Un joven programador es seleccionado para participar en un innovador experimento de inteligencia sintética evaluando las cualidades humanas de una inteligencia artificial humanoide muy avanz... Leer todoUn joven programador es seleccionado para participar en un innovador experimento de inteligencia sintética evaluando las cualidades humanas de una inteligencia artificial humanoide muy avanzada.Un joven programador es seleccionado para participar en un innovador experimento de inteligencia sintética evaluando las cualidades humanas de una inteligencia artificial humanoide muy avanzada.
- Ganó 1 premio Óscar
- 74 premios y 162 nominaciones en total
- Jasmine
- (as Symara Templeman)
- Amber
- (as Lina Alminas)
- Office Worker
- (sin acreditar)
- Office Worker
- (sin acreditar)
- Office Manager
- (sin acreditar)
Resumen
Reseñas destacadas
Ex Machina is the best science fiction film on artificial intelligence since Blade Runner. While Blade Runner is an action thriller that relies more on it's epic visuals to tell it's story, Ex Machina is a dialogue-driven psychological thriller that slowly works it's way under your skin. Thought-provoking and terrifyingly suspenseful, an induced state of paranoia may linger long after the end credits begin to roll.
The less you know going into a film like this, the better your experience will be. Alex Garland has given us a modern science-fiction masterpiece. Performances from all three leads are flawless and every other aspect of the production, from the cinematography to the soundtrack, is perfectly suited for the story. Not only is Ex Machina an amazing achievement for a directorial debut, it's Alex Garland's best written work to-date.
It remains a pretty great watch still, of course it's pure sci fi, but it's a glimpse into a future scenario that seems to be perfectly feasible, you need only Google AI, and you'll see some incredible content, good or bad, after this film you may change your opinion.
This film is so intriguing, I find it quite unique, it's disturbing, but more than that it's a story of paranoia, of power, but in a bizarre way it's a story of hope as well. It's pure fantasy, it's almost like a Disney story rehashed and turned into sci fi, it's crazy at times, but it works.
The special effects and visuals are incredible, Ava looks amazing, she's different enough, but has enough human qualities to allow you to engage with her human side.
It's quite dialogue heavy, it's not a typical action sci fi, so fans that enjoy the faster paced, action driven movies may find it slower at times, but if you're into movies with twists and turns, tension, psychological thrillers where character development is important, I think you'll enjoy this.
The three main actors are all excellent, you can't put a pin between them, each of the three really deliver, every character gets under the skin, in a way I never expected.
This film never fails to impress, 8/10.
¿Sabías que...?
- CuriosidadesThe location of the house in the movie is the Juvet Landscape Hotel in Norway.
- PifiasWhen Ava and Kyoko meet in the corridor, there are masks on the wall. At the end of the scene, the masks are gone. Correction: The camera angle is not a reverse shot along the same corridor with the masks. The camera has moved to where Kyoto is standing, turned 90 degrees right and is looking down the corridor she came from. When Nathan finds them, he is looking from the other end of the corridor where Kyoto came from.
- Citas
Nathan: One day the AIs are going to look back on us the same way we look at fossil skeletons on the plains of Africa. An upright ape living in dust with crude language and tools, all set for extinction.
Caleb: I am become Death, the destroyer of worlds.
Nathan: There you go again, Mr. Quotable.
Caleb: There you go again. It's not my quote. It's what Oppenheimer said after he made...
Nathan, Caleb: ...the atomic bomb.
Nathan: Yeah, I know what it is, dude.
- Créditos adicionalesThe end credits starts with a single dot in the background which then grows and various patterns emerge from it.
- Versiones alternativasThe alternatively censored cut released in China featured frequent blurs of nudity and, on occasion, violence. One scene towards the end also seemed to be zoomed for no apparent reason.
- ConexionesFeatured in Film '72: Episodio #44.2 (2015)
- Banda sonoraSchubert Piano Sonata No.21 in B Flat Major, D.960
Composed by Franz Schubert
Performed by Alfred Brendel
Courtesy of Decca
Under license from Universal Music Operations Limited
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Detalles
- Fecha de lanzamiento
- Países de origen
- Sitios oficiales
- Idioma
- Títulos en diferentes países
- Ex Machina
- Localizaciones del rodaje
- Juvet Landscape Hotel, Alstad, Valldal, Noruega(Nathan's mountain retreat)
- Empresas productoras
- Ver más compañías en los créditos en IMDbPro
Taquilla
- Presupuesto
- 15.000.000 US$ (estimación)
- Recaudación en Estados Unidos y Canadá
- 25.442.958 US$
- Fin de semana de estreno en EE. UU. y Canadá
- 237.264 US$
- 12 abr 2015
- Recaudación en todo el mundo
- 37.394.629 US$
- Duración1 hora 48 minutos
- Color
- Mezcla de sonido
- Relación de aspecto
- 2.39 : 1