PUNTUACIÓN EN IMDb
6,4/10
59 mil
TU PUNTUACIÓN
Kirsty va a parar a un psiquiátrico tras la muerte de su familia, donde el líder obsesivo del ocultismo resucita a Julia y libera a los cenobitas de nuevo.Kirsty va a parar a un psiquiátrico tras la muerte de su familia, donde el líder obsesivo del ocultismo resucita a Julia y libera a los cenobitas de nuevo.Kirsty va a parar a un psiquiátrico tras la muerte de su familia, donde el líder obsesivo del ocultismo resucita a Julia y libera a los cenobitas de nuevo.
- Dirección
- Guión
- Reparto principal
- Premios
- 1 premio y 6 nominaciones en total
Angus MacInnes
- Ronson
- (as Angus McInnes)
Reseñas destacadas
Even if the story's weak, bringing back the surviving (or not surviving) cast members of the original, can make a sequel better. Everyone thinks crazy old Kirsty Cotton is making up stories of demons from hell (which happened to be her attic), but we all know better, don't we? She's now in a mental institution with a girl with a penchant for solving puzzles, under the guidance of a sadistic doctor with a penchant for a skinless Julia. Part of the story is just a re-hash of the first with different characters in similar situations. This time around we go to hell and find that it's like an Escher painting with a giant "Lament" diamond spinning in the sky. Not as good as the first film, but pretty close--a bit gorier and disturbing (but after "Hellraiser", I was expecting this) The acting is similar to the first film, but the special effects are a bit more elaborate this time around as the budget was bigger due to the success of it's predecessor.
Despite appreciating horror very much (with a lot of classic ones out there, such as 'Halloween', 'Nightmare on Elm Street', 'The Texas Chainsaw Massacre', 'Night of the Living Dead' and 'The Exorcist', plus the best of Hammer House of Horror), even if not my favourite genre, it took me a while to get round to watching the 'Hellraiser' franchise. Due to having so much to watch and review, and the list keeps getting longer and longer.
The film that started the franchise off is not only for me by far the best of the 'Hellraiser' films it also for me, and quite a few others it seems, is one of the stronger horror films of the 80s, though not quite of all time. What is meant by being by far the best of the 'Hellraiser' films is that it is the only one to be above very good, the nine sequels were very variable (leaning towards the disappointing) and the latter films particularly are suggestive of the franchise having run its course.
While the original 'Hellraiser' will always be the best of the series, its first sequel 'Hellbound: Hellraiser II' is one of its better sequels. Would go as far to say from personal opinion it's the best. Not as good as the original and understandably polarising, but it doesn't disgrace it. In some ways it is somewhat of a retread in terms of story except with more gore and less clarity of storytelling, though the imagination and ambition remains.
'Hellbound: Hellraiser II' has its problems. The script is not as vivid and thought-provoking this time round, numerous times being cheesy and muddled. Will Hope is very bland in an underwritten role.
Coming off worst for me was the ending, the Cenobites did deserve a much better defeat than the slapdash and silly one that is here while the staging of the ending itself is more like an incomprehensible parody complete with a terrible, unintentionally silly looking Channard.
On the other hand, the production values mostly were fine. It's very atmospherically shot and the hellish imagery is disturbingly vivid. Apart from Channard, the effects are hardly schlocky and while prominent they are not overused or abused. The music score is an improvement here, more fitting with the atmosphere and very haunting music on its own. Tony Randel does more than competently when it comes to the direction, staying loyal to the spirit of the original. The script is patchy but still intrigues.
Same goes for the story, regardless of whether sense is a strong suit or not (it isn't), which is most notable for Pinhead's very intriguing back-story and more of the Cenobites. Do prefer the mysteriousness they had in the original from being catalysts rather than being heavily focused on, but they are genuinely frightening, still look good and seeing more of and to them made them more interesting. While the ending disappoints, the twist is a clever one. Like the original, 'Hellbound: Hellraiser II' is genuinely disturbing while having tension, suspense and dread, the creativity of the set-pieces and deaths still remaining. The inmate skin flaying especially will be embedded in my mind forever. The gore is more in quantity and more graphic, but it didn't feel that pointless to me even if some parts serve more purpose to the story than others.
Characters have personality and don't do anything that makes one infuriated by them, the detail to characterisation that was present in the original is here too. Cannot say anything bad about the performances, apart from Hope. Imogen Boorman brings nuance to a role not easy to pull off, while Clare Higgins and especially Kenneth Cranham are deliciously evil. Ashley Laurence is appealing and Doug Bradley shows why Pinhead is justifiably a horror icon.
To conclude, worthy sequel. 7/10 Bethany Cox
The film that started the franchise off is not only for me by far the best of the 'Hellraiser' films it also for me, and quite a few others it seems, is one of the stronger horror films of the 80s, though not quite of all time. What is meant by being by far the best of the 'Hellraiser' films is that it is the only one to be above very good, the nine sequels were very variable (leaning towards the disappointing) and the latter films particularly are suggestive of the franchise having run its course.
While the original 'Hellraiser' will always be the best of the series, its first sequel 'Hellbound: Hellraiser II' is one of its better sequels. Would go as far to say from personal opinion it's the best. Not as good as the original and understandably polarising, but it doesn't disgrace it. In some ways it is somewhat of a retread in terms of story except with more gore and less clarity of storytelling, though the imagination and ambition remains.
'Hellbound: Hellraiser II' has its problems. The script is not as vivid and thought-provoking this time round, numerous times being cheesy and muddled. Will Hope is very bland in an underwritten role.
Coming off worst for me was the ending, the Cenobites did deserve a much better defeat than the slapdash and silly one that is here while the staging of the ending itself is more like an incomprehensible parody complete with a terrible, unintentionally silly looking Channard.
On the other hand, the production values mostly were fine. It's very atmospherically shot and the hellish imagery is disturbingly vivid. Apart from Channard, the effects are hardly schlocky and while prominent they are not overused or abused. The music score is an improvement here, more fitting with the atmosphere and very haunting music on its own. Tony Randel does more than competently when it comes to the direction, staying loyal to the spirit of the original. The script is patchy but still intrigues.
Same goes for the story, regardless of whether sense is a strong suit or not (it isn't), which is most notable for Pinhead's very intriguing back-story and more of the Cenobites. Do prefer the mysteriousness they had in the original from being catalysts rather than being heavily focused on, but they are genuinely frightening, still look good and seeing more of and to them made them more interesting. While the ending disappoints, the twist is a clever one. Like the original, 'Hellbound: Hellraiser II' is genuinely disturbing while having tension, suspense and dread, the creativity of the set-pieces and deaths still remaining. The inmate skin flaying especially will be embedded in my mind forever. The gore is more in quantity and more graphic, but it didn't feel that pointless to me even if some parts serve more purpose to the story than others.
Characters have personality and don't do anything that makes one infuriated by them, the detail to characterisation that was present in the original is here too. Cannot say anything bad about the performances, apart from Hope. Imogen Boorman brings nuance to a role not easy to pull off, while Clare Higgins and especially Kenneth Cranham are deliciously evil. Ashley Laurence is appealing and Doug Bradley shows why Pinhead is justifiably a horror icon.
To conclude, worthy sequel. 7/10 Bethany Cox
Maybe it wasn't the best time for me to watch this, as I had a boil near my elbow and an expanding infection around it. That probably enhanced this movie's ability to make you feel queasy and light-headed.
I remember being fascinated by VHS covers as a kid at video stores. Horror especially got my attention. Hellbound seems to satisfy some of those morbid curiosities I'm sure we all carry to some degree. It doesn't have a rich or interesting story or characters, but it's imaginative in other ways.
There are all kinds of messed up images and concepts. It's weird that we watch horror movies in the first place. Why do we want to be scared, disgusted or horrified? I guess there has to be some sense of humour, morality or commentary on human nature for it to be properly enjoyable. But Hellbound seems to be more of a pure horror movie. I think that's why Ebert hated it and its predecessor. They're too depressing and pointless, even if the special effects are good and it establishes an effective mood.
It would be better if it explored the parallels between pleasure and pain more, which are only slightly alluded to. That seems to be a common theme in horror movies in general. It also could have showed us more about the origin and motivation of the Cenobites. And the doctor and girl's past could have been fleshed out more.
Apparently, it shares the record (with Titanic) for the most times two characters call out to each-other. I didn't notice so maybe that's a good thing. I was probably distracted by the disturbing and other-worldly visuals, wondering where it was going.
I think the original is probably better, but as horror sequels go, Hellbound is decent. I enjoyed the creative imagery. But it's not exactly upbeat or deep.
I remember being fascinated by VHS covers as a kid at video stores. Horror especially got my attention. Hellbound seems to satisfy some of those morbid curiosities I'm sure we all carry to some degree. It doesn't have a rich or interesting story or characters, but it's imaginative in other ways.
There are all kinds of messed up images and concepts. It's weird that we watch horror movies in the first place. Why do we want to be scared, disgusted or horrified? I guess there has to be some sense of humour, morality or commentary on human nature for it to be properly enjoyable. But Hellbound seems to be more of a pure horror movie. I think that's why Ebert hated it and its predecessor. They're too depressing and pointless, even if the special effects are good and it establishes an effective mood.
It would be better if it explored the parallels between pleasure and pain more, which are only slightly alluded to. That seems to be a common theme in horror movies in general. It also could have showed us more about the origin and motivation of the Cenobites. And the doctor and girl's past could have been fleshed out more.
Apparently, it shares the record (with Titanic) for the most times two characters call out to each-other. I didn't notice so maybe that's a good thing. I was probably distracted by the disturbing and other-worldly visuals, wondering where it was going.
I think the original is probably better, but as horror sequels go, Hellbound is decent. I enjoyed the creative imagery. But it's not exactly upbeat or deep.
I enjoyed the original "Hellraiser" movie and have been watching all the movies in the franchise as they have been released. Though I have to say that with each passing new movie that the franchise spawned, the quality of the storyline and ideas just grew weaker and weaker. However, the 1988 "Hellbound: Hellraiser II" is almost as good as the original movie.
The storyline in "Hellbound: Hellraiser II", as written by Peter Atkins, picks up after the events of the 1987 "Hellraiser" movie, and it is a good continuation of the storyline. There is a good continuity between the 1987 movie and this 1988 sequel, and that works very well in favor of the movie.
It was nice to see cast members from the original movie, such as Ashley Laurence, Clare Higgins and Sean Chapman return to reprise their characters from the first movie. Just as it was great to see the Cenobites return to the screen as well; that being Doug Bradley, Simon Bamford, Barbie Wilde and Nicholas Vince. I am not sure if all of those playing the Cenobites were from the first movie, though.
Visually then "Hellbound: Hellraiser II" is good. Sure, the movie is showing signs of being 34 years old already, but the effects are still adequate today and keep the movie as being watchable.
I enjoyed "Hellbound: Hellraiser II" and have seen it about five times or so, since it was originally released.
My rating of "Hellbound: Hellraiser II", from director Tony Randel, lands on a six out of ten stars.
The storyline in "Hellbound: Hellraiser II", as written by Peter Atkins, picks up after the events of the 1987 "Hellraiser" movie, and it is a good continuation of the storyline. There is a good continuity between the 1987 movie and this 1988 sequel, and that works very well in favor of the movie.
It was nice to see cast members from the original movie, such as Ashley Laurence, Clare Higgins and Sean Chapman return to reprise their characters from the first movie. Just as it was great to see the Cenobites return to the screen as well; that being Doug Bradley, Simon Bamford, Barbie Wilde and Nicholas Vince. I am not sure if all of those playing the Cenobites were from the first movie, though.
Visually then "Hellbound: Hellraiser II" is good. Sure, the movie is showing signs of being 34 years old already, but the effects are still adequate today and keep the movie as being watchable.
I enjoyed "Hellbound: Hellraiser II" and have seen it about five times or so, since it was originally released.
My rating of "Hellbound: Hellraiser II", from director Tony Randel, lands on a six out of ten stars.
This is just as good as the first one. The movie went in a fast pace. In a way I liked that. The scenes of hell were really neat looking. One of the best I've seen yet. I'm not going to say who, but a new Cenobites is in the movie, but he's not in there too long. You find out a little more about Pinhead in this one, but if you really want to know his history watch the third one. Anyway I liked this one. It is different than the first one.
I recommend this movie to anyone who liked the first one and likes a really good horror movie.
I recommend this movie to anyone who liked the first one and likes a really good horror movie.
¿Sabías que...?
- CuriosidadesClive Barker had developed elaborate back-stories for the Cenobites in the first film, though their origins were never explored. In this film, he wanted to make sure that, at the very least, the audience understood that the Cenobites were once human, and that their own vices lead to their becoming demons. This element was meant to underline the story of Frank (Oliver Smith) and Julia (Clare Higgins) and their corruption by lust, with the latter intended to become the ultimate villain of the series, but Pinhead proved much more popular with audiences, and thus became the center point in further sequels.
- Pifias(at around 1h 2 mins) When Kirsty is in the maze, she runs into a brick wall which is obviously fabric.
- Versiones alternativasThe UK cinema release was identical to the U.S R-rated version which removed around 2 minutes of graphic violence including various scenes of blood spurts, more explicit footage of the creations of Pinhead and the Channard cenobite, and nearly a minute from the resurrection of Julia. The 1990 UK video version then lost a further 7 secs of BBFC cuts with edits made to shots of the bloody Julia embracing the madman on the mattress and a brief shot of a bound topless woman, though confusingly the 1999 video release was cut further with an extra minute of sound edits replacing some of the previous cuts. The full unrated version was passed uncut by the BBFC in 2004.
- ConexionesEdited from Hellraiser: Los que traen el infierno (1987)
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Detalles
- Fecha de lanzamiento
- País de origen
- Idioma
- Títulos en diferentes países
- Hellraiser II, puerta al infierno II
- Localizaciones del rodaje
- Pine Ridge House, Iver Heath, Buckinghamshire, Inglaterra, Reino Unido(Dr. Channard's house exteriors)
- Empresas productoras
- Ver más compañías en los créditos en IMDbPro
Taquilla
- Presupuesto
- 3.000.000 GBP (estimación)
- Recaudación en Estados Unidos y Canadá
- 12.090.735 US$
- Fin de semana de estreno en EE. UU. y Canadá
- 3.185.511 US$
- 26 dic 1988
- Recaudación en todo el mundo
- 12.090.735 US$
- Duración1 hora 37 minutos
- Mezcla de sonido
- Relación de aspecto
- 1.85 : 1
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What was the official certification given to Hellbound: Hellraiser II (1988) in Japan?
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