Añade un argumento en tu idiomaA millionaire tries to buy his dying daughter a husband.A millionaire tries to buy his dying daughter a husband.A millionaire tries to buy his dying daughter a husband.
Pat Conway
- Bill
- (as Patrick Conway)
Bette Arlen
- Tennis Player
- (sin acreditar)
Barbara Billingsley
- Miss Alvy
- (sin acreditar)
Dick Cherney
- Restaurant Patron
- (sin acreditar)
Reseña destacada
The soaper's better than it had any right to be. A plain looking single woman (McGuire) has a heart condition and only a year to live. Her wealthy father (Calhern) wants to inject some happiness into her remaining year, so he bribes handsome Dan (Johnson) to marry her. Trouble is this leaves cold-hearted Maud (Roman) minus her heart's desire, Dan. Thus she plots revenge.
A plain girl with a year to live!—sure it's a tear-jerker but done intelligently without rubbing our nose in it. Ellen's had a difficult time holding onto self- respect after years of romantic rejection. Her sense of dignity has somewhat hardened, making her more sympathetic than likable. It's a difficult role, similar to DeHaviland's in The Heiress (1949). Fortunately, winning actress McGuire rivets interest in the woman's plight despite an unsmiling demeanor. At the same time, Johnson's boyish charm hits the right notes, though the production fudges on showing Dan's grasping side. To me, that's the movie's biggest flaw, though given the script's general direction, probably understandable. On the other hand, credit MGM's production crew with first-rate craftsmanship in putting the elements together in tasteful fashion. Good also to see such supporting players as Ray Collins and Louis Calhern adding their brand of plausibility to the results. And credit someone—writers, producer?—with avoiding a clichéd ending.
No, there's nothing memorable here. But considering the many excesses a movie like this is subject to, the results amount to an affecting exercise in sheer Hollywood professionalism.
A plain girl with a year to live!—sure it's a tear-jerker but done intelligently without rubbing our nose in it. Ellen's had a difficult time holding onto self- respect after years of romantic rejection. Her sense of dignity has somewhat hardened, making her more sympathetic than likable. It's a difficult role, similar to DeHaviland's in The Heiress (1949). Fortunately, winning actress McGuire rivets interest in the woman's plight despite an unsmiling demeanor. At the same time, Johnson's boyish charm hits the right notes, though the production fudges on showing Dan's grasping side. To me, that's the movie's biggest flaw, though given the script's general direction, probably understandable. On the other hand, credit MGM's production crew with first-rate craftsmanship in putting the elements together in tasteful fashion. Good also to see such supporting players as Ray Collins and Louis Calhern adding their brand of plausibility to the results. And credit someone—writers, producer?—with avoiding a clichéd ending.
No, there's nothing memorable here. But considering the many excesses a movie like this is subject to, the results amount to an affecting exercise in sheer Hollywood professionalism.
- dougdoepke
- 19 nov 2016
- Enlace permanente
Argumento
¿Sabías que...?
- CuriosidadesThe haunting theme music by Bronislau Kaper was actually introduced two years earlier in MGM's Su propia vida (1950), but became a jazz standard under the title "Invitation", especially associated with tenor saxophonist Joe Henderson.
- Citas
Ellen Pierce: There is something much more important than keeping alive, and that is knowing that you have lived.
- Banda sonoraAll I Do Is Dream of You
(uncredited)
Music by Nacio Herb Brown
Lyrics by Arthur Freed
Briefly whistled by Van Johnson
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Detalles
Taquilla
- Presupuesto
- 1.020.000 US$ (estimación)
- Duración1 hora 24 minutos
- Color
- Relación de aspecto
- 1.37 : 1
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Principal laguna de datos
By what name was Invitation (1952) officially released in India in English?
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