Tener y no tener

There's not a lot of difference from before, as Martinique trumps Morocco and takes the floor, for two people to engage, to take true love right off the page, along with passion, feeling, fire, it's still amour. This time it's Steve, or is it Harry, could it be Rick, who sides against the baddies with their stick, although Dan Seymour isn't Claude, and his accent is a fraud, Slim as Ilsa brings the right amount of click. Perhaps events that happened away from the screens, suggests this film has more importance than it seems, but I'm not sure just what arouses, Lauren's interest in those trouser, as men of a certain age, should not wear jeans.

A good movie with weird and wonderful touches. It's not quite as good as its best scenes, but it's got a quirky sense of humor and honor. Like Bacall calling Bogart "Steve" throughout the movie. Or Hoagy Carmichael's odd musical numbers. Or the casting of Walter Brennan opposite Bogart - two more different styles of acting you will never find.

What makes it all work is the white hot chemistry between the two leads.

... Bogart is held in high esteem for his career of acting. He was just that damn good.

Forget all of the top ten lists, awards, honorable mentions, etc. It's really hard to put a finger on it exactly, but his ability to transform what in a script is a mediocre character with average, even sometimes corny lines, into someone who you always seem to be rooting for - someone who's delivery is always convincing - has to be proof of natural skill.

The interplay between he and Bacall is some of the most unforced, natural acting ever to grace the big screen. And what could be sexier than Bacall's flirting before they kissed? One not to be missed.

This film has nothing to do with the Ernest Hemingway's book, which is not one of his best novels. Howard Hawks took a big gamble in trying to have the great Hemingway write the screen treatment, but Papa didn't comply with the request. Instead, Mr. Hawks hired two other writers to work on the scenario for this movie, William Faulkner and Jules Furthman, not too shabby a combination! Mr. Hawks had an enormous talent for giving the American public films that were entertaining, as well as well crafted. Mr. Hawks is responsible for discovering Lauren Bacall, a young model from New York with no experience in the cinema. Well, Mr. Hawk's instinct paid handsomely as Lauren Bacall went to have a fabulous career of her own.

This film is interesting as well, for it marked the beginning of the romance between Mr. Bogart and Ms. Bacall. Their love is there in front of the viewers to see. This movie shows us a Bogey with a heart. He was an actor that excelled in this type of picture and under Mr. Hawks's direction, his Capt. Morgan makes a remarkable impression.

The story has all the right ingredients to keep us interested in what is going on with all these characters in Martinique. World War II makes a detour and comes to the island.

The cast for this movie is first rate. Humphrey Bogart is a tough Capt. Morgan who falls head over heels for young and lovely "Slim" Browning, a mysterious young woman who loves adventure. Ms. Bacall has a way to sing a song that makes it unique because of her sense of style. Both these stars smolder the screen in their love scenes.

Walter Brennan plays Eddie, the drunken sailor that helps Morgan take tourists on fishing junkets. Marcel Dalio, is Frenchy, the owner of the local hotel; he is the one responsible for putting Morgan in touch with the partisans operating in the island. Dolores Moran and Walter Szurovy are the De Bursac, who are smuggled into the island by Morgan, at his own risk; they are sought by the local branch of the Gestapo.

Hoagy Carmichael, the great musician puts an appearance as Cricket, a pianist that entertains at the hotel lounge. The three musical numbers are done flawlessly. Mr. Carmichael's rendition of "Hong Kong blues" stays in one's mind forever. Also we hear two other of his songs, "Am I blue?", and a sultry rendition by Lauren Bacall of his hit, "How little we know". Hearing sung by Bacall makes any other interpretation superfluous.

This is a film to see to enjoy great acting under the magnificent direction of Howard Hawks.

Well, was you? That's Eddie's (Walter Brennan) inexorable question all throughout "To Have and Have Not" to anyone within earshot. And it's only the 3rd or 4th best line in the movie. Seems there's this one line where one person tries to teach another person how to whistle. And another one after a passionate kiss when a gal tells a guy that it's even better when he helps. Duh! But I like what happens after yet another passionate smooch between Bogie and Bacall. She pulls away and says to him, "You need a shave," after which she immediately love-slaps his unshaven face. It's her way of telling him without words that she's attracted to him and she really doesn't give a good hoot whether he shaves or not.

By now, just about everyone knows that this movie is all about "Steve" (Humphrey Bogart) and "Slim" (Lauren Bacall). In their first movie together, the two exhibit an explosive chemistry rarely seen from any other actor-actress combo. As one watches the movie, with the great Howard Hawks putting the two thru their various paces, one simultaneously imagines the two of them falling in love offscreen -- which they did! -- just as they do in this movie. For more on this, I highly recommend Lauren's autobiography -- "By Myself." In that book, she talks about the two of them sneaking around to see each other like a couple of teenagers -- which she was! As I recall, Bogie was still married at the time -- though estranged from Mayo Methot.

As for "T H a H N," there are many other fine elements that make it well worth one's time. A pretty good storyline revolving around the Free French contesting the Vichy French (Nazi collaborators) in Martinique during the early days of World War II. A strong supporting cast much reminiscent of the one in "Casablanca." Great dialogue by novelist William Faulkner and Jules Furthman. Also, a strong musical score ("Am I Blue?" -- "How Little We Know" -- "Hong Kong Blues") by Hoagy Carmichael with a strong assist from Johnny Mercer.

In a very good Humphrey Bogart movie, which this certainly is, one would never suspect that a young ingenue actress, with little training or experience, could scene-steal from a polished veteran like Bogie. And I won't say that she does such in this movie. I do know that she did not want to and was not trying to (her autobiography). The fact is, however, that it took a star actor of Bogie's magnitude to keep Betty from dominating the screen with her earthy sex appeal and pure luminescence. Her sashay out of the bar in the last scene here is enough to make any man weak in the knees. No wonder Bogie tumbled! Both onscreen and off!

So ..... tell me, now ..... WAS you ever bit by a dead bee?