Añade un argumento en tu idiomaThree gay sons are called back by their estranged and terminally-ill father and given an offer they can't refuse: a P300 million inheritance in exchange for each of them giving him a grandch... Leer todoThree gay sons are called back by their estranged and terminally-ill father and given an offer they can't refuse: a P300 million inheritance in exchange for each of them giving him a grandchild.Three gay sons are called back by their estranged and terminally-ill father and given an offer they can't refuse: a P300 million inheritance in exchange for each of them giving him a grandchild.
- Dirección
- Guión
- Reparto principal
- Premios
- 3 premios y 13 nominaciones en total
Reseñas destacadas
10duniosai
Very nicee movieee ilove it. I want to recommend the director of this movie he/she is very nice itcomes in twist of movie. Very nice very funny
I was excited to see this offering on Netflix thinking that it could potentially be the Philippines' answer to the drag queen movie genre of the past such as "to Wong Foo" and "Priscilla, Queen of the Desert". Both of these movies, while not considered the greatest films ever made, excelled in story-telling, were well-acted, entertaining and funny, yet explored the more complex and deeper sides of the drag queen subculture. Sure, some of the plot twists were bizarre but yet they did not take away from the realism and authenticity in the characters being played.
The Panti Sisters actually started out with a great background plot. Three flamboyantly gay sons with a penchant for wearing make up and gender-bending outfits were called upon by their insanely-rich ailing father in his mansion. The challenge they were given was to produce an heir in exchange for their inheritance. The rest of the movie follows multiple plot twists by the three sons as they attempt and commit failures in meeting the challenge.
Unfortunately, the movie relied too much on gay, lesbian, and "gay ally" stereotypes for cheap laughs at the expense of elevating the background story to a deeper understanding and acceptance of the realities of openly flamboyant gay men in the Philippines beyond that of traveling circus clowns and court jesters. All it did is to solidify the all too common "gay character" in Philippine cinema (typically played by straight actors) as caricatures for comic relief lacking in substance or character development enough to make them uninteresting.
The three main actors could definitely act, there's no question about that. To their detriment, the scenes they were asked to portray did not seem genuinely real-life scenarios and were ingeniously exaggerated to create hilarity for the sake of being outrageous. It made the characters one dimensional including the ones in the supporting roles who mostly seemed capable of doing better acting. It left an unsatisfying void of a movie that can surely make an audience laugh out loud yet fail to leave a lasting impression.
The Panti Sisters actually started out with a great background plot. Three flamboyantly gay sons with a penchant for wearing make up and gender-bending outfits were called upon by their insanely-rich ailing father in his mansion. The challenge they were given was to produce an heir in exchange for their inheritance. The rest of the movie follows multiple plot twists by the three sons as they attempt and commit failures in meeting the challenge.
Unfortunately, the movie relied too much on gay, lesbian, and "gay ally" stereotypes for cheap laughs at the expense of elevating the background story to a deeper understanding and acceptance of the realities of openly flamboyant gay men in the Philippines beyond that of traveling circus clowns and court jesters. All it did is to solidify the all too common "gay character" in Philippine cinema (typically played by straight actors) as caricatures for comic relief lacking in substance or character development enough to make them uninteresting.
The three main actors could definitely act, there's no question about that. To their detriment, the scenes they were asked to portray did not seem genuinely real-life scenarios and were ingeniously exaggerated to create hilarity for the sake of being outrageous. It made the characters one dimensional including the ones in the supporting roles who mostly seemed capable of doing better acting. It left an unsatisfying void of a movie that can surely make an audience laugh out loud yet fail to leave a lasting impression.
I have high hopes for The Panti Sisters (2019) mainly because of Die Beautiful (2016). But that does not mean I believe it can replace the latter. Based on the trailer and synopsis, I already knew that this will be lighter.
I honestly enjoyed the film from start to finish due to several funny and cute scenes. Paolo Ballesteros, Christian Bables and Martin del Rosario are great together. However, these were not enough to overlook the problems.
The film left some gaps making me feel a little unsatisfied. For instance, the transition from one situation to another was too abrupt. I wasn't ready for the change of tone and could not quite process the next scene. So when that scene arrived, I wasn't able to react accordingly.
Though there is no doubt that the actors especially the great John Arcilla (Heneral Luna) can draw the right reaction from the audience, there was something lacking. And that would be the depth of the characters as well as their relationship with each other. So that when the time one of them leaves the plot the audience will feel sad.
Don't get me wrong. I don't need a "Dramarama sa Hapon" type of drama. I just wanted to feel the right emotions when something tragic happens to one of the characters. And most importantly, not think if this certain character is essential to the story.
Anyway, it does say in the film listing The Panti Sisters (2019) is under comedy. But since something tragic happened doesn't mean it does not deserve a proper execution.
I honestly enjoyed the film from start to finish due to several funny and cute scenes. Paolo Ballesteros, Christian Bables and Martin del Rosario are great together. However, these were not enough to overlook the problems.
The film left some gaps making me feel a little unsatisfied. For instance, the transition from one situation to another was too abrupt. I wasn't ready for the change of tone and could not quite process the next scene. So when that scene arrived, I wasn't able to react accordingly.
Though there is no doubt that the actors especially the great John Arcilla (Heneral Luna) can draw the right reaction from the audience, there was something lacking. And that would be the depth of the characters as well as their relationship with each other. So that when the time one of them leaves the plot the audience will feel sad.
Don't get me wrong. I don't need a "Dramarama sa Hapon" type of drama. I just wanted to feel the right emotions when something tragic happens to one of the characters. And most importantly, not think if this certain character is essential to the story.
Anyway, it does say in the film listing The Panti Sisters (2019) is under comedy. But since something tragic happened doesn't mean it does not deserve a proper execution.
This movie is well thought of. Great acting and chemistry between the characters. Culturally sensitive and witty as well.
The performances was overdone and corny. Nothing special about this film in a technical point of view.
¿Sabías que...?
- Banda sonoraDalaga
Performed by Allmost
Composed by Angelo Luigi Timog, Russell Dela Fuente (as Rocel Dela Fuente), Clien Alcazar and Jomuel Casem
Under license from Viva Music Publishing, Inc.
Musical arranger of remix version for shoot purposes: James Gatchalian
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- How long is The Panti Sisters?Con tecnología de Alexa
Detalles
Taquilla
- Recaudación en todo el mundo
- 2272 US$
- Duración1 hora 48 minutos
- Color
- Relación de aspecto
- 2.39 : 1
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What is the Spanish language plot outline for The Panti Sisters (2019)?
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