Un recluso gana en un concurso radiofónico dos entradas para una final de béisbol. Ayudado por sus compañeros, consigue escapar de prisión. Una vez fuera, encuentra la agenda de un ejecutivo... Leer todoUn recluso gana en un concurso radiofónico dos entradas para una final de béisbol. Ayudado por sus compañeros, consigue escapar de prisión. Una vez fuera, encuentra la agenda de un ejecutivo y se hace pasar por él.Un recluso gana en un concurso radiofónico dos entradas para una final de béisbol. Ayudado por sus compañeros, consigue escapar de prisión. Una vez fuera, encuentra la agenda de un ejecutivo y se hace pasar por él.
- Dirección
- Guión
- Reparto principal
- Jimmy
- (as James Belushi)
- Debbie
- (as Anne De Salvo)
- LeBradford
- (as J.J.)
Reseñas destacadas
Although quite predictable, formulaic, and overlong (the script is by Jill Mazursky (daughter of Paul M.) and J.J. Abrams (his earliest screenwriting credit)), "Taking Care of Business" is indeed a cute comedy that travels far on Belushis' easygoing charm and the perfectly cast Grodin. Spencer will have a long road towards meeting this temporary nemesis, enduring some hardships, while Jimmy will enjoy this brief opportunity to live in the lap of utter luxury. (That Malibu mansion is a wonder to behold.) Entertaining side characters also help a lot: Anne De Salvo as a persistent, annoying, but endearing old school chum of Spencers', Mako as a tough Japanese businessman, Stephen Elliott as Spencers' ailing boss, Hector Elizondo as the weaselly prison warden, Veronica Hamel as Spencers' fed-up wife, the enticing Loryn Locklin as the boss' daughter, Ken Foree as a convict, and 'Star Trek' universe actors Gates McFadden and John de Lancie, as employees in Makos' company.
The picture is silly, and reasonably amusing, and may not exactly be very believable, but it serves as a good diversion for people who aren't demanding something of substance. One does feel good for the unlikely lead duo when all is said and done.
Naturally, the title invites the expected use of the classic Bachman-Turner-Overdrive hit tune.
Seven out of 10.
Grodin turns in another winning performance as the up-tight advertising executive that has his life taken over by an escaped convict, Belushi, who only escaped to watch the big baseball match which he has won tickets for, when he finds his Filofax at the airport.
What follows is some wonderful scenes as Belushi lives it up in the lap of luxury and does Grodin's job for him as he tries desperately to catch up with him.
Belushi is best as he tries to break back into jail so he can be legally released less than twelve hours later. Throughout this movie Belushi proves what a star he could have if he had arrived on the scene independent of everyone else, and without being over-shadowed by his self-destructive big brother.
Nevertheless, a very basic, but still highly enjoyable comedy.
Some comedies are incredibly funny on the first viewing, and are almost as--if not just as--funny on all the following viewings. You even start to laugh at jokes you didn't get the first time around. And there are comedies that are incredibly funny on the first viewing, but the laughs decrease on all the following viewings. Unfortunately, "Taking Care of Business" is an example of the latter. And as the laughs decrease, I felt more obligated to observe the plot. Though it succeeds in delivering big-time laughs, "TCOB" is a shallow farce that doesn't know when to quit.
James Belushi is the main saving grace. Comic talent and energy obviously runs in the family (his brother, the late John Belushi) and he's doing a terrific job at carrying on the Belushi name. His starring roles in little-known films haven't given him the opportunity to show off his knack for comedy, but every once in a while he steals the show, one of which was his supporting role in the underrated romantic comedy "Return to Me." Jim's an underrated talent, who has an amazing comic energy--without being obnoxious--and I hope to see him in more and more comedies. Charles Grodin is amusingly deadpan. Then again, portraying his stuck-up character wasn't much of a stretch. But towards the film's conclusion, he shows off his more outrageous side and he's quite good. That blonde chick who plays Belushi's love interest is an absolute knockout! I didn't get her name, but I hope to see her more often.
Despite its flaws, I can't completely downgrade a film that made me laugh hysterically the first time. Sure, you won't like it as much the second time, but who said you have to watch it a second time? Just watch it once and indulge! Plus, it has that great title song!
My score: 7 (out of 10)
Belushi and Grodin are magnificent in the leads, and the film is overall very funny. See it if you get the chance; you will not regret it! I happened to love it myself.
*** out of ****
¿Sabías que...?
- CuriosidadesFirst film written by J.J. Abrams.
- PifiasWhen Jimmy is first checking out the Filofax, he finds a list of 'power words' he reads out FIRST RATE, PHENOMENAL, SUPERLATIVE, BENEVOLENT, but 'phenomenal' clearly is not on the list.
- Citas
Ted Bradford Jr.: Spencer... Toast.
Jimmy Dworski: Yeah... A toast! To the Cubs winning the world series!... and to big tits!
- Versiones alternativasThe UK theatrical release was cut by 22 seconds to remove strong language (i.e. uses of "fuck") and secure a 12 certificate:
- [Reel 1] Black prisoner during baseball game in prison yard: "Shut the fuck up!"
- [Reel 2] James Belushi as he enters opulent mansion: "I'm in fucking 'Dynasty'!"
- [Reel 3] Belushi to men in tennis gear: "I got a great fucking job, don't I?"
- After white-suited Belushi admires himself in mirror: "Fucking A, man!"
- ConexionesFeatured in The Girl Next Door (1999)
- Banda sonoraTakin' Care of Business
Written by Randy Bachman
Performed by Bachman-Turner Overdrive
Courtesy of Polygram Special Products
A Division of Polygram Records, Inc.
Selecciones populares
- How long is Taking Care of Business?Con tecnología de Alexa
Detalles
- Fecha de lanzamiento
- País de origen
- Idioma
- Títulos en diferentes países
- Milionari a l'instant
- Localizaciones del rodaje
- Empresas productoras
- Ver más compañías en los créditos en IMDbPro
Taquilla
- Presupuesto
- 15.000.000 US$ (estimación)
- Recaudación en Estados Unidos y Canadá
- 20.005.435 US$
- Fin de semana de estreno en EE. UU. y Canadá
- 3.620.054 US$
- 19 ago 1990
- Recaudación en todo el mundo
- 20.005.435 US$
- Duración1 hora 48 minutos
- Color
- Mezcla de sonido
- Relación de aspecto
- 1.85 : 1