Añade un argumento en tu idiomaBiopic of the notorious late-1940s Manila gangster until his death at 26 in 1951: a legend known to this day who came from Tondo, a town in Manila known during that period as a tough and dan... Leer todoBiopic of the notorious late-1940s Manila gangster until his death at 26 in 1951: a legend known to this day who came from Tondo, a town in Manila known during that period as a tough and dangerous place.Biopic of the notorious late-1940s Manila gangster until his death at 26 in 1951: a legend known to this day who came from Tondo, a town in Manila known during that period as a tough and dangerous place.
- Premios
- 36 premios y 26 nominaciones en total
Jorge Estregan
- Asiong Salonga
- (as Joerge 'E.R.' Estregan)
Reseña destacada
"Manila Kingpin" is a very good-looking movie. The remarkable black and white photography is very sharp and striking. The camera angles were very well-placed and dramatic in composition. The period costumes and set design were meticulously planned and paid attention to. All the supporting characters, from Asiong's policeman elder brother Doming (Phillip Salvador), his wife (Carla Abellana), his gang mates (Baron Geisler, Yul Servo, Dennis Padilla, Ketchup Eusebio and Amay Bisaya) to his arch rival Totoy Golem (John Regala), everyone looks and feels right for their respective parts. The action sequences, be they gun battles or fist fights, were quite well-choreographed and executed.
However, the main problem about this film is the lead actor himself, Jeorge 'ER' Ejercito. He did not have the right look nor charisma to pull off this lead character. He tries his best, but there seemed to be difficulty to fit. He did not project well in his scenes with Salvador, Regala, as well as those with Jay Manalo, who played his protector in prison, all of whom can dominate the screen better than Estregan. His scenes with Abellana had an unfortunate DOM ("dirty old man") feel to them, instead of sincere marital love. These problems can be explained when it was revealed at the end that the real Asiong died at the young age of 27! Ejercito must be twice that age already by now, hence the very tight fit.
Overall though, the hard work and sincere efforts for excellence can be felt while watching the film. Director Tikoy Aguiluz certainly seemed to have nothing to be ashamed of with this final print we saw in the theaters, so I am also very curious what these controversial re-shot and re-edited scenes were that caused him to want his name stricken off the project. My one suspicion would be the final gun battle-royale in the rain, which was very well shot, but was curiously scored with the slow version of "Mad World" of Tears for Fears. I felt this score was inappropriate and awkward to the time period and to the culture. An original Filipino sad melody would have been better. Anyway, that is only a minor quibbling observation. This film is worth watching especially for fans who miss traditional Filipino action films. It deserved all the awards given to it during the recent awards night -- Best Picture, Director, Screenplay, Supporting Actor, Cinematography, Production Design, Editing, Sound, and Theme Song.
However, the main problem about this film is the lead actor himself, Jeorge 'ER' Ejercito. He did not have the right look nor charisma to pull off this lead character. He tries his best, but there seemed to be difficulty to fit. He did not project well in his scenes with Salvador, Regala, as well as those with Jay Manalo, who played his protector in prison, all of whom can dominate the screen better than Estregan. His scenes with Abellana had an unfortunate DOM ("dirty old man") feel to them, instead of sincere marital love. These problems can be explained when it was revealed at the end that the real Asiong died at the young age of 27! Ejercito must be twice that age already by now, hence the very tight fit.
Overall though, the hard work and sincere efforts for excellence can be felt while watching the film. Director Tikoy Aguiluz certainly seemed to have nothing to be ashamed of with this final print we saw in the theaters, so I am also very curious what these controversial re-shot and re-edited scenes were that caused him to want his name stricken off the project. My one suspicion would be the final gun battle-royale in the rain, which was very well shot, but was curiously scored with the slow version of "Mad World" of Tears for Fears. I felt this score was inappropriate and awkward to the time period and to the culture. An original Filipino sad melody would have been better. Anyway, that is only a minor quibbling observation. This film is worth watching especially for fans who miss traditional Filipino action films. It deserved all the awards given to it during the recent awards night -- Best Picture, Director, Screenplay, Supporting Actor, Cinematography, Production Design, Editing, Sound, and Theme Song.
- 3xHCCH
- 2 ene 2012
- Enlace permanente
Imágenes
Argumento
¿Sabías que...?
- CuriosidadesBefore the film was shown, Tikoy Aguiluz requested the producers, through his lawyers, to remove his directorial credits in the film and promotional tools because the film's final version can no longer be described as his after the producers made a re-edit, re-shoot, and music mixing without his involvement. He also demanded to be allowed to make a director's cut of the film.
- PifiasAn instrumental version of Mad World was played during the funeral. The original song was released in 1982--31 years after the death of Asiong Salonga.
- ConexionesVersion of Asiong Salonga (1961)
- Banda sonoraLa Paloma
Performed by Ely Buendia
Lyrics by Rey Ventura
Music by Ely Buendia
Written by Sebastian Iradier (uncredited)
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- How long is Manila Kingpin: The Asiong Salonga Story?Con tecnología de Alexa
Detalles
Taquilla
- Presupuesto
- 70.000.000 PHP (estimación)
- Duración2 horas 25 minutos
- Color
- Mezcla de sonido
- Relación de aspecto
- 1.78 : 1
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Principal laguna de datos
By what name was Manila Kingpin: The Asiong Salonga Story (2011) officially released in Canada in English?
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