A. I. Inteligencia artificial

Título original: A.I. Artificial Intelligence

2001
7
2h 26min

PUNTUACIÓN EN IMDb

7,2/10

330 mil

TU PUNTUACIÓN

POPULARIDAD

985

256

Haley Joel Osment in A. I. Inteligencia artificial (2001)

Theatrical Trailer from Warner Bros. Pictures

Reproducir trailer2:13

3 vídeos

99+ imágenes

Artificial Intelligence Sci-Fi Epic Adventure Drama Sci-Fi

Un niño robot muy avanzado anhela convertirse en real para poder recuperar el amor de su madre humana.Un niño robot muy avanzado anhela convertirse en real para poder recuperar el amor de su madre humana.Un niño robot muy avanzado anhela convertirse en real para poder recuperar el amor de su madre humana.

Ver la información de la producción en IMDbPro

PUNTUACIÓN EN IMDb

7,2/10

330 mil

TU PUNTUACIÓN

POPULARIDAD

985

256

Ver la información de la producción en IMDbPro

Nominado para 2 premios Óscar
- 18 premios y 71 nominaciones en total

Reseñas de usuarios2.1K

Reseña destacada

10/10

Spielberg's Most Underrated and Under Appreciated

This Movie is as Underrated as E.T. (1982) is Overrated.

Steven Spielberg and Stanley Kubrick, Two of the most Admired Directors, combined Visions and worked Together until Kubrick's Death. Spielberg Took Over the Project but did Not Cheat on Kubrick's more Cynical and Pessimistic Approach.

The Result is this Great Film that is an Emotionally Exhausting, Visually Exciting Fairy-Tale. It is Disturbing and Delightful. Basically it is "Pinocchio", Restyled and Revisioned in a Sci-Fi-Horror-Cautionary-Allegory for Modern Times.

Not for Everyone, it may be too Unsettling at times for very Young Viewers. It is Heartwarming and Heart-Wrenching and Deeply Depressing. The Futuristic Visual Template is Amazing.

Only the most Hardened of Hearts could be Unmoved by its Sentimentality seen through the Eyes of a Robot Child. The Parallels and Direct Links to Real Children are Painful to Watch as the Artificial Boy must go through Parental Rejection and some of Real-Life's Horrifying Realities.

A Good Cast all Deliver Searing Performances in Difficult Roles. Overall the Movie is Not a very Pleasing Entertainment for those Wishing for the Usual Spielberg Scrubbed Suburbanism.

Although the Movie does have an Abundance of Heart. The Viewer will find His/Her Heart Warmed and then Frozen, Filled with Love then Broken and Drained, only to have it Filled Again.

For some it may be just Too Much of an Emotional Roller-Coaster Ride, but for others Willing to be Shaken and Stirred, Caressed and Cuddled, Shocked and Stunned, all at the Same Time, this is Just the Thing.

An Under Appreciated Masterpiece of Manipulation, with No Pull Back along the Road Trip Search for Enlightenment.

The A.I. Child, Prays and Searches for, the "Blue Fairy" His Whole "Life". Organic Types Frequently do the Same Thing. Orga = Mecha = Orga

Curiosidades
Stanley Kubrick worked on the project for two decades before his death, but along the way, he asked Steven Spielberg to direct, saying it was "closer to his sensibilities." The two collaborated for several years, resulting in Kubrick giving Spielberg a complete story treatment and lots of conceptual art for the movie prior to his death, which Spielberg used to write his own scenario. Contrary to popular belief, Spielberg claims he introduced many of the darker elements into the story, while Kubrick's main contribution consisted mostly of its "sweeter" parts. In a 2002 interview with movie critic Joe Leydon, Spielberg indicated that the middle part of the movie, including the Flesh Fair, was his idea, whereas the first forty minutes, the Teddy bear, and the last twenty minutes were taken straight from Kubrick's story. Ian Watson, who wrote Kubrick's original treatment, confirmed that even the much-criticized ending, assumed by many to be a typical Spielberg addition, was "exactly what (he) wrote for Stanley, and exactly what he wanted, filmed faithfully by Spielberg."

Pifias
Much of the film's early action takes place in Haddonfield, New Jersey. New York City is subsequently shown to be under water. Haddonfield's elevation (81 feet) is lower than that of New York City (87 feet), and it is near both the Atlantic coast and a river leading to the ocean, so Haddonfield should be under water too.

Citas
[last lines]
Narrator: [narrating, as David lays next to Monica in bed] That was the everlasting moment he had been waiting for. And the moment had passed, for Monica was sound asleep. More than merely asleep.
Narrator: [David holds Monica's hand, closing his eyes] Should he shake her she would never rouse. So David went to sleep too. And for the first time in his life, he went to that place... where dreams are born.

Créditos adicionales
Sentient Machine Therapist ... JEANINE SALLA Assistant to Mr. Chan ... LAIA SALLA Toe-Bell Ringer ... KATE NEI Cybertronics - Room 93056 ... CLAUDE GILBERT Sentient Machine Security ... DIANE FLETCHER Covert Information Retrieval ... RED KING These are characters from the AI alternate-reality game that was connected to the release of the film, and was played over the Internet. Several of the TV and cinema trailers for AI contained clues for game players, including the name Jeanine Salla listed in the credits at the end of the first trailer. This was the way into the game. The room number given in Claude Gilbert's credit is a further clue to game players.

Versiones alternativas
For the U.S. theatrical release, the Warner Bros. logo appeared before the Dreamworks logo at the beginning of the film, and the poster credits said, "Warner Bros. and Dreamworks Pictures present." Since the U.S. version's home video/DVD rights are owned by Dreamworks, the Dreamworks logo at the beginning of the movie appears before the Warner Bros. logo, and the back of the box's cover art says, "Dreamworks Pictures and Warner Bros. present."