Añade un argumento en tu idiomaA blind boy, who lives alone with his mean sister in a rundown hotel in Venice, receives a vision that warns him of the upcoming birth of the Antichrist. Soon, his sister mysteriously become... Leer todoA blind boy, who lives alone with his mean sister in a rundown hotel in Venice, receives a vision that warns him of the upcoming birth of the Antichrist. Soon, his sister mysteriously becomes pregnant.A blind boy, who lives alone with his mean sister in a rundown hotel in Venice, receives a vision that warns him of the upcoming birth of the Antichrist. Soon, his sister mysteriously becomes pregnant.
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My third Ugo Liberamore film and it seems unlikely I'll get the chance to see any more. These three, The Sex Of Angels, May Morning and this were hard enough to get hold of but all very much worth a search. If this Venice set horror is not quite up to the other two, it isn't far off and I enjoyed it. My print was pretty degraded and the film shot in Venice in the winter but I still reckon this could be the best looking Venice on film. Creepy and unsettling with moments of true horror, this intrigues from the very start with the blind boy being led down the narrow alleyways and across the tiny bridges. The music helps keep things from becoming too ordinary and Playboy 'playmate', Rena Niehaus a welcome distraction from some of the more grisly terrors. I've seen this described as a giallo, which it is not and moreover, I have to say, it doesn't crack along like some wild thriller but with Rosemary's Baby and Don't Look Now merely as undertones this is a very different vision of satanism.
The Christine character is the most repulsive and loathsome beast I've seen in a long while in a film. She is entitled, narcissistic, rude, icy, smug, and her every word to anyone is replete with insults and demeaning little flourishes. To her blind brother she says "Now you're deaf as well as blind" when he forgets something, and when he has a vision and takes a few steps she scolds him mercilessly "Why are you always wandering off? You know you only get lost." She has not a single kind word for him. He would be better off ditching her and finding a human being to take care of him! Sadly, that's not going to happen, not in this film. I like the Venetian scenery, and the hair and clothes are what you want from a 70s giallo/horror mishmash. I like this film, and I like it all the more for how much I hate Christine.
Mark is a blind boy living with his sister Christine in Venice.During a funeral Mark has another in a series of recent visions of a man with a cane,only this time the man is with a woman and a dog that is eating a decayed arm.Christine is openly unsympathetic to these visions and resents having to look after her brother.Mark and Christine are orphans and are staying with their grandmother,but when grandmother is killed in a bizarre fire accident their mother's family,the mysterious Winters become their guardians and Mark and Christine go to stay at their house."Damned in Venice" is a neglected gem.It offers some genuine shocks and a nice amount of female nudity.The Venetian location sets are gloomy,decayed and oppressive and there is a bit of gore including pretty nasty scene of child murder.It's great to see Lorraine DeSelle and Olga Karlatos of "Zombi 2" fame in the small roles.8 out of 10.
The is is a fairly obscure and poorly distributed movie from 1977/78 that actually packs quite a punch. The fact there are only (at time of writing ) EIGHT reviews on IMDb proves how little seen it is. Now that I have watched it, I want everybody to know how good it is.
OK, it's no masterpiece but for any fan of 1970's -1980's European giallos and shockers it is bound to prove very enjoyable. That's not to say it is a giallo, although it is filmed like one, but the plot is more supernatural. Something along the lines of The Omen, the plot involves a brother and sister who live in Venice and due to a few unexpected events find themselves inheriting a boarding house. Mysterious bad omens wash over them and eventually the brother starts so suspect that evil forces are preying on them, but why? First of all I want to point out the setting of the film, which is very clearly shot on location in Venice, and it looks terrific. The boarding house has window views over the main waterway of the city and many outside scenes are shot in the city centre. It makes a difference! Secondly, the whole film has a recognisable Italian slant, particularly in the way religion is portrayed, and in a way that roots it well and truly in it's time frame of the 1970's, it is full of period and localization chic in my mind.
Next, all the performances are good. Although I watched the film in Italian with English subtitles it was still dubbed by the looks of things, but this did not matter. The performances are great, especially of the brother of the two main characters, who is blind and yet afflicted with gruesome visions of supernatural events and violence. He brings a naturalness to the role that make it very believable. The sister is pretty good too, although a less likable character, so her colder performance kind of fits the role.
There is a fair amount of violence, and some scenes do stand out, especially for a film made this in period. Most of the time, the younger brother's visions are a cue for something horrific to happen on camera, and this includes several nasty piercings of unfortunate people with nails and/or the end of a very sharp cane. There's also the discovery of a very effective rotting corpse which is quite revolting. Most people who have watched the movie, however, come away from it holding the memory of one single shocking scene involving a tiny baby which even had me gasping - you'll know it when you see it! Don't worry it doesn't look real but it would be unheard of in a British or American movie of the time, or even now I suspect.
However, one brief scene of shock would not be enough to make me recommend a movie (in the same way that the scene with the animated poker in "Patrick Viva Encore" didn't make me recommend that to anyone), but Nero Venezia would still be effective anyway. It really does have a sense of atmosphere, and although a lot of the plot is glossed over with a better script it could have really created a true atmosphere of corruption. Still worth a look if you can find it.
OK, it's no masterpiece but for any fan of 1970's -1980's European giallos and shockers it is bound to prove very enjoyable. That's not to say it is a giallo, although it is filmed like one, but the plot is more supernatural. Something along the lines of The Omen, the plot involves a brother and sister who live in Venice and due to a few unexpected events find themselves inheriting a boarding house. Mysterious bad omens wash over them and eventually the brother starts so suspect that evil forces are preying on them, but why? First of all I want to point out the setting of the film, which is very clearly shot on location in Venice, and it looks terrific. The boarding house has window views over the main waterway of the city and many outside scenes are shot in the city centre. It makes a difference! Secondly, the whole film has a recognisable Italian slant, particularly in the way religion is portrayed, and in a way that roots it well and truly in it's time frame of the 1970's, it is full of period and localization chic in my mind.
Next, all the performances are good. Although I watched the film in Italian with English subtitles it was still dubbed by the looks of things, but this did not matter. The performances are great, especially of the brother of the two main characters, who is blind and yet afflicted with gruesome visions of supernatural events and violence. He brings a naturalness to the role that make it very believable. The sister is pretty good too, although a less likable character, so her colder performance kind of fits the role.
There is a fair amount of violence, and some scenes do stand out, especially for a film made this in period. Most of the time, the younger brother's visions are a cue for something horrific to happen on camera, and this includes several nasty piercings of unfortunate people with nails and/or the end of a very sharp cane. There's also the discovery of a very effective rotting corpse which is quite revolting. Most people who have watched the movie, however, come away from it holding the memory of one single shocking scene involving a tiny baby which even had me gasping - you'll know it when you see it! Don't worry it doesn't look real but it would be unheard of in a British or American movie of the time, or even now I suspect.
However, one brief scene of shock would not be enough to make me recommend a movie (in the same way that the scene with the animated poker in "Patrick Viva Encore" didn't make me recommend that to anyone), but Nero Venezia would still be effective anyway. It really does have a sense of atmosphere, and although a lot of the plot is glossed over with a better script it could have really created a true atmosphere of corruption. Still worth a look if you can find it.
Other than for the Venice scenarios, this late Rosemary's baby clone is almost dismissable without any comment, with its story of a blind young man trying to battle against the evil spawn of his sister short relation (in fact, she was virgin, as Satan want to mock Jesus life and death for his son)with a dark stranger, probably Satan himself. Bad acting, bad story, bad special effects, gratuitous nudity. A real B-movie, but not as good as it should be
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By what name was Nero veneziano (1978) officially released in India in English?
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