championship match. Rather than finish that match, filmmaker Avildsen holds that until the finale and instead flashes back to Burke's early obsession with her desire to wrestle. Emily Bett Rickards ("Arrow") stars as Mildred, and she possesses the physicality and charm to pull off what we'd expect from a pioneer in women's sports. She displays toughness, determination, and talent in the ring - plus the savvy needed for marketing herself and the sport.
There are some issues with the movie. At times it's difficult to follow the timeline and it is uncomfortably choppy in its storytelling approach. However, the dynamics of this woman and her true story are such that we focus on the good stuff and appreciate her accomplishments. Additionally, there are some strong supporting performances. Josh Lucas plays wrestler Billy Wolfe, who recognizes Mildred's potential and becomes her promoter, her loving husband, her cheating husband, and her business partner. Walton Goggins plays legendary promoter Jack Pfefer, Tyler Posey plays Wolfe's son and Mildred love interest G Bill, Francesca Eastwood (yes, Clint's daughter) plays wrestler Mae Young, Adam Demos plays Mildred's friend and popular wrestler Gorgeous George, and Gavin Casalengo portrays Mildred's son.
We learn her story dates back to a time when many laws prohibited women from wrestling, and Mildred's early opportunities took place at traveling carnivals. Her motivation led to her pledge to her toddler son that they would not live an ordinary life ... and wrestling got her out of the apron at her mom's café. There is an obligatory training montage, and there is even a moment when Mildred's impact is compared to Jackie Robinson breaking the race barrier in baseball. The terrific soundtrack (not quite to the level of AMERICAN GRAFFITTI) helps offset some of the cheesy posing and strutting, even though these were keys in Mildred gaining popularity. Filmmaker Avildsen ends the film with photos and bio profiles on each of the characters as the closing credits begin. It's a fitting end and tribute for those who drove the early days of Women's wrestling.
The film opens in theaters on March 7, 2025.
