PUNTUACIÓN EN IMDb
6,7/10
14 mil
TU PUNTUACIÓN
Después de que Ben y George se casen, George es despedido de su puesto de profesor, lo que les obliga a alojarse en casa de unos amigos por separado mientras venden su casa y buscan una vivi... Leer todoDespués de que Ben y George se casen, George es despedido de su puesto de profesor, lo que les obliga a alojarse en casa de unos amigos por separado mientras venden su casa y buscan una vivienda más barata.Después de que Ben y George se casen, George es despedido de su puesto de profesor, lo que les obliga a alojarse en casa de unos amigos por separado mientras venden su casa y buscan una vivienda más barata.
- Premios
- 2 premios y 24 nominaciones en total
Darren E. Burrows
- Elliot
- (as Darren Burrows)
Harriet Sansom Harris
- Honey
- (as Harriet Harris)
Reseña destacada
LOVE IS STRANGE is an interesting film, and one that will probably turn off a lot of viewers once they know what the concept is, but I thought it was a sweet portrayal of an aging couple who just happen to be gay. Alfred Molina and John Lithgow play Ben and George, a recently married couple who have been partners for 39 years. However, once Ben's employer finds out about his marriage (he is the music teacher at a Catholic school), he loses his job and the couple are forced to sell their apartment because they can't afford it anymore. In the meantime while they look for a new apartment, they have to live separately with family and friends. And therein lies the trouble: they haven't been apart in all those years of living together, and the film explores how it affects them emotionally as well as the people they stay with.
While watching this I tried to keep the title at the front of my mind at all times, but I still don't know quite how it might strictly apply. The closest thing I can come up with is George's nephew's family, who George ends up staying with. On the one hand, you have this aging couple who haven't been apart a day in their lives together who are now forced to be apart through circumstance; but then you have George's nephew and his wife who live in the same house with their son, and yet each of them feels separated from the other by the way they live their lives. George's nephew is a film producer who has long days away from home, while his wife (played by Marisa Tomei) is a writer who spends most of her time at home trying to write. And on top of that, their son keeps to himself a lot and spends most of his time with Vlad, his only friend at school. The general sense, or message, I got from the film is that it takes losing something to appreciate its true value.
Still, whatever it was all supposed to add up to I thought that the performances were excellent. I haven't seen John Lithgow and Alfred Molina this good in years, and they were very believable as a couple who had been together for so long. Marisa Tomei also did great work as George's nephew's wife. I should also mention the soundtrack composed mostly of Chopin, which I really loved. My favorite piece was the "Raindrop" prelude which plays a few times during the film, and my favorite use of it was during a private piano lesson that Ben gives to one of his students. I also appreciated the nods to Ben's religious faith, which never came into conflict with his personal life. Last, but not least, the cinematography and cityscape shots were extremely beautiful.
Still, there is one thing which lessens the film's impact in my opinion, and it has to do with the film's ending (of which I won't spoil the details). All I will say is that it feels more like an epilogue in the sense that there is a time jump (and something else) which came completely out of nowhere. It almost felt like they weren't quite sure how to wrap up the film, so they jumped ahead in an effort to give the story some closure. I didn't hate the ending, but I felt that maybe a different ending would have been just as good, possibly better. Still, I liked the film overall. It was a sweet indie drama that felt like a slice of life. On a side note, it kind of makes me never want to live in New York.
While watching this I tried to keep the title at the front of my mind at all times, but I still don't know quite how it might strictly apply. The closest thing I can come up with is George's nephew's family, who George ends up staying with. On the one hand, you have this aging couple who haven't been apart a day in their lives together who are now forced to be apart through circumstance; but then you have George's nephew and his wife who live in the same house with their son, and yet each of them feels separated from the other by the way they live their lives. George's nephew is a film producer who has long days away from home, while his wife (played by Marisa Tomei) is a writer who spends most of her time at home trying to write. And on top of that, their son keeps to himself a lot and spends most of his time with Vlad, his only friend at school. The general sense, or message, I got from the film is that it takes losing something to appreciate its true value.
Still, whatever it was all supposed to add up to I thought that the performances were excellent. I haven't seen John Lithgow and Alfred Molina this good in years, and they were very believable as a couple who had been together for so long. Marisa Tomei also did great work as George's nephew's wife. I should also mention the soundtrack composed mostly of Chopin, which I really loved. My favorite piece was the "Raindrop" prelude which plays a few times during the film, and my favorite use of it was during a private piano lesson that Ben gives to one of his students. I also appreciated the nods to Ben's religious faith, which never came into conflict with his personal life. Last, but not least, the cinematography and cityscape shots were extremely beautiful.
Still, there is one thing which lessens the film's impact in my opinion, and it has to do with the film's ending (of which I won't spoil the details). All I will say is that it feels more like an epilogue in the sense that there is a time jump (and something else) which came completely out of nowhere. It almost felt like they weren't quite sure how to wrap up the film, so they jumped ahead in an effort to give the story some closure. I didn't hate the ending, but I felt that maybe a different ending would have been just as good, possibly better. Still, I liked the film overall. It was a sweet indie drama that felt like a slice of life. On a side note, it kind of makes me never want to live in New York.
- brchthethird
- 8 feb 2015
- Enlace permanente
Argumento
¿Sabías que...?
- CuriosidadesBen's paintings were done by painter Boris Torres, who is also director Ira Sachs' husband.
- PifiasWhen George advises the young girl playing a Frédéric Chopin piece on the piano (supposedly without sufficient feeling), that she should let the music take her somewhere, surprise or even overwhelm her, he says that this is as important as "knowing the difference between a half-step and a semitone". Fact is, a half-step IS a semitone; there is no difference at all.
- ConexionesFeatured in Crítico de la nostalgia: Does PG Mean Anything Anymore? (2016)
- Banda sonoraBerceuse in D-Flat Major, Op. 57
Written by Frédéric Chopin
Performed by Idil Biret
Courtesy of Naxos of America, Inc.
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- How long is Love Is Strange?Con tecnología de Alexa
Detalles
- Fecha de lanzamiento
- Países de origen
- Sitios oficiales
- Idiomas
- Títulos en diferentes países
- L'amor és estrany
- Localizaciones del rodaje
- Empresas productoras
- Ver más compañías en los créditos en IMDbPro
Taquilla
- Recaudación en Estados Unidos y Canadá
- 2.262.223 US$
- Fin de semana de estreno en EE. UU. y Canadá
- 117.276 US$
- 24 ago 2014
- Recaudación en todo el mundo
- 3.057.388 US$
- Duración1 hora 34 minutos
- Color
- Relación de aspecto
- 1.85 : 1
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By what name was El amor es extraño (2014) officially released in India in English?
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