Nick y Nora, una noche de música y amor
Después de un encuentro fortuito, Nick y Norah se embarcan en un viaje a través de la escena de rock independiente de Nueva York en busca del show secreto de una banda legendaria, y terminan... Leer todoDespués de un encuentro fortuito, Nick y Norah se embarcan en un viaje a través de la escena de rock independiente de Nueva York en busca del show secreto de una banda legendaria, y terminan encontrándose entre sí.Después de un encuentro fortuito, Nick y Norah se embarcan en un viaje a través de la escena de rock independiente de Nueva York en busca del show secreto de una banda legendaria, y terminan encontrándose entre sí.
- Dirección
- Guión
- Reparto principal
- Premios
- 1 premio y 9 nominaciones en total
Reseñas destacadas
Just like the characters' purported awkward age, Nick and Norah's Infinite Playlist was painfully awkward in its acting, story and editing. There were a few highlights and seriously funny moments, but they are a sad sprinkling. Ari Graynor's antics as Caroline, Norah's drunk and ditzy friend, seemed genuine but it wasn't established how and why they remain friends. Some of the dialogue is hilarious but you are rewarded by these handouts only if you're patient enough not to sleep through this infinitely long-drawn out teen flick.
Oh, the soundtrack was perfectly ambient but not particularly memorable (which is the saddest part!), however, I thought the escalator kissing scene was really sweet.
The movie pretty much takes place during an entire night and Sollett's portrayal of night in the city is amusing and exciting. Lighting is cleverly used and the yellow tinted colour adds more excitement into the night. With the exception of that Spice Girls track, I like the soundtrack.
Michael Cera and Kat Dennings suit their parts wonderfully. They maintain a good chemistry (even though their love scene looks a little awkward). Aaron Yu, Rafi Gavron and Jonathan Wright provide some fun comic relief as Nick's friends/bandmembers. Ari Graynor is hilarious.
I like the title of this movie and how the movie stays true to it. It's a charming little film that is perhaps best enjoyed at night.
Nick is having a hard time after his rough break up with super slutty Tris, he continues to mix CD's for her that her fellow student, Norah listens too and enjoys it. By chance Norah meets Nick not knowing that it's Tris's ex and says that he's her boyfriend to show Tris that she's no prude. But when Norah learns that Nick is the ex, Nick also won't shut up about Tris, but they find out throughout the night that maybe they're musical soul mates and can really dig each other's vibe. But in the mean time with their crazy friends, they try to find their favorite band that is hidden in New York.
Nick and Norah's Infinite Playlist is definitely worth the look, I would say that it's worth full price. The only thing I have a problem with is our leading man, Michael Cera, this guy is a nice actor, but he hasn't really expanded himself into different roles, he's been playing the same character since Superbad to be honest. But I'm seeing Kat Dennings more and more, I'm enjoying her presence on screen, she's very lovely and has potential. But the person who definitely stole the show was Norah's drunk friend, Caroline played by Ari Graynor, she was just beyond hilarious and stole all the laughs. Nick and Norah's Infinite Playlist is a great new teen comedy, though I really hope teenagers don't act like this... if they do... oh, I'm praying that our future is going to be alright.
7/10
Nick (Michael Cera) has been down as of late. It seems his fragile heart has been trampled by Tris (Alexis Dziena), a girl so clearly wrong for him but whose physical beauty is apparently capable of diverting people from noticing her lack of a soul. Norah (Kat Dennings) has some trust issues as she naturally assumes that any man interested in her is likely more interested in her connections (her dad is an enormously successful record executive). As a result, both Nick and Norah have withdrawn not externally as they both still function amongst the other humans but they do so at arm's length. Like sleeping beauties though, they are both awoken from their waking comas by a shared impromptu kiss. Suddenly, worlds they never knew existed have become possibilities and an ordinary evening becomes an adventure. While the twists the evening takes are at times unrealistic, they do give the night and the film a sense of spontaneity that makes the viewer believe that anything can happen.
Peter Sollett is a delicate director. His first feature, RAISING VISTOR VARGAS, in which a group of Hispanic youths in New York's lower east side figure out how to stop playing and how to be themselves instead, was a singular revelation. He created a strong sense of hesitation in face of the unknown and a desire to be something more. He has an ease with creating simple, real spaces that foster intimacy and humble his characters and Nick and Norah are no exception to his treatment. Outside of these two though, the remaining ensemble are little more than comic relief and functional plot progression pieces. They can come across as occasionally transparent and one-dimensional but thankfully never enough to distract from the delightful romance budding at the center of all the chaos. Cera proves his versatility once again by showing that there are hundreds of facets to being an awkward teenager, that awkwardness does not define you but is rather just how who you are can come across. Dennings is his perfect counterpoint; she is sharp and strong, a worthy adversary, but frightened underneath it all, an ideal match. The two are so strongly suited that they transform the sometimes too facile script into something much more mature and meaningful.
NICK AND NORAH'S INFINITE PLAYLIST made me want to fall in love. It also made me laugh and swoon, delight in the magic of music and believe in the transformative properties of one crazy night. It made me long to be in New York City. It made me wish that I was that young again and that believing in possibilities was that easy to do. It may not be perfect but it is almost better that way, more real. There is something so genuine at the heart of this film that makes it almost impossible not to want for Nick and Norah to realize their potential a potential that is just as infinite as the playlist they are about to create together.
¿Sabías que...?
- CuriosidadesAri Graynor (Caroline) improvised her whole speech at the Port Authority when Kevin Corrigan decided he wouldn't say a word during his scene.
- PifiasWhen Norah takes Nick inside her dad's studio, he picks up a Stratocaster and says "it's left-handed." Nick is correct; this is a right-handed guitar that is strung upside down with the strap switched for use by a left-handed guitar player. That is how Jimi Hendrix played. The scene takes place in Electric Lady Studios, which was the studio Hendrix built as explained by Nick in the movie and hence, we are to assume that this is one of Jimi's guitars.
- Citas
Norah: It reminds me of this part of Judaism that I really like. It's called Tikun Olam. It says that the world's been broken into pieces and it's everybody's job to find them and put them back together again.
Nick: Well maybe we're the pieces. Maybe we are not supposed to find the pieces. Maybe we are the pieces.
Norah: Nick? I'm coming in...
- Banda sonoraSpeed of Sound
Written by Chris Bell (as Christopher Bell)
Performed by Chris Bell
Published by Ardent Music, LLC (ASCAP)
Courtesy of Rykodisc
By Arrangement with Warner Music Group Film & TV Licensing (p) 1992 David Bell
Selecciones populares
Detalles
- Fecha de lanzamiento
- País de origen
- Sitio oficial
- Idioma
- Títulos en diferentes países
- Nick i Norah: Una nit de música i amor
- Localizaciones del rodaje
- Empresas productoras
- Ver más compañías en los créditos en IMDbPro
Taquilla
- Presupuesto
- 10.000.000 US$ (estimación)
- Recaudación en Estados Unidos y Canadá
- 31.487.293 US$
- Fin de semana de estreno en EE. UU. y Canadá
- 11.311.751 US$
- 5 oct 2008
- Recaudación en todo el mundo
- 33.556.631 US$
- Duración1 hora 30 minutos
- Color
- Mezcla de sonido
- Relación de aspecto
- 1.85 : 1