Un joven accede a un ordenador militar en el que confunde la realidad con un videojuego, arriesgando a dar comienzo a la Tercera Guerra Mundial.Un joven accede a un ordenador militar en el que confunde la realidad con un videojuego, arriesgando a dar comienzo a la Tercera Guerra Mundial.Un joven accede a un ordenador militar en el que confunde la realidad con un videojuego, arriesgando a dar comienzo a la Tercera Guerra Mundial.
- Nominado para 3 premios Óscar
- 4 premios y 14 nominaciones en total
Reseña destacada
Watching this movie 25 years on, it still works. Obviously the onward march of technology has rendered several of the central plot devices redundant (although, to be honest, most modern techno-thriller entries are far less plausible) but the sheer tension of the story grabs you almost from the off and never lets go - there aren't many genre movies that got an Oscar-nomination for screenplay, which amply demonstrates its quality.
And the last ten minutes or so are still jaw-dropping. That spectacular (if implausible) NORAD set is as astounding as ever, and the last line still deserves it's place in the pantheon.
Laugh at the antiquated tech by all means, but be impressed by the effort taken to make it feel believable (cf. the sequence where Broderick's character gets the password for the school computer.) Hacker movies have rarely come this close to being real - and, as someone who had been there and done that at about that time, it was scarily right.
In no way is this one of the greatest movies ever made. But there's no question that it achieves the rare quality of transcending it's genre.
And the last ten minutes or so are still jaw-dropping. That spectacular (if implausible) NORAD set is as astounding as ever, and the last line still deserves it's place in the pantheon.
Laugh at the antiquated tech by all means, but be impressed by the effort taken to make it feel believable (cf. the sequence where Broderick's character gets the password for the school computer.) Hacker movies have rarely come this close to being real - and, as someone who had been there and done that at about that time, it was scarily right.
In no way is this one of the greatest movies ever made. But there's no question that it achieves the rare quality of transcending it's genre.
- imdb-9163
- 19 oct 2009
- Enlace permanente
Argumento
¿Sabías que...?
- CuriosidadesThe studio had the Galaxian (1979) and Galaga (1981) arcade machines delivered to Matthew Broderick's home. He practiced for two months to prepare for the arcade scene.
- PifiasThere are improper arrest and apprehension procedures by the FBI. When David is picked up by the FBI, he is immediately read his Miranda rights as if it were a local arrest. Since David was a minor under 18, the FBI would have been required to bring him either to the local police precinct or his home so that his parents could be notified. Furthermore, there is no way that the FBI could have linked David to the calls made to the WOPR, since his home telephone was in his parents' name; thus, the FBI would have in reality gone to David's house first and questioned his parents.
- Citas
[after playing out all possible outcomes for Global Thermonuclear War]
Joshua: Greetings, Professor Falken.
Stephen Falken: Hello, Joshua.
Joshua: A strange game. The only winning move is not to play. How about a nice game of chess?
- Versiones alternativasIn the International-dubbed prints and the U.S. TV premiere, in the scene where the female airmen is counting down to Impact, there is more background music that plays than in the original version.
- ConexionesEdited into Crosby, Stills & Nash: War Games (1983)
- Banda sonoraVideo Fever
Performed by Arthur B. Rubinstein, Cynthia Morrow, Brian Banks and Anthony Marinelli (as The Beepers)
Lyrics by Cynthia Morrow
Music by Arthur B. Rubinstein
Produced by Anthony Marinelli (uncredited)
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Detalles
- Fecha de lanzamiento
- País de origen
- Sitio oficial
- Idioma
- Títulos en diferentes países
- Jocs de guerra
- Localizaciones del rodaje
- Anderson Island, Washington, Estados Unidos(Goose Island scenes)
- Empresas productoras
- Ver más compañías en los créditos en IMDbPro
Taquilla
- Presupuesto
- 12.000.000 US$ (estimación)
- Recaudación en Estados Unidos y Canadá
- 79.567.667 US$
- Fin de semana de estreno en EE. UU. y Canadá
- 6.227.804 US$
- 5 jun 1983
- Recaudación en todo el mundo
- 79.567.667 US$
- Duración1 hora 54 minutos
- Color
- Mezcla de sonido
- Relación de aspecto
- 1.85 : 1
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Principal laguna de datos
By what name was Juegos de guerra (1983) officially released in India in Hindi?
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