El sexo de los ángeles

I recently saw this movie at a gay and lesbian film fest. The movie has good characters, is well filmed and had a great soundtrack. I was a bit annoyed that the sexual development of the main character Bruno, who has this amazing connection with another guy, and his subsequent "first gay interaction" is given so little attention. To me that was what the movie was about and it is passed over so trivially. There is great tension build up between them, longing glances, sexual moments and then this is all just passed over and we don't get to see how he experiences this earth shaking moment in his life when he gets to kiss or touch another man. It is left to our imagination, which I think is a bit of a cop out. The sex scenes between Bruno and his long term girlfriend are in comparison graphic. The movie could have done without the side characters of the girlfriends co- workers and concentrated a bit more the relationship between the two guys.Overall a nice movie, well acted, beautiful main character and nicely filmed

About love, about a relationship in 3, two boys and a girl. The film is interesting, has constant action, unpredictable and well played. He is optimistic and shows that we set our limits in life.

I went to see this with low expectations as a filler between more apparently heavyweight films at the Glasgow Film Festival but it turned out to be the best film of the festival. A lot more than just a gay romance, it's very funny, very sexy and clever. Although not apparent from the English subtitles, the film flows between Catalan and Spanish as comfortably as it flows between sexualities and the Galician outsider, who is neither quite Castillian nor Catalan, effortlessly occupies a hitherto undreamed of aspirational space which acts with centrifugal force on the other characters. I loved the peripheral characters and their world - something rang very true about them. With the main plot there is drama, there are plot twists, and an ending which is somehow so lovely that you will leave the cinema with a smile on your face. Go see.

A 2-guys-and-1-girl comedy (with a modicum of kitschy dramatic tone), zeroing in on the pan-sexuality relationship conundrum happened in Barcelona, a modern tale smells like teen spirit from director Xavier Villaverde (a 10-year-absence since his last feature, THIRTEEN CHIMES, 2002).

The film kick-starts with a Hip-Hop routine performance and ends up in a casual and cozy dancing moment in the room with the three protagonist, the harmonious denouement maybe ephemeral since the trilogy linkage very likely falls apart when life goes on (a feeble solidification which counters the basic triangle axiom owing to human being's innate doubt and lust), but the film graphically proffers some sincere perception into the young generation's vintage point about love-romance (in alliance with the progression against homophobia discrimination), which is a further step over the rather stale coming-out melodrama during last one or two decades.

The three main actors are cleverly selected, Astrid Bergès-Frisbey (afresh from PIRATES OF THE CARIBBEAN: ON STRANGER TIDES 2011, 5/10) is much confident and versatile in her mother language; Álvaro Cervantes has a killing charisma which could be perceived and indulged by both genders (complies with the character's "seducer"tag and his unorthodox but quite common pan-sexuality attitude - it is the particular individual who we fall for, it is nothing about gender). Llorenç González, as the befuddled and jealousy boyfriend who has his immature trait but at least honest with his feelings. Pitifully besides that, other sidekicks are plainly foils without any distinctive antics to be remembered.

The film contains quite a few explicit sex scenes (between boy-girl, boy-boy and a three-way smooching near the end), may be a bit superfluous (beautifully shot though), and the plot has a sinuous redundancy of buzz-killing twist-and-turns, which could hinder the revelational message the film engages with. Personally I will give one thumb up to this film, simply because it is an innovative torrent of the genre and turns out be to a refreshingly uplifting adventure for the viewers (again sexuality is irrelevant here).

p.s: my Oscar race, Astrid and Álvaro both enter my top 10 of leading actress and leading actor race respectively.

just fresh. a love story with three partners, without many inhibitions, nice, seductive, collection of slices from an age and an universe. nothing special. and nothing boring. honest, touching and with few crumbs of sex. and the secret is the cast. and performance as mirror of reality. smart, interesting, far to be boring, without real ambitions, it is a good manner to be more than illustration of thesis or scene for a cause. it is not a real gay film and the cause remains the puzzle of nuances. it is not a manifesto because it reflects common facts. the joy, the ambiguous feelings makes it credible. and refreshing. the message is universal. and the performance, not bad.