Añade un argumento en tu idiomaA brilliant, successful criminal defense attorney's life is turned upside down when he takes on a case of a murdered woman who turns out to be an old flame who left him 10 years ago.A brilliant, successful criminal defense attorney's life is turned upside down when he takes on a case of a murdered woman who turns out to be an old flame who left him 10 years ago.A brilliant, successful criminal defense attorney's life is turned upside down when he takes on a case of a murdered woman who turns out to be an old flame who left him 10 years ago.
Don Brodie
- Reporter
- (sin acreditar)
Claire Du Brey
- Mrs. North
- (sin acreditar)
George Guhl
- Mr. Willis
- (sin acreditar)
Robert Homans
- Cop
- (sin acreditar)
Olaf Hytten
- Page
- (sin acreditar)
Reseña destacada
Kent "Barry" Barringer (Otto Kruger) is a hard cynical lawyer. He gets clients acquitted he knows are guilty using cute "tricks" such as having the defendant's double sit in court being identified by witness after witness only to introduce the real defendant sitting out in the crowd, thus causing reasonable doubt.
Barringer has women betting a night with their bodies over a pinball game. He distrusts even "the women in his life" as cheating chiselers. You see, his wife ran out on him ten years before and something inside him died at the time, so he's spent his time becoming the world's best criminal attorney and "hate bedding" women ever since.
Then one day an innocent appears at his office door - Her father is accused of killing her stepmother. When Barringer sees the dead woman's photo, he realizes that she is the wife who left him ten years ago. He breaks down - as long as there was life there was hope, but now she's dead. She'll never come back. Barringer abandons his practice and his clients and goes on a bender. But what of the girl's father and his trial? Watch and find out.
This is one of my favorite legal precodes. It has everything and its pacing and ability to seamlessly transition from one genre to another is excellent. At first, the film is a courtroom drama, by the end it is a gangster tale. It really has no big stars in it, and Otto Kruger is in rare form in a rare leading role.
Though made by MGM, it really doesn't seem like a film of the era or one that the studio cared very much about, and as a result of MGM's neglect it turned out to be something special. The best way I could describe it is as though MGM and WB had a child. And that child - this film - has the MGM class and WB's sass. I'd highly recommend it.
With Una Merkel as Barringer's unflappable secretary, Ben Lyon as Barringer's straight arrow junior partner, Isabel Jewell as the woman who loves Barringer but might as well be talking to a rock when it comes time to talk of love, and Roscoe Karns as the same kind of wise-cracking assistant he played in 20th Century the following year.
Barringer has women betting a night with their bodies over a pinball game. He distrusts even "the women in his life" as cheating chiselers. You see, his wife ran out on him ten years before and something inside him died at the time, so he's spent his time becoming the world's best criminal attorney and "hate bedding" women ever since.
Then one day an innocent appears at his office door - Her father is accused of killing her stepmother. When Barringer sees the dead woman's photo, he realizes that she is the wife who left him ten years ago. He breaks down - as long as there was life there was hope, but now she's dead. She'll never come back. Barringer abandons his practice and his clients and goes on a bender. But what of the girl's father and his trial? Watch and find out.
This is one of my favorite legal precodes. It has everything and its pacing and ability to seamlessly transition from one genre to another is excellent. At first, the film is a courtroom drama, by the end it is a gangster tale. It really has no big stars in it, and Otto Kruger is in rare form in a rare leading role.
Though made by MGM, it really doesn't seem like a film of the era or one that the studio cared very much about, and as a result of MGM's neglect it turned out to be something special. The best way I could describe it is as though MGM and WB had a child. And that child - this film - has the MGM class and WB's sass. I'd highly recommend it.
With Una Merkel as Barringer's unflappable secretary, Ben Lyon as Barringer's straight arrow junior partner, Isabel Jewell as the woman who loves Barringer but might as well be talking to a rock when it comes time to talk of love, and Roscoe Karns as the same kind of wise-cracking assistant he played in 20th Century the following year.
- AlsExGal
- 24 oct 2024
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- CuriosidadesThe opening scene features Otto Kruger playing a Pinball Machine. This is the earliest known on-screen appearance of a Pinball Machine in a major production. At the time, flippers had not yet been invented and pinball machines were often used for gambling. There was a lot of public debate at the time as to whether pinball was a game of skill or chance, and it was banned in many parts of the country. The movie played on that debate with Kruger making a bet with his lady-friend, and when complimented for his luck, replies "Not luck - skill."
- PifiasTodas las entradas contienen spoilers
- Citas
Kent Barringer: In a case like yours, an ounce of showmanship is worth a ton of evidence.
- ConexionesReferenced in Hollywood prohibido (2008)
- Banda sonoraWe Must Have One More Rum-Tum-Tum
(uncredited)
Composer unknown
Sung a cappella by Roscoe Karns and Irene Franklin
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Detalles
- Duración1 hora 15 minutos
- Color
- Relación de aspecto
- 1.37 : 1
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By what name was The Women in His Life (1933) officially released in India in English?
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