Innan vi dör

This is an excellent entry into the group of Nordic Noir thrillers, which have been a mixed bunch lately, to say the least. It also shows how a seemingly tired plot device can be made to look fresh and exciting when the production is put together by the right team. This is the case here. The choice of the locale is near faultless, the direction is crisp and editing is so sharp it appears as if the story would lose its flow if another frame were cut out. It wouldn't, but that is how it looks like.

What makes it really work, however, the complexity of characters and the competence of actors who embody them. Looked at closely there are no goodies and baddies, just human beings shaped by their circumstances and landed on the opposite ends of the law. Each main character surprises you with their capacity to act against your expectations and make it believable. Marie Richardson as the conflicted mother and the heroic but flawed detective and Adam Paisson as her capable, self-possessed, hard-headed son are superb and lead a cast of excellent actors. There are no small parts here and the actors seldom take a wrong step. In the case of Peshang Rad as Stefan, it is amazing to see what an actor can do with the little background given to his character. It is perhaps unfair to pick actors from what is an excellent ensemble.

Another aspect that impressed me is that the violence is never gratuitous and mostly implied, leaving one wonder how the suspense is sustained for ten episodes. If I outlined the script it would seem like a collection of police thriller clichés yet the series looks and feels original thanks to the professionals who put it together.

Highly recommended.

There was a flow to this show that is hard to replicate and the bad reviews from some users boggles my mind. I'm not a fan of reading subtitles, but after watching this show, I've changed my mind. It was gripping from the first episode and I couldn't figure out all the twists and turns, which kept me very engaged through each. I'm the type who can't watch a show unless I get drawn in through a great plot and excellent acting... this contained every bit of that and more. The filming was top notch, and each actor (besides maybe one or two) played their roles flawlessly. There were a couple questionable moments (no spoilers) that kept me from giving this a 10 star review, but by the end, they sort of made sense. There is nothing worse than watching a show with a terrible ending... but fortunately this ending was well worth the wait. I am hoping season two will be as well written as the first and in that, I hope this show gets more views. American thrillers have been far less interesting then in previous years, so I will be looking for more shows like this in the Nordic Noir genre, which is purely based off of this show. If half of them produce anything close to what I just watched, I will be a fan for life.

Over the past decade or so, we've seen a remarkable rise in high-quality Scandinavian "new wave" crime series-shows that break away from the traditional one-case-per-episode format, like Wallander or Beck. Instead, they focus on complex, interconnected characters and storylines, weaving suspense and psychological depth into a larger, season-long arc. When done well, as in this case, the result is gripping and multi-layered storytelling.

The series in question is filled with tension and unease, keeping the viewer constantly on edge. Many twists, which may initially seem overly intricate or even implausible, gradually unfold with logic and depth-sometimes only several episodes later-providing satisfying resolutions. Notably, each episode ends with a compelling reveal or dramatic turn in the final scene, practically demanding you start the next one immediately.

As for how realistically the show reflects Swedish society-its portrayal of crime, corruption, and the murky relationships between cops and criminals-it's hard to say. But from a viewer's perspective, it's captivating to watch and emotionally engaging.

In terms of casting, many of the lead roles are filled by familiar faces from similar Nordic noir series, and all deliver memorable performances once again. Refreshingly, the show avoids the cliché of keeping major stars alive until the finale-here, no one feels truly safe. I'd especially like to highlight Adam Pålsson, who deservedly won the Kristallen award in 2017 for Best Male Actor in a TV production. His performance adds a strong emotional core to the story.

All in all, I'd rate the first season a solid 8.5 to 9 out of 10. I'm definitely curious if a second season exists-the final scenes leave plenty of narrative threads open for continuation.

P. S. Season 2 is a bit "thinner" in terms of complexity, but still offers compelling twists, strong character moments, and excellent performances that make it well worth watching.

I enjoyed watching this. The basic plot has been seen before but there was a freshness and some originally to this series. The acting and overall production is good. The script is well paced and in the last episode we learn something that refers us back to opening episode. A satisfying finale.

Slightly disturbed female cops are the thing in thrillers these days. This is a nice series with interesting plot lines and good acting. It kept me hooked all the way along the first season so naturally I decided to continue with the second. This was a disappointment. Very far fetched plot twists, dead that come back alive, just too much to be credible. So enjoy season 1 and leave it at that.