PUNTUACIÓN EN IMDb
7,7/10
13 mil
TU PUNTUACIÓN
Un hombre regresa a su granja de los Apalaches. Durante el viaje, se enamora de una joven. El único problema es que la familia de ella ha jurado matar a todos los miembros de su familia.Un hombre regresa a su granja de los Apalaches. Durante el viaje, se enamora de una joven. El único problema es que la familia de ella ha jurado matar a todos los miembros de su familia.Un hombre regresa a su granja de los Apalaches. Durante el viaje, se enamora de una joven. El único problema es que la familia de ella ha jurado matar a todos los miembros de su familia.
- Premios
- 1 nominación en total
Francis X. Bushman Jr.
- Canfield's 1st Son
- (as Ralph Bushman)
Jim Blackwell
- Canfield's servant
- (sin acreditar)
Erwin Connelly
- Husband Quarreling with Wife
- (sin acreditar)
Edward Coxen
- John McKay
- (sin acreditar)
Jack Duffy
- Sam Gardner
- (sin acreditar)
Jean Dumas
- Mrs. McKay
- (sin acreditar)
Tom London
- James Canfield
- (sin acreditar)
George Marion
- Traffic Policeman
- (sin acreditar)
Reseña destacada
This fine film represents one of the earlier attempts at "dramedy", long before the term was invented. The story has a highly realistic feel to it, yet the funny stuff is never far away.
The film does start a bit slowly as they set up the story, but things pick up quickly once the funny (but true, from an old photo) shot of 1810 Times Square hits the screen.
The little train which takes Buster to Kentucky is a hoot, and THAT is based on the real 1830's deal, too. Movable, bumpy, flimsy tracks and a couple nutty characters and situations are highlights.
My favorite bit in the whole film, though, is when poor Buster realizes the fabulous mansion he thought he was inheriting turned out to be a broken-down shack, ending his dreams in spectacularly explosive fashion.
The story was strong and believable, and the climactic (and very dangerous) scenes at the river and waterfall were amazing. As a matter of fact, these scenes are so impressive, it's easy to forget that they are funny; this is the only reason for me to not give the movie a 10.
Side note to those who have said the poor soundtrack detracted from the film: If you EVER have the opportunity to see this or other silent movies in their proper environment (A glorious movie palace with live musical accompaniment by theatre organ or an orchestra), DO it! The "half-live, half-canned" aspect is very important to the enjoyment of silents. It also keeps any film you've seen many times (as is often the case with "The General" or "Phantom") fresh. Even the same organist doesn't play the same film the same way every time, and a different organist can accompany the film in such a different way that it can almost fool you into thinking you're seeing a new movie.
I'm one of those lucky enough to have done so and there's nothing quite like it.
The film does start a bit slowly as they set up the story, but things pick up quickly once the funny (but true, from an old photo) shot of 1810 Times Square hits the screen.
The little train which takes Buster to Kentucky is a hoot, and THAT is based on the real 1830's deal, too. Movable, bumpy, flimsy tracks and a couple nutty characters and situations are highlights.
My favorite bit in the whole film, though, is when poor Buster realizes the fabulous mansion he thought he was inheriting turned out to be a broken-down shack, ending his dreams in spectacularly explosive fashion.
The story was strong and believable, and the climactic (and very dangerous) scenes at the river and waterfall were amazing. As a matter of fact, these scenes are so impressive, it's easy to forget that they are funny; this is the only reason for me to not give the movie a 10.
Side note to those who have said the poor soundtrack detracted from the film: If you EVER have the opportunity to see this or other silent movies in their proper environment (A glorious movie palace with live musical accompaniment by theatre organ or an orchestra), DO it! The "half-live, half-canned" aspect is very important to the enjoyment of silents. It also keeps any film you've seen many times (as is often the case with "The General" or "Phantom") fresh. Even the same organist doesn't play the same film the same way every time, and a different organist can accompany the film in such a different way that it can almost fool you into thinking you're seeing a new movie.
I'm one of those lucky enough to have done so and there's nothing quite like it.
- Kiddman
- 17 may 2005
- Enlace permanente
Argumento
¿Sabías que...?
- CuriosidadesDuring the filming of the scene in which Buster Keaton is being swept downstream towards the waterfall, he was attached to a 'holdback' cable, concealed in the river. During the filming of the scene, the cable broke, and he was hurled down the rapids, battered by rocks and limbs, and was only barely able to grab an overhanging branch, which held him just long enough for the crew to reach and rescue him. This scene remains in the final print, and is fairly easy to spot. Just look for the point at which Keaton is being pulled downriver and 1) he suddenly looks back towards the camera, and 2) his speed in the water doubles, almost causing him to fly out of frame.
- PifiasWhen the donkey refuses to move from the rail tracks, the engineer and others curve the tracks around him. The long shot that shows the train moving past the donkey, however, shows the tracks back in a straight line.
- Citas
Joseph Canfield: Jim - I've been trying to forget this fued-why can't you do the same?
James Canfield: No! - I came a long way to kill him-and I'm going to do it tonight!
- Versiones alternativasIn 1995, Film Preservation Associates, Inc. copyrighted a 73-minute version of this film with a music score compiled by Donald Hunsberger.
- ConexionesEdited into The Golden Age of Buster Keaton (1979)
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Detalles
- Fecha de lanzamiento
- País de origen
- Idiomas
- Títulos en diferentes países
- La nostra hospitalitat
- Localizaciones del rodaje
- Empresa productora
- Ver más compañías en los créditos en IMDbPro
Taquilla
- Recaudación en todo el mundo
- 248 US$
- Duración1 hora 5 minutos
- Color
- Mezcla de sonido
- Relación de aspecto
- 1.33 : 1
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Principal laguna de datos
What is the Italian language plot outline for La ley de la hospitalidad (1923)?
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