Bronco Billy

Eastwood once said that this was among his favourites of the films he directed. I understand why. Even though it's flawed, 'Bronco Billy' has heart and how can one not like a film about a circus group with intriguing characters. Let me start with the flaws (just to get them out of the way). I liked how the relationship was developing between Billy and Antoinette but in the second half the film felt rushed, as though Eastwood was suddenly in a hurry to finish the movie.

I've always been fascinated by the circus (the real ones, not the ones that torture animals) and was easily persuaded to see 'Bronco Billy' (alongside the fact that it's a Clint Eastwood film of course). I was quickly drawn to the interesting characters that include Billy, Lefty, Big Eagle, Running Water, Leo and so on). Each of them have left a painful past behind and Billy has given them a new purpose. The Antoinette Lily (what a sexy name for a character) character is sort of the typical spoiled-brat turned into affectionate woman type of leading lady but she is definitely amusing to watch.

All the actors perform well. Eastwood is solid as he's always been. He's brilliantly supported by Scatman Crothers, Geoffrey Lewis, Bill McKinney, Sam Bottoms, Dan Vadis and Sierra Pecheur. Sondra Locke shares fine chemistry with her leading man.

There's a subtle sense of adventure in 'Bronco Billy' which isn't realized right away. As the viewer is lead to follow these characters and experience their struggle and hardship at the same time their will to stick together and be there for one another while embracing the unpredictable life they lead, Eastwood shows that there is something beautiful and pure about that lifestyle.

'Bronco Billy' is quite well-crafted. The landscape is pleasing to the eyes. The score, lighting and cinematography are quite good. Editing is slightly uneven. The tongue in cheek humour stands out

Overall, for me, 'Bronco Billy' was a delight to watch. Eastwood's sincerity shows in this memorable little gem (thanks to the characters).

Here's a picture that works beautifully on several levels, including the philosophical (I kid you not). Approach it as a lighthearted caper, and you will be entertained. If you enjoy whimsy with a trace of fantasy, it will not disappoint you. How about a picture questioning the nature of reality, in which characters challenge and re-shape the identities that life seems to have foisted upon them? There are not many movies with such powerful ambitions, and fewer still that develop them in an oblique, yet perfectly comprehensible, manner. There is nothing the least bit heavy handed about this film; quite the opposite. Enter the special world it creates, and you will be rewarded both emotionally and intellectually.

(See what I mean? Now make sure you haven't missed "Finding Graceland" and "Pennies From Heaven.")

Bronco Billy the sharpshooting cowboy is the owner of a modern-day travelling Wild West Show that seems to get caught in one messy situation after another. And not helping is the lack of crowd figures to their show. But nothing is going to stop Bronco Billy along with his companions from living their American dream. Through some amusing chain of events a wealthy, snobby heiress Antoinette Lilly finds herself tagging along with the show and becoming one of Bronco Billy's assistant, after her new husband leaves her stranded with nothing.

I don't understand why they think this cap gun shoots nothing but blanks. While, Eastwood (who directs and stars) goes all sentimental, warm and fuzzy for a change. It wasn't as well accepted (despite it being one of Eastwood's favourites) and flopped at the box office with it receiving such poor jabs from most critics. Not to say it's great, but this comically light-hearted character journey has a certain amount of charm within its foundation that doesn't make it as bad as you would believe. Even with this whimsical nature, it never gets overbearing. Sure it can cause you to cringe at times, but it wears its heart on its sleeve and keeps it integrity intact. More often I found myself smiling at the shenanigans, well it was hard not to. It's simply a satire worked into an old-fashioned story of familiar ingredients, were there was plenty of things going on in the plot. Who knew these traditional plot devices could maintain such interest. This is because of a delightful bunch of wholesome performances, authentically zippy purple patches of random fun and Eastwood's conventionally hardy direction makes sure it ticks along sufficiently. Even if it's nicely shot, there's nothing overly flashy or quirky creeping up, so it's all about the loyal chemistry and assured story that keeps one compelled. Streamlining the moralistic story are deep insights and symbolic brushes of the true feeling of the American dream. You got to earn it, as it's not served on up on a plate for you and from that you make the most out of it to live up to 'your' dreams. Pacing-wise it can stall in stretches, but I didn't find it boring when that did occur. The stock characters here seem to be grounded by reality, despite some silly developments (mainly involving a mental institution). The relaxed Clint Eastwood chimes in with a wonderfully touching performance. He simply chews up the material with great vigour. A terrific Sandra Locke has a screen presence that's equally as dominating in the role of the stuck-up, cold-blooded high-end dame. Eastwood regular Geoffrey Lewis' oddball greedy turn was marvellously madcap. The performances of Sam Bottoms, Dan Vadis, Sierra Pecheur and Bill McKinney are pleasurably sincere as Eastwood's ragtag team.

If there's one Eastwood film that's unfairly lampooned. "Bronco Billy" gets my vote. This gratifying show must go on.

This film is not about Eastwood doing the stock 70's Eastwood, it is not about Sandra Locke, or about any other person's performance. The people in this film are lost, both in the social space of a world they cannot live in and in time. They lack most of the usual human equipment, like faith and hope (see Thomas McGuane's 'Panama'). But they blunder on, as much by default as by will, in the illusory world of Bronco Billy's road show and guided by Billy's real values, with each other. Like most of Eastwood's films, Bronco Billy is built around a story, but in this story how it comes out is not important, it is how Billy and this cast of lost souls get there. And the film has one the greatest lines in cinema history: The one Bronco Billy used to tell Antoinette what happened to his wife.

I am a Clint fan..this was one of my favorites. Not a red carpet Oscar type flick...even better. One that is enjoyable to watch and leaves you feeling good when it is over. It's been a long time since I've seen it. I have seen it several times. The chemistry between Clint and Sondra is pretty noticeable. Living in Texas, I can say that in many ways it touches upon the nature of things here, the way friends stick together, and the overall feeling of kinship that exists between people from all walks of life. So, if you want to kick back and watch a hoot of a little movie, this is it. After watching it, you may just find out how many people you have touched in your life without realizing it.