Metal Evolution

Metal Evolution is an 11 episode documentary that looks at the influence of Heavy Metal and chronologically how it changed stylistically to form the different genres, glam, power metal, death, trash etc. It starts with how heavy metal came to be in the 70s, what influenced the musicians to create this new form of music. Personally I found it rather generic as it can be argued that most if not all forms of modern music can directly draw its roots from classical, jazz or blues. From there it follows a chronological timeline from the 70s to the present day. Each episode ends with how the genre in that episode led to another genre. So each new episode is a new genre. The narrative includes the narrotors personal view of the music as well as interviews with musicians, magazine editors, music writers and even anthropologist. Some of the linkage IMO is rather far fetched, example is grunge being a genre of metal. Yes it can be argued that some grunge musicians listened metal and definitely grunge happened as a backlash to glam metal. But stylistically grunge is more a descendant of punk. (creed was totally disavowed by all...hahahaha). In summary an entertaining piece of work with a lot of information and personal perspective from the musicians involved.

I was pleasantly surprised to see that this documentary series about heavy metal was by the same person who made the documentary "Metal: a headbanger's journey" (reviewed at this site)...Sam Dunn. Sam grew up being a fan of the genre and also went on to become an academic anthropologist, so he is quite articulate in his analysis of the music he is so passionate about.

In this series he looks at the influences of heavy metal (odd suggestions like jazz and classical music as well as the more predictable genres like blues), as well as the variety of forms the genre has split into...episodes are devoted to such topics.

Not sure if I have all of my notes on this series on hand, but of the notes that I do have, here are some things that I noted or would have liked more information on etc:

* Black Sabbath's famous self-title song started out by their bass player - 'Geezer' Butler - playing classical composer Gustav Holst's doomy piece "Mars". Black Sabbath's guitarist Tony Iommi liked what Butler was playing and played that classically inspired riff on guitar...and that became their famous self-titled song. Holst's 'riff' was played by brass instruments (e.g. Tuba) on his composition.

* There was some old black and white footage of rock'n'roll pioneer Jerry Lee Lewis playing a song on his piano in front of a studio audience. It looked to me like the teenage males were headbanging to the music! * I would have liked some more depth to the interviews sometimes. E.g. Just from a curiosity standpoint I would have liked to have known why Saxon's Bruce Dickinson decided to join Iron Maiden. Did Bruce feel that Iron Maiden had a better chance at commercial success than Saxon? History has borne that out in any case.

* An episode devoted to more extreme forms of heavy metal would have been appreciated. When I surf radio stations - so to speak - I sometimes come across programmes devoted to heavy metal and often you'll hear heavily distorted vocals and/or very fast rhythms. So, I think that genres like speed metal, death metal and black metal could have been focused on in one episode at least. Or even an episode devoted to more fruity varieties of heavy metal...bands with opera singers or which use symphonic orchestration...stuff like that.

In any case, there are lots of interesting clips and interviews with the musicians etc. Sometimes it feels that Sam pretends to be ignorant on musical matters in order to illuminate for the fan something about the genre...or perhaps it is a process he actually went through and is replaying it for the benefit of the audience...an example would be when he wonders about the influence of jazz on heavy metal.

There are 11 episodes in this series...I think each episode was around the 50 minute length mark. Topics and bands range from the well known to the obscure.

This is just a general overview of the entire series. The 1000-word limit makes it near-impossible for me to cover all 11 episodes in a satisfactory manner. So, if you have nothing better to do, look up my reviews on the individual episodes to get a more detailed appraisal of Dunn's ambitious little project.

Sam Dunn. The best thing about him is his short name; it doesn't take a long time to write. I have issues though with the way he presents the development of metal and its branches. A typical Sociology Major, Dunn thinks that human environment is at the root of EVERY change, whether in music or generally. Hence this naive/deluded need to over-focus on "teen angst" and "alienated youth rebellion". Well, "angry teens" had existed 50 years ago, too, 5000 years ago; they were always around. Metal developed only recently mainly due to technology: it's that simple. But Sociologists are notorious for talking about the bleedin'-obvious - as well as missing the bloody obvious.

The episodes are too short. 45 minutes isn't enough to cover any of these branches – not even the awful ones such as nu-metal and power metal. However, that probably wasn't Dunn's fault; I assume it's the time-framework within which he had to work. He is to blame though for wasting some of that precious limited screen-time by inserting interviews with quasi-experts/outsiders who have either nothing interesting to say or who can't even get basic facts straight.

For example, interviewing a Marxist college-professor who actually argued that Metallica sold out on the "black album" because they recorded ballads for it. Never did it occur to her to actually PLAY their albums; that way she would've learned that Metallica had recorded ballads on three previous albums. In the same episode, an author of a book ironically titled "Extreme Metal" tells us in all seriousness that "death metal completely abandoned all melodies". So how does that help in making me believe that he is a go-to person for extreme metal? Farcical.

Dunn's over-zealousness to lend the series "credibility"/seriousness – by interviewing pseudo-intellectuals (i.e. those who conned him into believing they were part of the "all-knowing", highly analytical intelligentsia) who know next-to-nothing about metal but act as if they have all the answers – is annoying. Contrary to popular opinion, there actually are intelligent, knowledgeable, and fascinating characters in the metal scene itself: there is NEVER need for metal documentary-makers to go for "outside help" in explaining the genre. 1: most metal fans don't want to listen to these attention-seeking "experts" with their long-winded, far-fetched and nebulous theories on metal's "social relevance". 2: the uninitiated will be mislead by listening to so-called "experts" who prefer to let their imaginations run wild, making up nonsense about the meaning/origins of metal, as opposed to looking at the genre in a realistic, down-to-Earth manner. Besides, I'd rather hear about it from the horse's mouth than listen to the views of people who obtained most of their limited knowledge second-hand or even third-hand.

The most irritating aspect of the series is metal's oft-touted "socio-political relevance". There are even some fools who claim that metal was created by youths reacting against the status quo, the so-called "Establishment" (i.e. the same society that enabled their freedom to explore music in such an adventurous manner in the first place) – and we all know what is really meant by this: kids from the "proletariat" rejecting the vicious, "decadent" Capitalism that oppressed them so; a romantic notion, but far-removed from the truth. Besides, it is mind-bogglingly hypocritical that these Western Communists actually suggest that metal kids look toward Marxism as some sort of "bastion of hope and freedom"; in those countries metal-heads usually had a hard time even finding/buying metal albums, let alone being able to pursue careers with their own bands. Socialism as the "Great Youth Liberator"? You've got to be kidding me.

The emergence of metal and its subsequent and speedy evolution had mainly to do with the huge/rapid leaps in music equipment. Or would anyone suggest that metal could have just as easily started in the early 1900s? Before Christ? The reason why it became increasingly heavier, with thrash starting off a long chain of extreme sub-genres, is the technology: continually improving guitars/amps/pedals. Without an improvement in the gear since the early 70s there would have been most likely no thrash, and certainly no industrial or death metal, both of which heavily rely on high-quality productions/sounds to avoid sounding like unlistenable noise. (Pop fans might beg to differ.) Especially thrash had little to do with "alienation" or any such baloney which left-wing rock analysts want to believe in so very much because that would back up their own misogynist worldview.

Metal bands – those few that are overtly political - may generally tend to lean toward left-wing politics (as nearly all forms of rock), but there are too many non-liberal – key – figures in metal for Marxists to be able to claim metal as the natural extension of their decadent ideology, or to be able to misuse metal as an extended arm of their powerful world-wide media propaganda. Alice Cooper, Lemmy, Hetfield, Nugent, Peart, Simmons, Kerry King, Pete Steele, Mustaine: just some of the big names that are well-known for not being liberals.

I am disappointed at how Dunn managed to omit some key bands in certain episodes. His coverage of thrash was quite solid (you can't make a bad episode about it if you tried), but even there he blundered by omitting Venom, Voivod (wearing their T-shirt doesn't cut it), the German trio, SYL, Machine Head and Grip Inc, while actually wasting the viewer's time with later mediocre garbage such as In Flames, At the Gates, etc.

Given its flaws, such as the superficiality that stems from overly compressed/crammed info, the series is of more use to those clueless about metal than to fans.

I first heard of "Metal Evolution" when creator, and narrator, Sam Dunn went on VH1's "That Metal Show" to talk about the series. As I am always interested to hear new music, especially older bands that I had overlooked, I tuned in and instantly got more than I bargained for. Dunn crafts the show so that you get a current view of a metal sub-genre along with it's past and it's influences. Often I would leave an episode with a list of 5-6 bands that I had never heard of (or never cared to listen to) and would immediately be happy as I worked through new set lists on Spotify.

Best of all, this show not only appealed to myself (self-professed metal head), but my wife who wants nothing to do with heavy metal music. While my wife won't be picking up any of the new bands from the show, she was interested in the evolution of the music and seeing how current metal music tied back to bands that she was already aware of. While there are some episodes that I particularly didn't care for (grunge / nu-metal) I still found the shows to be extremely interesting.

For an old metalhead, this is an interesting show for people who liked the Headbangers Journey video. The disingenuousness shows up when you're reminded that Sam Dunn created his own "family tree" and is basically indulging himself with this show. He's practically begging the grunge bands to declare themselves "metal" and I'm sitting here going, who cares? LOL. I guess as an anthropologist Sam Dunn is naturally predisposed to dissect his obsessions like this, but he needs something else to do. A Rush-style biography of Scorpions or Sabbath would be good.