PUNTUACIÓN EN IMDb
7,2/10
3,9 mil
TU PUNTUACIÓN
La llegada de Maria Drazdechova, asociada al partido comunista, a una escuela de Bratislava en 1983 preocupa a padres, alumnos y colegas.La llegada de Maria Drazdechova, asociada al partido comunista, a una escuela de Bratislava en 1983 preocupa a padres, alumnos y colegas.La llegada de Maria Drazdechova, asociada al partido comunista, a una escuela de Bratislava en 1983 preocupa a padres, alumnos y colegas.
- Premios
- 8 premios y 14 nominaciones en total
Inka Gogálová
- Head Teacher
- (as Ina Gogálová)
Reseñas destacadas
Some genre labels are highly deceptive. The Czech Republic produced film The Teacher (2016) is labelled a comedy drama but there is little humour in this dark political satire about totalitarian regimes. Minimalist in dialogue and action, it paints a sombre picture for the youth of the communist world.
The storyline is simple but the atmosphere chilling. It is 1983 in Soviet-era Czechoslovakia and a long way from the child-centred education systems familiar to modern Western audiences. On the first day of school term, new teacher Maria Drazdechova (Zuzana Mauréry) asks each pupil to stand up and declare their parent's occupation. As the powerful chairwoman of the local communist party committee she seems over-confident while the camera pays close attention to her notebook of free services to be called upon. When the pupils inform their parents what happened, a cycle of silent complicity is triggered. Low performing pupils whose parents agree to Maria's hints, such as a free haircut, a fridge repair, or housecleaning, suddenly show an improvement in their school marks. High performing students whose parents do not curry the teacher's favour see their marks and future career prospects spiral downwards; one even attempts suicide. School authorities are intimated and there is no higher avenue of appeal. Both parents and pupils know that something sinister is happening as their school becomes a place of terror.
The central narrative premise is so disturbing that little embellishment is needed to portray the moral brutality of a corrupt political system. Sub-plots of parent meetings and conspiring pupils add texture to drama. The desaturated filming palette conveys the cold fear of life under communist control and the acting style has a realistic, almost cameo quality that intensifies the trauma of Maria's victims. Zuzana Mauréry and the support cast are largely unknown but are perfect in their roles. Mauréry is particularly effective in portraying a smugly callous disregard for her pupils with a veneer of smiling innocence that masks her ruthless exploitation. While the teacher may depict the corrupt face of totalitarianism it is the parents who reciprocate the mass compliance necessary for propping up such regimes.
It would be hard to describe this film as entertaining. There are few light moments and little to laugh at when depicting the communist way of life. Being sub-titled, some loss of dialogue nuance is inevitable but the message is unmistakable. With an authentic voice and sense of place, this is a gripping allegory for the moral corruption endemic to communism.
The storyline is simple but the atmosphere chilling. It is 1983 in Soviet-era Czechoslovakia and a long way from the child-centred education systems familiar to modern Western audiences. On the first day of school term, new teacher Maria Drazdechova (Zuzana Mauréry) asks each pupil to stand up and declare their parent's occupation. As the powerful chairwoman of the local communist party committee she seems over-confident while the camera pays close attention to her notebook of free services to be called upon. When the pupils inform their parents what happened, a cycle of silent complicity is triggered. Low performing pupils whose parents agree to Maria's hints, such as a free haircut, a fridge repair, or housecleaning, suddenly show an improvement in their school marks. High performing students whose parents do not curry the teacher's favour see their marks and future career prospects spiral downwards; one even attempts suicide. School authorities are intimated and there is no higher avenue of appeal. Both parents and pupils know that something sinister is happening as their school becomes a place of terror.
The central narrative premise is so disturbing that little embellishment is needed to portray the moral brutality of a corrupt political system. Sub-plots of parent meetings and conspiring pupils add texture to drama. The desaturated filming palette conveys the cold fear of life under communist control and the acting style has a realistic, almost cameo quality that intensifies the trauma of Maria's victims. Zuzana Mauréry and the support cast are largely unknown but are perfect in their roles. Mauréry is particularly effective in portraying a smugly callous disregard for her pupils with a veneer of smiling innocence that masks her ruthless exploitation. While the teacher may depict the corrupt face of totalitarianism it is the parents who reciprocate the mass compliance necessary for propping up such regimes.
It would be hard to describe this film as entertaining. There are few light moments and little to laugh at when depicting the communist way of life. Being sub-titled, some loss of dialogue nuance is inevitable but the message is unmistakable. With an authentic voice and sense of place, this is a gripping allegory for the moral corruption endemic to communism.
I dont understand the low ratings for this film. it is a great movie , story telling and acting is superb. i would strongly recommend this movie.
"Ucitelka" ("The Teacher") is a film from Slovakia and it's set during the years of Soviet domination--probably the 1980s, though the film never gives an exact date.
The story is set during a special meeting called at a local school. It seems that some parents have complained about the actions of their children's teacher. This teacher is very well connected in the Communist party and, according to some, she's using this power to manipulate parents and children into doing her 'favors'. There's also some indication that if students or parents don't do these favors that the kids' grads will suffer. How true all of this is isn't clear in the beginning and as the meeting progresses, you see flashbacks to give you some indication as to what's been happening.
What's really fascinating isn't the teacher's behavior but that of some of the parents who try to exert pressure on other parents to shut up and drop the matter. Additionally, this movie obviously wouldn't have been made during the occupation and most likely shows some of the fear that permeated the lives of Slovakians during this time.
In some ways, this film reminds me of "12 Angry Men" or "Rashomon" in that you really don't know exactly what happened but instead you need to sit back and take it all in in order to form your opinion. And, like these films, it's an interesting look at human nature--both for good and bad. One lesson you see in the movie is the notion of the herd mentality--don't rock the boat unless you yourself are personally being hurt by someone or something. Sad....but often true. And, it seems from the epilogue that this was, in fact, a true story as well.
I really liked this movie. There is a depth to it that very unusual and it really showed the awfulness of human nature...whether in an ex-Soviet nation or anywhere else. Well worth seeing and unique in many ways.
The story is set during a special meeting called at a local school. It seems that some parents have complained about the actions of their children's teacher. This teacher is very well connected in the Communist party and, according to some, she's using this power to manipulate parents and children into doing her 'favors'. There's also some indication that if students or parents don't do these favors that the kids' grads will suffer. How true all of this is isn't clear in the beginning and as the meeting progresses, you see flashbacks to give you some indication as to what's been happening.
What's really fascinating isn't the teacher's behavior but that of some of the parents who try to exert pressure on other parents to shut up and drop the matter. Additionally, this movie obviously wouldn't have been made during the occupation and most likely shows some of the fear that permeated the lives of Slovakians during this time.
In some ways, this film reminds me of "12 Angry Men" or "Rashomon" in that you really don't know exactly what happened but instead you need to sit back and take it all in in order to form your opinion. And, like these films, it's an interesting look at human nature--both for good and bad. One lesson you see in the movie is the notion of the herd mentality--don't rock the boat unless you yourself are personally being hurt by someone or something. Sad....but often true. And, it seems from the epilogue that this was, in fact, a true story as well.
I really liked this movie. There is a depth to it that very unusual and it really showed the awfulness of human nature...whether in an ex-Soviet nation or anywhere else. Well worth seeing and unique in many ways.
A movie called "The Teacher" has to be an uplifting movie about all the good teachers do, and the inspiration they bring to their students, right? Well, not exactly, particularly if you believe bribing, using power for your own benefit and to bully others, and beings selfish is something teachers should teach.
"The Teacher" tells the story of a school meeting, where the parents of the students of a class meet to talk about the teacher of their children, for reasons that are not very clear at the beginning, but seem to be pretty damning for the aforementioned teacher. Little by little, by flashbacks, and by the conversations between the parents, we get to know the problem, and we get to know the different opinions and why those different opinions happen.
It is a very interesting look on how power, families, or school work, with a lot of dark humor and sarcasm and an ironic look to an era where Communism was in power in what nowadays is Slovakia. The director, Jan Hrebejk, goes for satire, not being bleak and angry, but tongue-in-cheek. Nothing of what he tells will be particularly surprising, but centering on the abuse of power and corruption in a school, instead of in the government or military, offers a fresh look, and the amazing work by Zuzana Mauréry elevates this movie to another level. Her acting is amazing, and she brings Mária to life in a performance that will stay with the viewer long after the credits roll. A really interesting, and good, movie.
"The Teacher" tells the story of a school meeting, where the parents of the students of a class meet to talk about the teacher of their children, for reasons that are not very clear at the beginning, but seem to be pretty damning for the aforementioned teacher. Little by little, by flashbacks, and by the conversations between the parents, we get to know the problem, and we get to know the different opinions and why those different opinions happen.
It is a very interesting look on how power, families, or school work, with a lot of dark humor and sarcasm and an ironic look to an era where Communism was in power in what nowadays is Slovakia. The director, Jan Hrebejk, goes for satire, not being bleak and angry, but tongue-in-cheek. Nothing of what he tells will be particularly surprising, but centering on the abuse of power and corruption in a school, instead of in the government or military, offers a fresh look, and the amazing work by Zuzana Mauréry elevates this movie to another level. Her acting is amazing, and she brings Mária to life in a performance that will stay with the viewer long after the credits roll. A really interesting, and good, movie.
Saw this at the Leiden International Film Festival 2016. The exposition of characters is very original, but it confused me in the beginning and made me wonder where the story was heading. The following may serve as heads up for subsequent viewers. In alternating short scenes, we observe a school building at daylight with students, and the same building at night with parents inside. In hindsight, we see a meeting of parents as the main course, and it is precisely that meeting that carries the story line. The parallel illustrations with scenes in and out of school are necessary to bring the core message home.
Several movies from former communist countries drive the message home that corruption and power abuse is a major issue. We start getting an idea what the problem is, when the teacher in question, on her first day, asks all students what their parents do for a living. It gradually grows on us that her interest is not seeking background information about the students, very commendable if that was the case, but foremost that she is planning to make effective use of their potential.
An example: One of the fathers is said to work on the airport, and she immediately sees an opportunity to smuggle bakery to her family abroad. Later on it appears that the airport employee in question is working as a sales clerk, and has no contact at all with plane crew personnel. So he can only make a feeble attempt to hand it over to passing plane personnel. It does not work due to everyone ignoring him. He is stuck with the cake, and sees no other way out than eating it by himself and not facing the music when coming home with it. This is just an example, but serves well as an illustration what this movie is about. Said teacher uses parents and children for a variety of domestic tasks, and passes information in return which parts of their home work should be studied in depth, as an examination about that particular material can be expected the next day.
The meeting called by the school director does not progress as smoothly as planned. The majority of the parents do not dare to speak out that they feel "used" by the teacher too, or either see no harm in it "everyone does it". It all comes down to the fact that high marks for the children are very important for their future, and parents are prepared for anything to accommodate that. At first, the screenplay focuses on two families in particular, who are very outspoken they will sign the petition. We see various scenes in class and at home to illustrate the problem very thoroughly. Alas, for a considerable part of the running time these two couples are alone with their complaints, and no other parents seems prepared to follow suit. It takes some time for a few (very few) others to join in, and we hear their stories as well via scenes at home. This approach with scenes alternating between locations and protagonists works very well, and is useful for keeping our interest.
Nevertheless, the meeting falters and most parents leave without having signed the petition. Yet, a very surprising outcome is to be expected, after all (no details, no spoilers). Apart from an indictment against people in a powerful position who may abuse their official position for private purposes, it also reminds us that corruption is still a major issue in some of the former Communist countries, as can be readily derived from recent movies like Durak/The Fool (Bykov 2014), Dolgaya Schastlivaya Zhizn/A Long And Happy Life (Khlebnikov 2013) and Leviathan (Zvyagintsev 2014). Those issues are not eliminated, apparently, and we still read about power abuse, self-serving bureaucrats and other forms of corruption in contemporary newspapers. On the other hand, similar issues exist in our Western countries as well, and the fact that papers, books and movies are not so outspoken about is, cannot be construed as a reason to believe that we are very different off here. Situations like the ones demonstrated in this movie, are feasible everywhere. I think this is the central theme of this movie, letting us stay awake and not lean backwards while thinking such problems only exist in far-away countries.
Several movies from former communist countries drive the message home that corruption and power abuse is a major issue. We start getting an idea what the problem is, when the teacher in question, on her first day, asks all students what their parents do for a living. It gradually grows on us that her interest is not seeking background information about the students, very commendable if that was the case, but foremost that she is planning to make effective use of their potential.
An example: One of the fathers is said to work on the airport, and she immediately sees an opportunity to smuggle bakery to her family abroad. Later on it appears that the airport employee in question is working as a sales clerk, and has no contact at all with plane crew personnel. So he can only make a feeble attempt to hand it over to passing plane personnel. It does not work due to everyone ignoring him. He is stuck with the cake, and sees no other way out than eating it by himself and not facing the music when coming home with it. This is just an example, but serves well as an illustration what this movie is about. Said teacher uses parents and children for a variety of domestic tasks, and passes information in return which parts of their home work should be studied in depth, as an examination about that particular material can be expected the next day.
The meeting called by the school director does not progress as smoothly as planned. The majority of the parents do not dare to speak out that they feel "used" by the teacher too, or either see no harm in it "everyone does it". It all comes down to the fact that high marks for the children are very important for their future, and parents are prepared for anything to accommodate that. At first, the screenplay focuses on two families in particular, who are very outspoken they will sign the petition. We see various scenes in class and at home to illustrate the problem very thoroughly. Alas, for a considerable part of the running time these two couples are alone with their complaints, and no other parents seems prepared to follow suit. It takes some time for a few (very few) others to join in, and we hear their stories as well via scenes at home. This approach with scenes alternating between locations and protagonists works very well, and is useful for keeping our interest.
Nevertheless, the meeting falters and most parents leave without having signed the petition. Yet, a very surprising outcome is to be expected, after all (no details, no spoilers). Apart from an indictment against people in a powerful position who may abuse their official position for private purposes, it also reminds us that corruption is still a major issue in some of the former Communist countries, as can be readily derived from recent movies like Durak/The Fool (Bykov 2014), Dolgaya Schastlivaya Zhizn/A Long And Happy Life (Khlebnikov 2013) and Leviathan (Zvyagintsev 2014). Those issues are not eliminated, apparently, and we still read about power abuse, self-serving bureaucrats and other forms of corruption in contemporary newspapers. On the other hand, similar issues exist in our Western countries as well, and the fact that papers, books and movies are not so outspoken about is, cannot be construed as a reason to believe that we are very different off here. Situations like the ones demonstrated in this movie, are feasible everywhere. I think this is the central theme of this movie, letting us stay awake and not lean backwards while thinking such problems only exist in far-away countries.
¿Sabías que...?
- CuriosidadesBarbora Bobulova was considered for the part of Mária Drazdechová, eventually played by Zuzana Mauréry.
- ConexionesFeatured in Tienes que ver esta peli: La profesora (2022)
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- How long is The Teacher?Con tecnología de Alexa
Detalles
Taquilla
- Recaudación en Estados Unidos y Canadá
- 64.437 US$
- Fin de semana de estreno en EE. UU. y Canadá
- 15.091 US$
- 4 sept 2017
- Recaudación en todo el mundo
- 1.350.426 US$
- Duración1 hora 42 minutos
- Color
- Relación de aspecto
- 1.78 : 1 / (high definition)
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