Election

I always thought this would be a long and boring Talking-Heads flick full of static interior takes, dude, I was wrong. "Election" is a highly fascinating and thoroughly captivating thriller-drama, taking a deep and realistic view behind the origins of Triads-Rituals. Characters are constantly on the move, and although as a viewer you kinda always remain an outsider, it's still possible to feel the suspense coming from certain decisions and ambitions of the characters. Furthermore Johnnie To succeeds in creating some truly opulent images due to meticulously composed lighting and atmospheric light-shadow contrasts. Although there's hardly any action, the ending is still shocking in it's ruthless depicting of brutality. Cool movie that deserves more attention, and I came to like the minimalistic acoustic guitar score quite a bit.

The issue with IMDb in regards to foreign films such as 'Election' is that inevitably few have seen the film, fewer have chosen to put themselves in the firing line with a synopsis, and all will mark begrudgingly out of preference and favouritism rather than critical accuracy. Was I expecting more from this film? Given that it was on offer, I had finance at hand, and I purchased with intent to merely fill up my East Asian collection, no. Given that the film was Johnny To, was an official Cannes selection and had won as many awards as the impeccable Infernal Affairs, the answer is a resounding yes.

Without wishing to sound too condescending before hitting the heart of the review, you can often (not always) gauge the credibility of a film based on where the "quotes" on the DVD box have originated. In England, the usual credible resources are Empire, The Observer/Guardian, probably The Independent and for the most part Johnathon Ross, so given that this film has been brandished a five star rating by "NEO" sent alarm bells ringing, but I am open minded, and do not let nonsense like that sway my opinion.

Election is severely interesting on the basis of it being a pure triad film. Obviously my knowledge of the organisation is severely limited, but from what I can ascertain this is as "realistic" as you will get, next to standing in the room itself, as the rituals and ceremonies have all been meticulously planned, structured and filmed. In this sense, Election manages to bring out the very best in Eastern cinema, the rich culture (despite the notorious background of the Triad) steeped in tradition holding important virtues and values such as honour, which have all too often have been left behind in the Middle Ages. Election provides what can only be described as a rare insight, and chances are you will not find another film (barring Volume II) which will be as true and as accurate as this. Other plus points include the strength of the cinematography, typically shot in clean contrast with vivid colours and engaging compositions, while the acting is convincing with some slick performances from Tony Leung and Simon Yam.

Election confronts the issue of the modern globalised world coming into conflict with the traditions of heritage of the triad which are seemingly being swamped by the sheer force of power the outside world, and in particular capitalism, possesses. However, and yes it was inevitable, the script, despite having won the award for Best Screenplay at the Hong Kong Film Festival is decidedly average if not poor. The performances aside, it does very little to engage you as an audience, nor does it contain a gravitas to sweep you off your feet and cart you away down a roller-coaster ride, and perhaps this is the directors want. However The Godfather, for example was a film which had a relatively slow paced storyline, yet you were utterly immersed for nigh on three hours, with Election the 100 minutes, feels like three hours, and that is not a good thing. Not enough actually takes place on screen to engage you, there are debates among elders about who should be the next Chairman, you see the candidates approach other members of the triad to ask for their support, you see more debating, you see various characters obviously being set up to be more important in volumes II and III, and you see some good acting go to waste with not much happening.

I did want to like this film immensely, and I gave it all the time it needed, but it did not give me that essential x-factor which grabs you and slaps you around, so that when all is finished you need a moment to recover. There are many plus points, and I don't discount the possibility that I could be proved wrong on all these counts when viewed as an entire trilogy, but as a singular film Election falls into the trap so many foreign films do, excellent intentions, decent execution, and that is this film in a nutshell, it's decent. Don't expect a rip-roaring wild ride, expect a fairly entertaining trip, a leisurely drive through the world of the triads with acting that is superb but a story which is average, stunning visuals and clichéd endings. One review (from "Total Film" *insert raised eyebrow here*) calls this "unflinching brutality", and if you were expecting a whole lot more, it certainly can be.

I can respect the amount of romance these cold blooded Triad members have for traditions and the pursuit for power in these modern days.

But, I didn't fully connect. To watch a bunch of scum elect the lesser scum from their ranks is something that always looks cool on film but I would much rather stick to the american mafia that has its roots in Europe. It's much more cinematic. Nevertheless, Johnnie To takes a lot of references from the Hollywood side, and it is quite visible.

It didn't feel like a chore, but it was not far off. I think I would have liked to see more style, because there would have been space for it...and less talking.

This isn't as violent as I was expecting which makes the violent scenes appear all the more brutal and effective.

There are a lot of twists and turns and back stabbing and double crossing all the way through the film making it hard to know who's side a particular character is on.

The plot is pacey with some good dialogue and character development and gives an interesting view of the workings of the Triad gang it follows.

The violence when it comes is brutal, no guns or martial art scenes with special effects, this is believable in your face violence and for all the dialogue you are never allowed forget that the Triad is a violent criminal organisation.

The ending is surprising but thoroughly consistent and believable.

The essential appeal of gangster films lies in the notion of the inter-linking of depravity and honour. And honour is arguably the more fictitious of the two qualities: it is said that after 'The Godfather' was made, real life mafioso started imitating Don Corleone. Even so, mafia chic has more or less been done to death, which is where (to a western audience) a Hong Kong gangster movie, like Johnny To's 'Election'; can be refreshing. Some of the guff about ancient codes may be hokum, but it's a fresh kind of hokum, and this is a tough, well made thriller, the story of the rivalry of two gangster leaders, the wild Big D. and his more thoughtful rival Lok, who (in 'Godfather'-terms) is more of a Michael Corleone figure. One thing I liked was how To makes effective use of quiet but driving background music during the more obviously thrilling parts of the movie, but lets its grim conclusion play out in silence. But overall, it's not in the same league as 'The Godfather', and the principal flaw is that there's no character sufficiently conflicted to win your sympathy. Lok may be an appealing family man in contrast to Big D., but although shocking, the ending lacks the surprise of the ending of 'The Godfather'; indeed, I personally think the 'The Godfather Part II', though a very skillful film, also suffered from the problem that the audience is unable to maintain the necessary illusions about its protagonist prior to the end. 'The Godfather' also had a plot that was not just detailed, but made exact sense, whereas the story in 'Election' is more superficial. I still enjoyed watching it; but the real Hong Kong 'Godfather' is arguably 'Infernal Affairs'.