Un joven israelí se fuga a París para rehuir su nacionalidad con la ayuda de su diccionario franco-israelí de confianza.Un joven israelí se fuga a París para rehuir su nacionalidad con la ayuda de su diccionario franco-israelí de confianza.Un joven israelí se fuga a París para rehuir su nacionalidad con la ayuda de su diccionario franco-israelí de confianza.
- Premios
- 5 premios y 24 nominaciones en total
- Tamar
- (as Gaya Von Schwarze)
On its face the story is one of a gay Israeli youth, come to Paris, to reinvent himself, to begin a new life. And with the help of a French couple he meets in Paris, and despite the desires of his Israeli father to return, he seems to do just that.
But that synopsis hardly takes up the film's two hours. What does encompass the rest of the time are some pretty harrowing, vaguely interesting incidents that take place, some in Paris and others in Israel. None of these incidents are more than snippets. There are no true beginnings or endings. They are there. A seemingly insane Israeli fight-picker on the Paris Metro. An Israeli Security Chief with an unorthodox interviewing style. A rainy day at Paris' Israeli Embassy. Machine gun firing in tune to piped in music. And on. And on.
And it was as I was driving home that I realized these incidents were nothing but stories our hero was imparting to the young French Couple who'd taken him in. Now I imagine that others in the audience may have understood this. But not me. It's not as though these 'stories' are book-ended by a fade-in or out, by special music or unique photo effects. In fact our hero looks and sounds precisely as he does in 'real-life' throughout these related stories. So, again, I was in the dark. But a bigger issue is this. Suppose I did understand the story-within-story construct. Would that have made the film any better. Maybe. By one star.
One more thing. The hero's penis. It's on screen a lot. Some might say more than necessary. I mean I can imagine the film with absolutely no frontal-nudity whatsoever and I would have been just as satisfied or dissatisfied. Actors today are given to saying, I'll be nude if it advances the story. Well it's tough to know how this penis does.
- levybob
- 5 oct 2019
- Enlace permanente
Argumento
¿Sabías que...?
- CuriosidadesFilm debut of Tom Mercier.
- PifiasA cable man can be spotted on Michel's helmet in the close-up shots of him riding the motorcycle.
- Citas
French Teacher: 1905. If you remember one date, that one! The separation of church and state. Secular, secular, secular. In France, no one asks you your religion. In France, no one talks about their religion. Two months ago, a man prayed out on the lawn. The janitor took a photo. We dealt with him. Here, no money goes to religions. No money to churches, mosques or synagogues. Money is for education, not religion. Because there is no religion. Because there is no god. Because god does not exist.
- ConexionesReferenced in Vecherniy Urgant: Nikolay Rastorguev/Igor Matvienko (2019)
- Banda sonoraConcerto in E Minor for Violoncello and Orchestra Op. 85
Composed by Edward Elgar
Performed by Maria Kliegel and Royal Philharmonic Orchestra
Selecciones populares
Detalles
- Fecha de lanzamiento
- Países de origen
- Sitios oficiales
- Idiomas
- Títulos en diferentes países
- Synonyms
- Localizaciones del rodaje
- Place Saint-Sulpice, París, Francia(Opening walking scene)
- Empresas productoras
- Ver más compañías en los créditos en IMDbPro
Taquilla
- Recaudación en Estados Unidos y Canadá
- 206.003 US$
- Fin de semana de estreno en EE. UU. y Canadá
- 17.891 US$
- 27 oct 2019
- Recaudación en todo el mundo
- 501.223 US$
- Duración2 horas 3 minutos
- Color
- Mezcla de sonido
- Relación de aspecto
- 2.39:1