El balneario de Battle Creek

I judge the worth of a movie by how many times I want to watch it and I never seem to get tired of this one. An outstanding cast coupled with a delightful mix of period and real history add to the enjoyment. In addition, the director has an excellent sense of timing, the movie is well costumed and the music often lends itself well to comic moments. Of course, an overwhelming element of sex adds to its irreverent charm. The leads read(pardon the cliché)like a who's who of fine acting. Anthony Hopkins, John Cusack, Mathew Broderick, Dana Carvey and Bridgette Fonda head an excellent cast of character actors. If you look closely, you might recognize one of the "cookoo cookoo" Pigeon sisters from the original Odd Couple playing John Cusack's aunt. If you have any more doubts just remember the words of Nurse Graves " An erection is a flagpole on your grave".

I also can not fathom the low rating. One of only a small handful of comedies that I will watch repeatedly. As other reviewers have said, George young and old is great. It's a superb ensemble though. Hopkins performance as Dr. Kellogg easily rivals Dr. Lecter. For me Cusack's second best work. Colm Meaney's best without a doubt. Camryn Manheim's small but pivotal role always brings on a smile:)

I only gave it 9 stars, but that's because I'm a tough critic. It's a spectacularly good movie. It just isn't at that stratospheric ten level. IE Star Wars IV combined with being seven years old, or Clerks. If you haven't seen it yet, do so.

RTW is by all means a very funny movie. Sure, one can find it disgusting in some details, but it is nothing more than a point of view. On the formal side, you cannot say much against it: it has an excellent cast, superb costumes and buildings, it almost captured this long gone time. And, by the way, these stupid gadgets and therapies, they were real, they didn´t invent anything. OK, the story could be a little bit straighter, but thats all. Otherwise, RTW is holding a mirror for the health and fitness obsession of our times and one should be able to laugh about that too. All in all a good one. I´m sorry for those, who cannot like it because of their prudery, rest of you just try to watch a little bit more open - minded.

At the time of the release of "The Road to Wellville," I was the opinion page editor for the Battle Creek, Michigan, newspaper. I also had written a history of the life of work of Will K. Kellogg, founder of Kellogg Co. and brother of the film's hero, Dr. John Harvey Kellogg (played by Anthony Hopkins). I had read and published a review of T.C. Boyle's novel (which I enjoyed, but questioned for its historical inaccuracies). So I suppose I was a natural to be asked by the newspaper and to review the film. As a result, I was in the front row of an audience of Battle Creek residents during the "Michigan premiere" of the movie. To put it mildly, the audience was at times shocked and bemused, but overall they were pretty entertained. The most blatant fictions that should be corrected are that the old Battle Creek Sanitarium was *not* a coed facility, that female nurses *never* gave enemas to male guests (or males to females, for that matter), that Dr. Kellogg did *not* die while diving in his 70s (he was 91 and died in bed), and that George Kellogg -- a very real human being -- was *not* a wayward drunk. In fact, the only blatantly factual material is stated in the first five minutes, and then the film becomes fiction. Much is changed from the original novel (particularly how Dr. Kellogg deals with George), and the serio-comic tone of the novel is transformed into stupid, juvenile titillation over bodily fluids and sexual escapades. However, the movie *does* capture the mood and atmosphere of Battle Creek in the first few years of the 20th century -- the charlatans, the fly-by-nights and the ne'er-do-wells are shown for pretty much what they were. The faddists who took advantage of sincere Seventh-day Adventist health doctrine are extremely well depicted, as are there gullible "patients." And -- despite the phony rabbit teeth -- Hopkins is awfully fun as Dr. Kellogg. The satire is well-taken and in many ways successful. Overall, I recommend reading Boyle's novel over seeing this film, but I also recommend reading a serious history of the cereal industry and its antecedents before believing a word of the fictional creations in both the movie and the novel. If you want to watch a great Parker film, rent "Pink Floyd The Wall" and skip this one. But if you want to get a feel for Anthony Hopkins' incredible acting range, this is worth seeing. Not for much else, though!

Not having seen this film before, it came as a total surprise the other night when it was shown on cable. Alan Parker, the director, has adapted the T. Coraghessan Boyle's book into a hilarious comedy that evidently, judging from some of the comments to this forum, is not a crowd pleaser, yet, the film rewards those with an open mind to enjoy this hysterical take of a mad scientist, a spa, and the people that tend to patronize those places.

The story about the use of cereals, championed by Dr. John Henry Kellogg, is the basis of the story. This revolutionary doctor's methods were amazing in the way they were applied to patients going for the cure of their bad stomachs caused by the prevailing eating habits of the time.

This farce is great fun because of the cast assembled for the movie. Anthony Hopkins plays the mad Dr. Kellogg with glasses and false teeth that distort his face. We have to look hard into this mad man to realize the transformation Mr. Hopkins achieves with his character.

John Cusack, as the enterprising Charles Ossining, travels to Battle Creek, Michigan in search of riches, trying to capitalize on the cereal craze. He finds a partner in the devious Bender, played with great panache by Michael Lerner, one of the best character actors in the American cinema.

As the patrons of the spa, we encounter a young couple, the Lightbodies that go for a treatment. Briget Fonda and Matthew Broderick play the Lightbodies, a pair that is separated at their arrival and who encounter satisfaction in more ways than one, as they discover their sexuality. Lara Flynn Boyle, Camryn Manheim, Traci Lind, John Neville, Dana Carvey, Colm Meany and Jacob Reynolds are all good in their small roles.

This film, with its different kind of humor, will make anyone laugh.