Las desapariciones

You can't watch this film and not think of the classic French crime thriller Crimson Rivers.

It has a lot of similarities to that film, only with more of a folk horror twist.

Not that it's nearly as good as it...more like a budget version.

It's got that vibe though.

Which is why I wanted to love this more than I actually did.

Because I was a huge fan of that film when I was younger.

Unfortnately, there's something about this that just doesn't do it for me.

Perhaps it's the acting (the duo here are no Reno & Cassels).

Perhaps it's the manufactured feel of the whole thing.

Or, perhaps it's the way the mystery is dumbed down "for the sake of the viewers".

Either way...it sits somewhere in the middle ground of being entertaining enough, and kind of lame, at the same time.

That's not to say it's overtly horrible.

Just that it could have, and should have, been better than it is.

It's major downfall, in my opinion, is that the ending is way too predictable.

And, even though they attempted to throw in a few twists, and a little ultraviolence, towards the end...it just wasn't enough to make the film good.

So I can't help but leave feeling a little disappointed by it all.

But I think it is enjoyable enough for most mainstream viewers to appreciate.

So there's that, at least.

But it wasn't for me.

4 out of 10.

Le Manguer D'ames (The Soul Eater) is probably one of the interesting movies of this year. The story takes place in a spooky little town which is located around a region where, strangely, small children are disappearing. Franck (Paul Hamy) and Elisabeth (Virginie Ledoyen) arrive at this little town where gruesome murders take place. The story is really cool, and it reminds me of the atmosphere of Les Rivieres Pourpes (Crimson Rivers). At the same time, the local folklore and legends remind Der Pass (Pagan Peak). There is a surprising ending, and it is not easy to guess it. I advise everyone to watch this movie. I wish they made a TV series based on this movie. I would definitely watch it. I give 8 over 10.

The movie itself is quite good if you love similar movies. For instance, Long Legs.

First, the script here is good, not the most original but storyline is quite acceptable without big plot holes. Entertaining.

Second, acting here is superb. I think the main actor does a great and real acting masterclass.

Third, settings are perfect for a suspense-horror story. I love the rainy greenery that is shown here.

Fourth, music and camera work again are extremely good. Love the mysterious vibe during the whole thing. To add, gore doesn't look cheap and they didn't use cheap CGI. Good for them.

Anyway, if you're looking for an interesting horror-suspense- a bit gory movie, this one is for you.

Rarely before in the history of horror cinema, one director (or a directors duo in this case) made such an impressive debut than Alexandre Bustillo and Julien Maury with "À L'intérieur" (aka "Inside"). That film is - hands down - one of the most forceful, shocking, astounding, and nightmarish horror flicks ever made. It is also why I have been and will continue following these directors in whatever they do, even though thus far they were never able to repeat the brilliance of their debut. "Aux Yeux des Vivants" (aka "Among the Living") is another authentically raw and disturbing effort, and their Hollywood ventures "Leatherface" and "The Deep House" are more than adequate, but the true genius of "À L'intérieur" has yet to be equaled.

"Le Mangeur d'Âmes" (aka "The Soul Eater") certainly isn't a masterpiece, neither, but nevertheless another professionally made, compelling, suspenseful, and frequently unsettling thriller worth seeking out. The main difference between this movie and Bustillo & Maury's previous films (except "Leatherface") is that they are not working from a screenplay they wrote themselves, but from a novel adaptation. It's also more of a murder mystery and thriller instead of a genuine shock-horror film, but rest assured there still a handful of nauseating moments to enjoy.

When the gruesome death of a married couple in a remote little French mountain town seems somehow connected to a series of unsolved children's disappearance cases, two different police superiors are sent in to investigate. The embittered Elizabeth Guardiano must try and understand the couple's bizarre death, while gendarme Franck de Roland is obsessively searching for answers regarding the missing children. In the creepy town, where nobody really wants to cooperate and where more strange things have happened lately, there exists an old folklore tale about a horned creature that feeds on children's souls. But, surely, two mature police officers can't believe local legends, right?

"The Soul Eater" is not highly original, but the story contains a couple of unforeseen twists (one of which funnily reminded me of the recent "Cocaine Bear") and there are many vile supportive characters to keep the suspense at a high level. Bustillo & Maury once again prove themselves masters in using the ominous French landscapes and old buildings to keep you fascinated, and the excellent cast (particularly the amazing Virginie Ledoyen) give away dedicated performances. I can understand why some people refer to "The Soul Eater" as a standard and forgettable type of thriller, but I think there are plenty of reasons to enjoy it.

If you liked the first season of True Detective, I'm sure you'll enjoy this as well. The introduction is similar-it involves missing children, a bit of the deep web and darknet, and some drug-related elements. It also delivers highly satisfying plot twists. While the tension feels a bit weak at times, it picks up around the middle of the second half.

At first, it seems like a paganistic horror-thriller with mystical and detective elements, but it's not. Crime thriller would be a more accurate description.

As the story unfolds, it gradually gains momentum, and towards the end, it hits you with one twist after another, leaving you in awe. However, don't expect a happy ending-because there isn't one. First 48 is very important.

All in all, the given rating is too low; this is an underrated piece. In my opinion, it deserves at least a 7-7.5.