Una estadounidense recién llegada a una prestigiosa academia alemana de ballet se da cuenta de que la escuela es una fachada para algo siniestro en medio de una serie de horripilantes asesin... Leer todoUna estadounidense recién llegada a una prestigiosa academia alemana de ballet se da cuenta de que la escuela es una fachada para algo siniestro en medio de una serie de horripilantes asesinatos.Una estadounidense recién llegada a una prestigiosa academia alemana de ballet se da cuenta de que la escuela es una fachada para algo siniestro en medio de una serie de horripilantes asesinatos.
- Premios
- 1 premio y 4 nominaciones en total
Miguel Bosé
- Mark
- (as Miguel Bosè)
Eva Axén
- Pat Hingle
- (as Eva Axen)
Reseña destacada
Tonight I watched Suspiria for the very first time and during the first 20 minutes or so I literally had no idea what I was watching. The movie has a strange way of using its music and how it decides to show what's happening on-screen. The movie at first felt like a cheap attempt to scare the audience, but oh man, Suspiria is anything but that!
The design of the school and all of the lightning choices are all great. During the entire movie something just feels off, and that leads me into one of my huge positives: The atmosphere. This is by far one of the most unsettling and creepy movies ever made, and why is that? I'll try to break it down.
As previously mentioned the design and lighting plays a big part in creating the atmosphere and so does the music/sounds played during the movie. A lot of scenes are strangely put together like this one scene where two characters are swimming in a pool and discussing something that happened earlier on. In the middle of this scene the camera switches to a new angle from above, almost like somebody or something is watching them.
There's also a lot of violence and disturbing imagery throughout the film, and it still holds up for the most part. I won't go into details, but there is one scene near the very end that actually really disturbed me, which nearly no movie has succeeded with.
My only real problem with the movie was some not so great acting from a couple of side characters, because it was pretty distracting. Everything else was great, though. A solid 8/10!
The design of the school and all of the lightning choices are all great. During the entire movie something just feels off, and that leads me into one of my huge positives: The atmosphere. This is by far one of the most unsettling and creepy movies ever made, and why is that? I'll try to break it down.
As previously mentioned the design and lighting plays a big part in creating the atmosphere and so does the music/sounds played during the movie. A lot of scenes are strangely put together like this one scene where two characters are swimming in a pool and discussing something that happened earlier on. In the middle of this scene the camera switches to a new angle from above, almost like somebody or something is watching them.
There's also a lot of violence and disturbing imagery throughout the film, and it still holds up for the most part. I won't go into details, but there is one scene near the very end that actually really disturbed me, which nearly no movie has succeeded with.
My only real problem with the movie was some not so great acting from a couple of side characters, because it was pretty distracting. Everything else was great, though. A solid 8/10!
- darimoviesthoughtsoffilms
- 20 ago 2020
- Enlace permanente
Argumento
¿Sabías que...?
- CuriosidadesDirector Dario Argento's original idea was that the ballet school would accommodate young girls no older than 12 years. However, the studio and producer Salvatore Argento (his father) denied his request because a film this violent involving children would almost certainly be banned. Dario raised the age limit of the girls to 20 years but did not rewrite the script, hence the naiveté of the characters and the occasionally childlike dialogue. He also put all the doorknobs at about the same height as the actress' heads so they would have to raise their arms in order to open the doors, just like children.
- PifiasDario Argento's face can be seen reflected on the taxi's glass partition in the opening sequence. Assumed by many people to have been a mistake coming from a rushed shoot, Argento has gone on record to say it was intentional.
- Citas
Dr. Frank Mandel: Bad luck isn't brought by broken mirrors, but by broken minds.
- Créditos adicionalesYou have been watching "SUSPIRIA"
- Versiones alternativasThe remixed soundtrack on the Anchor Bay release omits a line of dialogue near the conclusion when Susy is creeping down the secret hallway. It cuts out Tanner's faintly-heard declaration "All right, we must come to a decision. The situation can no longer be tolerated."
- ConexionesFeatured in Ángeles con pistolas doradas (1981)
- Banda sonoraMarkos
Adapted from "Music in Similar Motion" by Philip Glass
Arranged by Claudio Simonetti, Fabio Pignatelli, Agostino Marangolo and Massimo Morante
Performed by Goblin
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- How long is Suspiria?Con tecnología de Alexa
Detalles
Taquilla
- Presupuesto
- 4.000.000 US$ (estimación)
- Recaudación en todo el mundo
- 47.000 US$
- Duración1 hora 39 minutos
- Color
- Mezcla de sonido
- Relación de aspecto
- 2.35 : 1
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