Añade un argumento en tu idiomaThe life of Anna Nicole Smith, from small-town dancer to Playboy centerfold, to her marriage to a billionaire, to her eventual self-destruction.The life of Anna Nicole Smith, from small-town dancer to Playboy centerfold, to her marriage to a billionaire, to her eventual self-destruction.The life of Anna Nicole Smith, from small-town dancer to Playboy centerfold, to her marriage to a billionaire, to her eventual self-destruction.
- Dirección
- Guión
- Reparto principal
- Nominado para 2 premios Primetime Emmy
- 1 premio y 3 nominaciones en total
- 14-Year Old Vickie Lynn
- (as Alexa Blair)
Reseñas destacadas
Actress Agnes Bruckner delivers a fine portray of the larger than life troubled Anna Nicole/Vicky Lynn. While not being an Anna look-a-like Bruckner certainly captures Anna's spirit and persona, at times effectively laying down some of heart wrenching scenes. Although this a steppingstone presentation of her life, it covers the main highs and lows but leaves you with a lingering feeling that it's a little rushed.
The acting for the most part is impressive especially from Bruckner, Cary Elwes - Marshall's son, Virginia Madsen - Anna's mother and Martin Landau as billionaire J. Howard Marshall. American Psycho (2000) director Mary Harron keeps it interesting and fast paced. The prosthetic make-up effects of Anna's assets and weight gain are particularly notable.
The Anna's voice from the grave aspect, her younger self and Marilyn Monroe vision/dream additions scripted by Joe Batteer and John Rice keep the proceedings at times eerily compelling.
Its an especially well made for a TV movie and thankfully treats the departed with respect while at the same time being entertaining and highlighting the superficial world of celebrities. As an anti-drug movie look no further and to the producers credit ironically and in contrast to Anna's real life job offers it's certainly not a cheap cash-in.
** 1/2 (out of 4)
Made-for-TV movie from Lifetime about the life of Anna Nicole Smith (Agnes Bruckner) who we see as a young single mother to her marriage to billionaire J. Howard Marshall (Martin Landau) and of course through her troubled drug use. ANNA NICOLE is nicely directed by Mary Harron and it features some good performances but in the end there are just way too many problems for it to work as well as it needed to. For starters, the film seems pretty rushed trying to fit all of Smith's story into a 90-minute running time as we bounce around quite a bit and the film never really seems to focus on anything. Another problem are a few gimmicks that are used throughout the picture including a really silly one where the young Smith sees a "future" version of herself. At the same time, the older Smith seeing a "younger" version of herself has no impact either. I'd also say that the movie doesn't work with the silly narration, which is coming from the dead Smith looking back over her life. With that said, Bruckner does a nice job in the lead role even though she never really looks or acts like the real person. For the most part I thought she did a good job at showing a troubled person. Landau easily steals the picture as the elderly man who falls in love with the stripper he meets and Cary Elwes is also good as his son. Adam Goldberg does a nice job in the role of Howard K. Stern and Virginia Madsen is good as Smith's mother, although the screenplay really doesn't do many favors for the character. Harron does a nice job at keeping the film moving at a good pace but there's just too many issues with the screenplay for this to be a complete winner. It also doesn't help that Smith isn't all that sympathetic. Still, for a made-for-TV film this here isn't too bad as a quick time killer.
Agnes Bruckner really carried this movie nicely, and did a great job in portraying the iconic and legendary model Anna Nicole Smith.
No sense in going into details about the storyline here, as it is a filmed biography of sorts about Anna Nicole Smith.
Of course this movie is mostly appealing to those who were fan of Anna Nicole (or those who still are), but still, for someone impartial then it provided good enough entertainment, just don't expect to be blown away.
I will say that the performances were generally good all round, and people did contribute well to the movie and their respective characters.
Anna Nicole Smith's story is an interesting one, actually. How a person can go from being a person from a small place and end up being known world wide, but also showing the bad things that comes along with the burden of fame. For that, I think that the movie "Anna Nicole" deserves to be watched just once at least.
Agnes Brucker does a decent job here portraying Smith who goes from small-town Texas teen to Playboy pinup to Guess model, including her marriage to an elderly oil tycoon, Hollywood excesses and tragic death at age 39.
Surprisingly this does not go into the media sh!t storm that followed after her death when everyone was laying claim to being the baby daddy.
Martin Landau is excellent as her older billionaire husband "Paw Paw" and the makeup people also did a great job with her ever changing weight, hairstyles and wardrobe. 08.13
¿Sabías que...?
- CuriosidadesAnna Nicole Smith was the daughter of retired Harris County Deputy Virgie Hart.
- PifiasThe film depicts Howard K. Stern meeting and making the decision to represent Anna shortly after her marriage. In reality, Howard K. Stern did not meet Anna Nicole until 2 years after her husband's death.
- Citas
Anna Nicole Smith: [picks up phone; sighs] This is Anna Nicole.
Georges Marciano: It's your agent, Anna. I just got word from Marciano at Guess. It seems they might've heard about all that crazy crap you did at the hotel.
Anna Nicole Smith: [scoffs] They were, like, spyin' on me?
Georges Marciano: [almost deadpan] They didn't need to, Anna; you weren't exactly discreet. Seems they've decided not to pick up the last two years of your contract.
Anna Nicole Smith: Well, forget them, then; just find me something... bigger, something better.
Georges Marciano: Actually, Anna, we've decided we're terminating our relationship with you, too.
Anna Nicole Smith: What?
Georges Marciano: [enunciating] You are no longer our client.
[pause]
Georges Marciano: Goodbye.
[click; dial tone; Anna switches off the telephone, sighs and sits dejected]
Middle Danny: [comes in through double doors] Hey, Mom!
[Anna is softly sobbing into her hand]
Middle Danny: What's wrong, Mom?
[looks at Danny and turns her head back sadly]
- ConexionesFeatures Today (1952)