Testamento de juventud

I remember being given this book as a set text for an English A-Level examination over 30 years ago and am aware that there was a prestigious BBC production of it also several years back but this is the first dramatisation I've seen of Vera Brittain's novel documenting her own experiences in that golden age of post-Edwardian pre WW1 England when for coming-of-age birthdays you got given a piano from your father. That's if you were a girl of course, her more musically gifted brother conversely gets what she would have wanted, a scholarship at Oxford although on the other hand he is also at the the prime age to be called up for what he and most everyone else (but not their knowing father) believes will be a short, heroic and clean war which of course it turned out not to be (apart from the heroic part).

Young Vera is headstrong, not only about wanting to make her own way in a man's world (female emancipation was still years away), but later about making her own contribution to the war effort by enrolling as a nurse while her lover, brother and other male friends are fighting in the trenches. Told wholly from her point of view, it's an entertaining if not enthralling watch, beautifully shot and well acted if somehow just lacking some extra pathos to really capture the hellish undertow of the War to end all Wars.

Alicia Vikander is appealing as the vaguely tomboyish, intellectual Vera. In those days, it would appear, the golden youth had to be chaperoned everywhere by a usually imposing maiden aunt figure and make their feelings about each other known by writing and sending poems as the film strives to contrast the idyllic pre-war days of carefree swimming and carousing with the bleakness and destruction of war itself. For me, I didn't feel the contrast quite sharply enough and my abiding memories of the film are of the big family house and the dreaming spires of Oxford rather than the hell of the makeshift military hospitals and muddy and bloody trenches on the front line.

The best shot for me was when I perhaps detected a tribute to all-time great movie "Gone With The Wind" as Vera goes Scarlett-like amongst the wounded and dying, searching for her wounded brother where the camera ascends into a sweeping dolly shot showing the full extent of the number of the casualties, just like Vincent Fleming's rightly famous take all those years ago.

The supporting actors are picked from the familiar directory of experienced British character actors, notably Miranda Richardson and Emily Watson, while the young actors in the leads, all of them unfamiliar to me, perform with aplomb.

There is a great true-life story to be told here and this film does so respectfully and responsibly, if just a little too carefully at times.

Vera Brittain (Alicia Vikander) wants to go to Oxford but her parents (Dominic West, Emily Watson) wants her to look for a husband. Her brother Edward (Taron Egerton), and friends Victor Richardson (Colin Morgan) and Roland Leighton (Kit Harington) all adore her. Vera falls for Roland and gets accepted to Somerville College, Oxford. As WWI approaches, her guys all volunteer. She convinces her father to let Edward enlist. She defers college and volunteers to be a nurse.

It has a slow period-piece start. It's got a nice hazy moody feel. Vikander is great but the guys need more exposition. They don't have enough space to show their characters. It's a slow burn and it's all concentrated on Vikander. She wins me over slowly. She has great sadness. It has very poignant moments especially in the later parts.

Considered one of the greatest war memoirs ever written, the Testament of Youth is a true-life account of Vera Brittian's life from 1914 - 1918, and a chronicle of how the First World War affected not only her, but the nation's lives.

One of the things that determines Testament of Youth different to other bloody, explosive and bullet-ridden war tales is that it is focused on the domestic view of the ones who not only joined the war on the front-line, but also those at home and the consequent effects on loved ones, offering an unseen perspective, and solid-account of the despair that war causes.

Beginning in pre-war 1914, we are introduced to Vera Brittain, a determined and wilful individual with aspirations of not becoming just a traditional young-married women, but one who attends Oxford University and chooses her own life-choices.

Along with her brother Edward (Taron Egerton) and his two friends Victor (Colin Morgan) and Geoffrey (Jonathan Bailey), they all enjoy their youth in the rural village with their parents (Dominic West and Emily Fox). On-the-road to Oxford, she is introduced to her brothers close friend Roland (Kit Harington), and a relationship soon breaks out - but untimely, as does the war.

Quite proud to do so out of loyalty to Queen and country, her brother Edward, and friends Victor and Geoffrey with Roland all sign up to the forces to assist. (Against parental wishes to do so). Now at Oxford, yet unable to focus as this devastation is happening all around her, she joins the forces too, as a nurse - and the film develops from there.

Given a world-premiere at the 58th BFI London Film Festival, the film is squeezed out in time for the Remembrance holidays and by-all accounts award season. Based on our criticism alone, it is going to be praised and remembered at both.

Crafted by former TV-movie director, James Kent, along with the (brilliant) cast, Testament of Youth is a thoroughly engaging history drama in Downton Abbey-esqe war times and a unique approach to the war like never before.

Having read some of the negative remarks regarding the film makers' decision to not show extensive scenes from the mucky trenches, I must respectfully disagree. From War Horse to the Wipers Times, there have been quite a few films over the last few years that covered the horrifying reality of life in the trenches of Europe.

I found this to be a well-acted and balanced presentation. It has left me with a lingering sadness and I feel that it has accomplished the purpose of showing the viewers the aching emptiness and futility of war. No one in this story escaped the impact of the World War I years. Although most of the focus is on Vera, we do see the anguish of the others who surround her throughout those years.

Previously unfamiliar with the back-story of this writer, I was very satisfied with the film portrayal of her life.

Based on the memoir by Vera Brittain (Alicia Vikander 'A Royal Affair' – who is superb) this is one woman's story of her war. We go back to 1914 before that awful war had begun and find a young and feisty woman (referred to at the time as a 'blue stocking') who has ambitions of studying at Oxford and is willing to shun the conventions of finding a husband din order to realise her dream.

She has a brother Edward (played touchingly by Taron Egerton) and he introduces her to his friend Roland. After a shaky start they realise they share a passion for poetry, the romantic sort and a friendship blossoms as indeed do their feelings. Then the war comes and everyone's intended plans for the future are put on hold to do their duty.

What follows is truly heartbreaking, I was moved to tears at one point and that is very rare. The cinematography is superb, the direction excellent and all of the actors are completely convincing and bring their respective roles to full realised life. One of the poems starts with the words 'life and hope and love and you', and that could be a pretty good description of what this film is about. The whole thing is just excellent and is a film that I can not only thoroughly recommend but would urge people to see.