Sumala

The movie "Sumala" presents a fairly conventional storyline, but is still able to keep the audience's interest. Unfortunately, this storyline lacks significant surprises or plot twists, so it feels a bit flat. Perhaps because this movie is trying to explain a myth that is still prevalent in an area in Indonesia, the execution of the movie is in a flashback model. The beginning, the conflict, the climax, and the denouement are just like that.

In terms of acting, the cast actually performed quite well. Darius and Luna, as the leads, are able to bring their characters to life well. However, there is a feeling that they have not fully immersed themselves in the role, so the emotions conveyed are not maximized.

The pacing of the movie is relatively fast, following the standard of Indonesian horror movies in general. However, for viewers who like slow-burn horror like me, this pacing may feel unsatisfying.

The cinematography of this film is fairly good, although the color grading used still follows the trend of Indonesian horror films, which I don't like. However, a thumbs up for the totality of the properties used, which adds a convincing impression to the movie.

One thing that is quite annoying is the inconsistent use of language. The movie mixes Javanese and Indonesian, which I find less effective. If the goal is to be understood by all audiences in Indonesia, the movie should have used Indonesian throughout.

Overall, the movie presents a fairly predictable ending. Sumala takes revenge on everyone who has hurt her. Nonetheless, it's a satisfying ending to the story.

Sumala is a drama that explores the tragic life of Kumala, a young woman who faces relentless hardship. The film effectively portrays her suffering, from being constantly bullied for her body to enduring abuse from her own parents. Her life is a downward spiral of pain, making her story deeply emotional and heartbreaking. The cinematography captures her despair well, and the performances feel raw and authentic. While the film is heavy and difficult to watch, it successfully conveys the harsh realities of Kumala's ruined life, leaving a lasting impact on the audience.

Overall, I would suggest that the movie is not that good.

The movie introduces us to a group of kids playing with a ball in a small village. After the ball is kicked into a field, one of the boys runs after it, and his friend soon follows. He finds the boy being repeatedly hit on the head with a stone by some kind of entity. Chaos erupts in the village when the father of the murdered boy assumes the friend is responsible until a man arrives and begins to tell the origin story of the local legend of Sumala.

From that point on, we travel back in time and learn about a woman named Sulastri, who made a pact with the devil so she could have children. She later gives birth to female twins, but one of the children is killed by her husband because it was deformed. The surviving child grows up with physical and mental disabilities. On her 8th birthday, her deceased twin's vengeful spirit possesses her to seek revenge on those who harmed her.

What follows is carnage, plenty of gore, and numerous jump scares. The movie is much more brutal than I anticipated, and I really enjoyed that aspect. Some of the effects looked great, but the occasional poor CGI gave the film a cheap appearance. The story itself is familiar, another tale of a vengeful spirit possessing a body to exact revenge-and it didn't bring much originality to the table.

The acting was mostly fine, though a few weak performances affected the immersion and reduced the tension in certain scenes. The entity itself was terrifying, with a deformed body, sharp teeth, and pale skin.

Overall, while the narrative could have been more unique or developed in a deeper way, some great gore scenes made up for it. It's a fairly decent watch that offers an entertaining two hours, but ultimately, it's not especially memorable. [5.6/10]

Sumala may not bring a completely new or groundbreaking concept to the table, but it's still a very engaging watch. From the start, it knows exactly how to pull the audience in and keep the tension steady throughout. Lately, there's been a wave of Indonesian horror movies diving into the origins of different ghosts and spirits, and while that trend is getting a bit crowded, Sumala manages to stand out. It doesn't feel repetitive or dull like some others. The storytelling is tight, the atmosphere is creepy in the best way, and the emotional side of the story gives it more depth. It's clear that the filmmakers cared about the details, and that makes a big difference.

Just caught this in the bioskop near me... BTC cinema in pasteur. I have to say that I was pleasantly surprised by the film. I thoroughly enjoyed it very very much. Having been disappointed by recent movies like Siksa Kubur and Susanna, Sumala executive produced by Luna Maya was a breath of fresh air. I saw the trailer before hand and I didn't really want to go watch it. But my wife dragged me and I reluctantly comply. Boy was I entertained. Full marks for all acting and Maykala the little girl stole the thunder. Solid performance all around 👏.

While I would have preferred to see more of Satan, she was the devil's child by the way, I suspect some scenes was not included to keep the running time short. I am a fan of slasher gore films like Friday 13th and Elm Street and this movie lived up to my expectations.

So kudos to the director 👏 and producers I really enjoyed this one.

One final note, this film just lack cinematic artistic shot... such as drone establishing scenes, close ups of feets and faces. And too much music where silence is much preferred.

MORE please what is next??