Dos primos viajan a Polonia tras la muerte de su abuela para ver de dónde vienen y acaban uniéndose a una gira sobre el Holocausto.Dos primos viajan a Polonia tras la muerte de su abuela para ver de dónde vienen y acaban uniéndose a una gira sobre el Holocausto.Dos primos viajan a Polonia tras la muerte de su abuela para ver de dónde vienen y acaban uniéndose a una gira sobre el Holocausto.
- Dirección
- Guión
- Reparto principal
- Ganó 1 premio Óscar
- 68 premios y 90 nominaciones en total
Jakub Gasowski
- Receptionist
- (as Jakub Gąsowski)
Resumen
Reviewers say 'A Real Pain' delves into family, trauma, and self-discovery through the complex relationship of two cousins. Kieran Culkin's portrayal of Benji, dealing with mental health and existential crises, is lauded for its rawness. Jesse Eisenberg's direction and writing are praised for authenticity, though some find the narrative predictable. Performances, especially Culkin's, are noted for their nuance. The film's exploration of the Holocaust and use of Chopin's music enhance its atmosphere, making it a poignant and thought-provoking experience.
Reseñas destacadas
I was really impressed by this movie. In my opinion it's a really original story. It's strength lies in it subtlety. It very accurately depicts the duality of people's character. The beauty and the shadow. I found it very interesting to see how what looked like "negative" behavior turned out to have some positive effect. How nothing is black and white. How being very direct also means being honest for example. It really makes you think.
The dynamics in the group were also interesting and heart-warming to watch. It shows how people can really connect over a short period of time.
Definitely worth the watch for those who are interested in the complexity of humans.
The dynamics in the group were also interesting and heart-warming to watch. It shows how people can really connect over a short period of time.
Definitely worth the watch for those who are interested in the complexity of humans.
Watched this at the 2024 Sundance Film Festival.
Previously, Jesse Eisenberg made "When You Finish Saving the World" which was interesting but unfortunately a bit annoying. Here, Eisenberg's direction and writing for this movie shows he has massively improved as many of the characters are interesting and engaging, good dialogue conversations, and great performances, especially from Kieran Culkin who steals the show in the entire movie.
The narrative explores family history and complicated bondings as each of the themes and explorations on the subjects were handled well and it was funny, emotional, and compelling to observe. Including beautiful camerawork, good soundtrack, and conversations that felt real, genuine, and engaging to observe.
Eisenberg's approach on the chemistry, structure and pacing was good as he has created a really good compelling and personal story about family history and the true meanings of bondings and relationships. There were some soundtrack choices that felt a little out of place. But overall, Eisenberg improved himself and I look forward to see what else he could bring to the today.
Previously, Jesse Eisenberg made "When You Finish Saving the World" which was interesting but unfortunately a bit annoying. Here, Eisenberg's direction and writing for this movie shows he has massively improved as many of the characters are interesting and engaging, good dialogue conversations, and great performances, especially from Kieran Culkin who steals the show in the entire movie.
The narrative explores family history and complicated bondings as each of the themes and explorations on the subjects were handled well and it was funny, emotional, and compelling to observe. Including beautiful camerawork, good soundtrack, and conversations that felt real, genuine, and engaging to observe.
Eisenberg's approach on the chemistry, structure and pacing was good as he has created a really good compelling and personal story about family history and the true meanings of bondings and relationships. There were some soundtrack choices that felt a little out of place. But overall, Eisenberg improved himself and I look forward to see what else he could bring to the today.
"Grandma Dory" has passed away and left her two grandsons some money so that they can take a trip to Poland and see where she grew up amidst the Nazi invasion and subsequent holocaust. These two are cousins. "David" (Jesse Eisenberg) is a bit of a shy, geeky, type who lives in New York with his wife and child. "Banji" (Kieran Culkin) is quite the opposite. A free spirited, thinking and speaking individual who cares little for what anyone else thinks about him. The pair clearly love each other, but the behaviour of the latter continues to rattle his travelling companion, especially when they meet up with the other members of their touring party in Warsaw. What now ensues is quite a testament to both Eisenberg's vision as a writer/director but also to the inspired casting of Culkin. He is the kind of holiday companion I'd cheerfully have killed with a rusty harpoon. Loud, brash, opinionated and sometimes borderline cruel as he imposes himself on the group swearing as he goes. Gradually, though, we discover that both men have shields up; both are dealing with some fairly deep psychological issues in their own way and even ought these may clash, there is still far more fundamentally connecting them that not. There are ample opportunities to see the sights of Warsaw, and there is an haunting few minutes at the Majdanek camp where shoes, thousands and thousands of shoes, make you shiver. It's potent and it's often funny, darkly so, and in many ways it slots nicely into the recent panoply of dramas about the fascination by younger generations in the horror of war that those who endured actually want to get past and forget. It also shines a light on the whole business of tourism around these monuments, and does make it quite clear that sometimes these trips can become a statistical box-ticking exercise, especially for Americans, who want to say they've "done" that. An architectural monument equivalent of a safari "big five". In the end I found "Benji" to be a vulnerable but fundamentally selfish and unlikeable character - but I bet there are many reading this who profoundly disagree. That's proof that these two did their job well and I'd recommend you go see it in a cinema for a couple of powerful and characterful performances.
I saw this film at the AFI film festival in Hollywood last week. By the time I got to this film, I was suffering from a bit of filmgoing overload, and chatting with someone in the audience before the film began, I almost forgot what I was I going to see! But I was so glad I got to see this one! As you know from the synopsis, Jesse Eisenberg wrote, directed and stars in this great film about 2 cousins' journey to Poland to see the land of their beloved grandmother. Eisenberg perfectly plays a role that he seems made for - an uptight, nervous and dedicated family man who always wants to do the right thing. Joining Eisenberg is Kieran Culkin who plays the polar opposite of Eisenberg - he is garrulous, open, and willing to break the rules, much to Eisenberg's chagrin. Culkin's character easily makes friends with his fellow travelers and guide - again much to Eisenberg's amazement (and sometimes annoyance). The story itself is very involving, and you will find yourself wanting to join them on their tour. Culkin may be in the running for an Oscar on this one and Eisenberg may get a nomination for screenwriting and/or direction. So, I highly recommend you check this one out as soon as you can.
I just finished this film and I have to say I'm surprised reading some of the bad reviews about it, I know film perception is subjective but I don't understand how someone could dislike this film. It was so interesting to me, and the thing is, nothing big really happens, you just follow these two cousins along their trip, it's normal, it's almost casual. There are not going to explain everything to you because there's no need for it. We have access to the superficial, to the bare minimum because that how the characters relate to each other, there so much they don't understand and so much that they don't say. The performances are all incredibly, especially Culkin. I was left crying by the end. Maybe you need to have dealt with depression to connect with it more. Maybe you need to have seen someone you love survive (or not) this painful illness. But I'm happy for this type of movies to exist. This stories also need to be told. As rare and unfitted for some people may seem.
¿Sabías que...?
- CuriosidadesJesse Eisenberg wrote the role of British tour guide and historian, James, for his friend, actor, writer and director Richard Ayoade. Ayoade thought he would have been a bad fit for the role and his presence would have been too distracting for a serious drama like this so he suggested Eisenberg offer it to Will Sharpe instead.
- PifiasAt one point in the movie, the characters ride in a Mercedes-Benz taxi, which is initially a W201-based 190, produced from 1982 to 1993. When the taxi arrives, it has magically transformed into a much newer W204 C-Class, produced from 2007 to 2014.
- Citas
Marcia: Last year my daughter married a very rich man.
Benji Kaplan: Oh, fuck.
Marcia: And she's incapable of having a conversation with any depth anymore.
Benji Kaplan: Well, yeah, of course. Money's like fucking heroin for boring people.
- ConexionesFeatured in CBS News Sunday Morning: Episodio #46.44 (2024)
- Banda sonoraNocturne No. 2 in E-Flat Major, Op. 9, No. 2
Written by Frédéric Chopin
Performed by Tzvi Erez
Courtesy of Niv Classical
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- How long is A Real Pain?Con tecnología de Alexa
Detalles
- Fecha de lanzamiento
- Países de origen
- Sitio oficial
- Idiomas
- Títulos en diferentes países
- Un dolor real
- Localizaciones del rodaje
- Majdanek, Lublin, Voivodato de Lublin, Polonia(concentration camp)
- Empresas productoras
- Ver más compañías en los créditos en IMDbPro
Taquilla
- Recaudación en Estados Unidos y Canadá
- 8.344.978 US$
- Fin de semana de estreno en EE. UU. y Canadá
- 228.856 US$
- 3 nov 2024
- Recaudación en todo el mundo
- 24.856.027 US$
- Duración1 hora 30 minutos
- Color
- Relación de aspecto
- 1.85 : 1
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By what name was A Real Pain (2024) officially released in Canada in French?
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