PUNTUACIÓN EN IMDb
7,0/10
6,1 mil
TU PUNTUACIÓN
A una enfermera obesa y amargada no le importa que su novio con peluquín se enamore y desplume a otras mujeres, siempre y cuando le acompañe en sus trabajos.A una enfermera obesa y amargada no le importa que su novio con peluquín se enamore y desplume a otras mujeres, siempre y cuando le acompañe en sus trabajos.A una enfermera obesa y amargada no le importa que su novio con peluquín se enamore y desplume a otras mujeres, siempre y cuando le acompañe en sus trabajos.
Michael Haley
- Jackson
- (as Mike Haley)
William Adams
- Justice of the Peace
- (as Col. William Adams)
Reseña destacada
Based on the true story of Raymond Fernandez and Martha Beck, who met through a lonely-hearts correspondence club, Ray (Tony Lo Bianco) is sleazy and untrustworthy; Martha (Shirley Stoler) is obese, compulsive, and needy. Together, they play out a horrifying scheme in which he lures lonely women out on dates and proposes marriage to them, while she pretends to be his sister. After the marriage ceremonies, they take the womens savings and then murder them in cold blood.
The way this film is shot, with its grainy black and white footage, murky sound, bright whites and dark shadows, only adds to its incredibly unsettling nature. Watching this is almost like watching a documentary, and occasionally, a snuff film.
Though the acting from the supporting cast is a bit iffy at times, the two leads are excellent. Particularly Shirley Stoller. While Lo Bianco creates one of the most hateful slime-balls I've ever seen, Stoller dominates this film. Her Martha is a frightening, unpleasant, disgusting woman, who is as ugly on the inside as she is on the outside. Her evil nature fills the frame whenever she is on screen.
If you're looking for a fast paced thriller, look elsewhere. The pacing in this movie is slow, which only adds to the disturbing documentary feel. But if you want to see a movie where character comes first, and action second, seek this classic out.
The way this film is shot, with its grainy black and white footage, murky sound, bright whites and dark shadows, only adds to its incredibly unsettling nature. Watching this is almost like watching a documentary, and occasionally, a snuff film.
Though the acting from the supporting cast is a bit iffy at times, the two leads are excellent. Particularly Shirley Stoller. While Lo Bianco creates one of the most hateful slime-balls I've ever seen, Stoller dominates this film. Her Martha is a frightening, unpleasant, disgusting woman, who is as ugly on the inside as she is on the outside. Her evil nature fills the frame whenever she is on screen.
If you're looking for a fast paced thriller, look elsewhere. The pacing in this movie is slow, which only adds to the disturbing documentary feel. But if you want to see a movie where character comes first, and action second, seek this classic out.
- LeaBlacks_Balls
- 20 feb 2010
- Enlace permanente
Argumento
¿Sabías que...?
- CuriosidadesOriginally to be directed by Martin Scorsese, but he was replaced after a week of shooting due to creative differences by Donald Volkman who was subsequently replaced by Leonard Kastle. Scorsese was fired because he was filming every scene in master shots and not shooting close-ups or other coverage, making the film impossible to edit. According to Kastle's interview with the Criterion collection, the ultimate moment that caused Scorsese's firing was trying to get close-up on a beer can lit perfectly for the intended tone.
- PifiasIn the scene on the bus with the dead victim of Martha and Ray, there is a long shot of the woman's face with her eyes somewhat googly and her tongue sticking out, as you hear the bus driver exclaiming her death, etc. Towards the end of the shot, if you watch the woman's face, you can see her tongue move.
- ConexionesFeatured in Siskel & Ebert & the Movies: Hidden Horror (1988)
- Banda sonoraSymphonies Nos. 5, 6 & 9
Composed by Gustav Mahler
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Detalles
- Fecha de lanzamiento
- País de origen
- Idioma
- Títulos en diferentes países
- The Honeymoon Killers
- Localizaciones del rodaje
- Kenmore Hotel, Albany, Nueva York, Estados Unidos(Exterior shot)
- Empresa productora
- Ver más compañías en los créditos en IMDbPro
Taquilla
- Presupuesto
- 200.000 US$ (estimación)
- Duración1 hora 47 minutos
- Color
- Mezcla de sonido
- Relación de aspecto
- 1.85 : 1
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By what name was Los asesinos de la luna de miel (1970) officially released in India in English?
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