Ron Stallworth, un policía afroamericano de Colorado Springs, consigue infiltrarse en la rama local del Ku Klux Klan con la ayuda de un colega judío blanco.Ron Stallworth, un policía afroamericano de Colorado Springs, consigue infiltrarse en la rama local del Ku Klux Klan con la ayuda de un colega judío blanco.Ron Stallworth, un policía afroamericano de Colorado Springs, consigue infiltrarse en la rama local del Ku Klux Klan con la ayuda de un colega judío blanco.
- Dirección
- Guión
- Reparto principal
- Ganó 1 premio Óscar
- 46 premios y 215 nominaciones en total
- Officer Wheaton
- (as Arthur Nascarella)
- Jimmy Creek
- (as Michael Joseph Buscemi)
Resumen
Reseñas destacadas
Driver is first class as the white undercover presence, with Washington himself oozing presence throughout as the black officer who conceives the plan, runs the show and in a number of hilarious high points gains the respect and trust of the big Klan chief over the phone.
Whilst there is arguably room for a little bit of trimming, this remains highly engaging throughout with a great script and fine performances. The amazing trick here is how Lee seems to very cleverly shift from laugh out loud comedy to troubling sometimes fairly intense scene and back without missing a beat.
Not content with the battles portrayed on the screen between black civil rights groups and the Klan, Spike Lee has squared up against Donald Trump and the political state of America today. Throughout the film, there are not-so-subtle nods to the US President's rhetoric and how it echoes the KKK's leader David Duke: at one point he says he wants 'to make America achieve its greatness again' and chants 'America first!' during a speech.
The messages the film is trying to get across are not subtle, but it doesn't have to be when the messages have never been irrelevant. At one point, the true and horrific story of the public torture and execution of 17-year-old Jessie Washington in 1916 is told. This story is unfolding as the camera cuts back and forth to the Klan's initiation meeting which makes for a powerful scene of intense juxtaposition (Lee explained in the post-film Q&A that, ironically, this cross cutting technique was invented by the director of Birth of a Nation, an intensely racist pro-KKK 1915 film).
The final minutes are fearful to watch as Lee brings us to the present time and the last few shots (which I won't spoil here) left me with a genuine tear in my eye and an uneasy feeling in one of the most basic, primitive part of my being - fear for the minds of my fellow man and the state of the world I'm meant to be leaving to my children.
Best Quote: "America would never elect someone like David Duke as President." - "Coming from a black man, that's pretty naïve."
"BlacKkKlansman" tells the true story of a rookie African American police officer who in the 70's infiltrated in the KKK, but that's certainly not what the movie is about. Lee tackles head-on the contemporary hot topics of racism, the police killing black Americans, and white supremacy to create an overwhelming pamphlet about the American identity - which has been hurled into a state of great confusion after the last presidential election.
Movies don't come much more political as this one. In a way, "BlacKkKlansman" is a companion piece to "The Post" - a movie that similarly discussed the current political climate in a 70's setting - but with loads more of blackness, humour, anger and attitude. It's a better movie, too.
Though not perfect. Form-wise, "BlacKkKlansman" is sometimes paced oddly and feels needlessly long: not overlong, exactly, because you're not going to be bored for a minute. Visually it could have used a little more of the delicious textures typical of those 70's blacksploitations it makes references to.
But Lee is such a virile storyteller, that you can't help but get sucked in it all. And he has SO much to say. "BlacKkKlansman" is at its savage best when putting in perspective the official holier-than-thou image of the white Americans: Harry Belafonte cameos as an eye-witness of the beastly lynching of Jesse Washington in 1916.
Actors in "BlacKkKlansman" are great. John David Washington excels in the lead role. Adam Driver signs what is arguably his best role to date. Ryan Eggold is terrific as the local boss of the KKK, and the Finnish Jasper Pääkkönen impresses as his right hand man. The biggest surprise of all is Topher Grace, who is near-ingenious as David Duke, a well-mannered bag of sleaze in a three-piece.
"BlacKkKlansman" is an incredibly rich and stirring piece of contemporary cinema with enough stuff to fuel a conversation for hours. Or days. You can get a lot less with a price of a movie ticket these days.
¿Sabías que...?
- CuriosidadesRon Stallworth had originally wanted Denzel Washington to play him, but was ecstatic to find out his son got the role.
- PifiasIf the members want to hide the real purpose of "The Organization", there is no explanation to show a newspaper advertising with the name "Ku Klux Klan".
- Citas
Ron Stallworth: [answering a phone call from Duke] Mr. Duke, I'm so sorry we didn't get to spend more one-on-one time together.
David Duke: Well, that was a just a tragedy. I had just met those heroic brothers in the cause.
Flip Zimmerman: Heroic.
Ron Stallworth: Yeah. And the chapter is just shaken at the core.
David Duke: Oh.
Ron Stallworth: Yeah. And poor Connie, right? I mean, not only does she lose her husband, but...
Flip Zimmerman: Poor Connie.
Jimmy Creek: Connie's going away.
Flip Zimmerman: We feel bad for Connie.
Ron Stallworth: [continuing] ... she's looking at serious prison time.
David Duke: My God. And then there was that Nigger detective. Basically...
[the officers laugh]
Ron Stallworth: [to the other officers] Shut the fuck up. Shut the fuck up. Shut up, shut up.
Ron Stallworth: Those goddamn coloreds they sure know how to spoil a celebration.
Jimmy Creek: [to Flip] Hey, you're getting me in trouble.
David Duke: [to Ron] Christ, you can say that again.
Ron Stallworth: Those goddamn coloreds sure know how to spoil a celebration. Can I ask you a question, sir?
David Duke: Shoot.
Ron Stallworth: That Nigger detective, did you ever did you ever get his name?
David Duke: No. I don't think I...
Ron Stallworth: Are-uh you sure you don't know who he is? Are-uh you absolutely sure? 'Cause that Nigga, coon, gator bait, spade, spook, Sambo, spear-chucking jungle bunny, Mississippi wind chime...
David Duke: Wind chime?
Ron Stallworth: [continuing] ... detective is Ron Stallworth, you racist, peckerwood, redneck, inch worm, needle-dick motherfucker!
[Ron hangs up, leaving Duke bewildered]
- Banda sonoraOh Happy Day
Written by Edwin Hawkins
Performed by The Edwin Hawkins Singers
Courtesy of Buddah Records / Legacy Recordings
By Arrangement with Sony Music Entertainment
Selecciones populares
- How long is BlacKkKlansman?Con tecnología de Alexa
Detalles
- Fecha de lanzamiento
- Países de origen
- Sitios oficiales
- Idioma
- Títulos en diferentes países
- Infiltrat en el KKKlan
- Localizaciones del rodaje
- Ossining, Nueva York, Estados Unidos(as Colorado Springs)
- Empresas productoras
- Ver más compañías en los créditos en IMDbPro
Taquilla
- Presupuesto
- 15.000.000 US$ (estimación)
- Recaudación en Estados Unidos y Canadá
- 49.275.340 US$
- Fin de semana de estreno en EE. UU. y Canadá
- 10.845.330 US$
- 12 ago 2018
- Recaudación en todo el mundo
- 93.413.709 US$
- Duración2 horas 15 minutos
- Color
- Mezcla de sonido
- Relación de aspecto
- 2.39 : 1