La casa al final de la curva

Dramatic thriller "Sharp Corner" charts the descent of average family guy Ben Foster (fine actor) from hating his job, thru leaning on booze, to sheer insanity via the titular accident blackspot outside the new home he's bought with wife Cobie Smulders and their young son. As cars repeatedly crash, and folk die, on his front yard, Foster becomes obsessed with the victims and on prepping to 'help' future ones, rather than preventing them and/or addressing his family's trauma. Writer / director Jason Buxton's second film is original, clever, well performed - tho also slow & implausible at times, with an ending that'll irk some. That said, generally, it's a good film.

It's probably a bit of a stretch to even rate this at 5 stars, just as it's a stretch to label this a thriller. More a drama about a man who seems to become obsessed with life, death and playing God, it's extremely well acted by Ben Foster and Cobie Smulders but good luck finding a character to feel sympathy for when both leads are written as fairly unlikeable. While I had some sympathy for Ben's character at the beginning eventually it eroded. Cobie, as his wife, is written as being a bit too hard and harsh to feel any empathy for. So you end up sitting and watching a movie in which you just kind of dislike the people on screen. I found the ending disappointing and am not sure what the writers were trying to say. It's definitely an interesting watch but nothing to watch a second time. Ben Foster is such a great actor, it's a shame no one seems to be writing great films anymore.

The mild-mannered "Josh" (Ben Foster), his wife "Rachel" (Cobie Smulders) and their son "Max" (William Kosovic) have a brand new home and are looking forward to settling in when there is a car accident outside and a tyre comes a-bouncing through their window at a seriously inopportune moment! Needless to say they are a bit flustered and she thinks maybe they ought to move. Well when it happens again, you'd think that'd be a bit of a no-brainer but he is somehow captivated. Not by the accidents, but by the time it takes the emergency services to arrive, and so he decides to do some training to be able to help out. Of course, his wife and young son are perplexed by his increasingly odd behaviour, as is his boss, and so there's soon a lot on the line for the man. I enjoyed the start of this, and I thought this might be Foster's best performance, but after about half an hour it became a rather joyless exhibition of obsessiveness and selfishness topped off by a truly far-fetched, though sometimes darkly comedic, desire to do good. Smulders does fine, but only features sparingly - which is just as well for given her character is supposed to be a couples therapist, "Rachel" shows a complete lack of appreciation of her husband's trauma and of their son's needs that is ultimately annoyingly breathtaking. Sadly, the initially good idea just turns into a series of overly contrived bad decisions stitched together with an implausible series of incidents that rushed through some universally unlikeable and undercooked characterisations and left me wanting more - or less. Sorry.

There were a lot of car accidents in this movie, but none were as bad as the disaster that this movie was.

Apparently it's based on a short film, and I have to wonder who thought it was a good idea to make this already boring story longer than it needed to be?

It's soooooooo slow and uninteresting for the majority of the duration.

There were scenes that were completely unnecessary. As I was trying to stay focused I thought to myself "this could have been a short" and little did I know it originally was. Why the run time of almost 2 hours is beyond me.

Not to mention that the story telling made no sense.

All that time wasted on useless scenes, and you could have addressed SO many issues that just lingered, and questions that never got answered. Waste of time. If you want something to lul you to sleep...this is it.

This movie demands your patience and attention span. But the story is most effective in this way.

First off, the acting is excellent, and Ben Foster is captivating. I sensed what may happen, but his character adapted and changed his MO a few times.

This is about an unsung hero, who goes through crisis after crisis, but insists on solving the problem himself. Cobie Smuldrrs is excellent as well, and works well in her hyper-organized, perfectionist character.

The tension builds as Foster's character realizes his true calling. Consumed with a new occupation, battling mortal danger, he seeks to fight it head on.

This film is excellent with a plaintive soundtrack, well-rounded characters; and a narrative which belies exposition and resorts to thoughtful yet misguided strategies.

This is a very worthwhile film, but it requires your attention and curiosity.