CALIFICACIÓN DE IMDb
8.1/10
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TU CALIFICACIÓN
Kinga Forrester continúa los experimentos de su padre y su abuela con la película de serie B sobre un nuevo sujeto de pruebas a bordo del Satélite del Amor.Kinga Forrester continúa los experimentos de su padre y su abuela con la película de serie B sobre un nuevo sujeto de pruebas a bordo del Satélite del Amor.Kinga Forrester continúa los experimentos de su padre y su abuela con la película de serie B sobre un nuevo sujeto de pruebas a bordo del Satélite del Amor.
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- 2 nominaciones en total
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As much as I want to like MST in all its forms, this attempts to keeping the show alive are pale shades of the even the worst of the original.
The new crew come across as a group of fans who THINK they can riff like the cast of MST. (There are a ton of folks doing the same level of riffs on YouTube.) Jonas and the bots all sound to similar and each provide the same style of "jokes". They lack the personality that Joel/Mike, Trace/Bill and Kevin brought to their characters.
There are many seasons, most of them pretty damn funny, of the original show that can be endlessly watched.
Turn down the lights (where applicable) and keep circulating the tapes.
The new crew come across as a group of fans who THINK they can riff like the cast of MST. (There are a ton of folks doing the same level of riffs on YouTube.) Jonas and the bots all sound to similar and each provide the same style of "jokes". They lack the personality that Joel/Mike, Trace/Bill and Kevin brought to their characters.
There are many seasons, most of them pretty damn funny, of the original show that can be endlessly watched.
Turn down the lights (where applicable) and keep circulating the tapes.
EDIT- I feel I need to knock off a point from my initial review. At the time I was more forgiving but season 2 drives home a serious problem with the new series. There are too many jokes. For every two good jokes, it feels as though there are twenty bad ones in between and hurt the two good ones. The original series worked because it played off the movie, this is nothing but a distraction from it.
One of my favorite TV shows of all time get its second wind and the breeze is good. With a new cast and Joel behind the wheel, they have sought some great material for their 14 episodes and have given the series a nice new coat of paint. It took some time to get over the new voices for the bots, I'll admit, but nothing a little more exposure won't fix.
I love their selection. Two of them I have seen on Netflix before, Starcrashers and The Loves of Hercules, and Reptilicus is in my personal collection of $1 VHS tapes. With such quality, there is a plethora of ribs to be made. There is an android Texan for God sake, we have already crossed the camp line and I'll be damned if we aren't going to see that to the end. The other movies are strong contenders as well. In Cry Wilderness an obnoxious brat of a kid befriends Bigfoot and has to save his father from... all the while everyone throws as many insults as possible at the sole native American. Wizard of the Lost Kingdom has a doughy swordsman sort of avoid using swordsmanship to protect a bratty wizard kid. Wizards of the Lost Kingdom II has a fat wizard teach a bratty kid magic while David Carradine desperately tries to avoid swordsmanship to protect them. I am beginning to sense a trend. But Yungary... has a giant monster dance with a bratty Korean kid. But they don't just pick on kids, The Time Travellers has a bratty man child, son of a...! If I were to pick a best episode, it would have to be Wizards of the Lost Kingdom II because woof. Between the teen actor getting hit with puberty hard and the cast forgetting to act, it is just non stop fodder for Jonah and the bots. Carradine's constant heroic entrances and sudden departures are especially hilarious, half the time he doesn't even do anything. Just show up, kill a couple guards, then out the window as everyone stands around and watches. The weakest movie of the season has to be Avalanche, it starts strong and ends well but for a stretch the movie just doesn't have much to ridicule. Mainly because nothing happens, the movie stalls on endless exposition that makes one wish the avalanche would come sooner. Even then, I wouldn't call it a terrible episode, the end is ripe with cheesy goodness as Rock Howard frets over his endangered mother who might be his age and Mia farrow is as wooden as ever.
The humor is pretty diverse. The sketches have that family friendly, perhaps even PC at times, quality that was very reminiscent of Joel's seasons. They try to be inoffensive and sometimes slap on the hand of the movie for being behind the times, such as shaming Rock Hudsen's character in Avalancehe for being a poor role model. The theater however feels more like Mike Nelson's run. They tear into the movie ridiculing it for all of its faults without remorse. Bad special effects, terrible costumes, the wizard kid runs like he may have some special need, nothing is safe. Even Gypsy gets into the act, though why I can't quite understand. Her appearance has more flair then the others but her jokes just don't deserve the build. She shows up, drops something off, and leaves with a somewhat disappointing quip while Tom and Crow are left with the A material.
There is one glaring flaw I have with the new season/series, and unfortunately its the mads. I like Felicia Day and I like Patton Oswalt, but Kinga Forrester and TV's Son of TV's Frank just don't seem to cut it. There is no activity with the characters, while their fathers were very active in their segments their kids are very wooden. They deliver their scenes like a stand up routine, they just stand in front of the camera and deliver their lines. The invention exchanges are especially weak, their inventions rarely if ever call for them to do anything beyond spin a wheel or talk. Their predecessors made love to the camera, I kind of wanted more from them.
One of my favorite TV shows of all time get its second wind and the breeze is good. With a new cast and Joel behind the wheel, they have sought some great material for their 14 episodes and have given the series a nice new coat of paint. It took some time to get over the new voices for the bots, I'll admit, but nothing a little more exposure won't fix.
I love their selection. Two of them I have seen on Netflix before, Starcrashers and The Loves of Hercules, and Reptilicus is in my personal collection of $1 VHS tapes. With such quality, there is a plethora of ribs to be made. There is an android Texan for God sake, we have already crossed the camp line and I'll be damned if we aren't going to see that to the end. The other movies are strong contenders as well. In Cry Wilderness an obnoxious brat of a kid befriends Bigfoot and has to save his father from... all the while everyone throws as many insults as possible at the sole native American. Wizard of the Lost Kingdom has a doughy swordsman sort of avoid using swordsmanship to protect a bratty wizard kid. Wizards of the Lost Kingdom II has a fat wizard teach a bratty kid magic while David Carradine desperately tries to avoid swordsmanship to protect them. I am beginning to sense a trend. But Yungary... has a giant monster dance with a bratty Korean kid. But they don't just pick on kids, The Time Travellers has a bratty man child, son of a...! If I were to pick a best episode, it would have to be Wizards of the Lost Kingdom II because woof. Between the teen actor getting hit with puberty hard and the cast forgetting to act, it is just non stop fodder for Jonah and the bots. Carradine's constant heroic entrances and sudden departures are especially hilarious, half the time he doesn't even do anything. Just show up, kill a couple guards, then out the window as everyone stands around and watches. The weakest movie of the season has to be Avalanche, it starts strong and ends well but for a stretch the movie just doesn't have much to ridicule. Mainly because nothing happens, the movie stalls on endless exposition that makes one wish the avalanche would come sooner. Even then, I wouldn't call it a terrible episode, the end is ripe with cheesy goodness as Rock Howard frets over his endangered mother who might be his age and Mia farrow is as wooden as ever.
The humor is pretty diverse. The sketches have that family friendly, perhaps even PC at times, quality that was very reminiscent of Joel's seasons. They try to be inoffensive and sometimes slap on the hand of the movie for being behind the times, such as shaming Rock Hudsen's character in Avalancehe for being a poor role model. The theater however feels more like Mike Nelson's run. They tear into the movie ridiculing it for all of its faults without remorse. Bad special effects, terrible costumes, the wizard kid runs like he may have some special need, nothing is safe. Even Gypsy gets into the act, though why I can't quite understand. Her appearance has more flair then the others but her jokes just don't deserve the build. She shows up, drops something off, and leaves with a somewhat disappointing quip while Tom and Crow are left with the A material.
There is one glaring flaw I have with the new season/series, and unfortunately its the mads. I like Felicia Day and I like Patton Oswalt, but Kinga Forrester and TV's Son of TV's Frank just don't seem to cut it. There is no activity with the characters, while their fathers were very active in their segments their kids are very wooden. They deliver their scenes like a stand up routine, they just stand in front of the camera and deliver their lines. The invention exchanges are especially weak, their inventions rarely if ever call for them to do anything beyond spin a wheel or talk. Their predecessors made love to the camera, I kind of wanted more from them.
I'm a fan of the original release, the cast were quick, witty and hilarious (Space Mutiny being my absolute favourite). The 2017 version has been updated, but the much loved corny effects and movies are still there with more modern references. However, I find that there seems to be *too* much going on during the movie. The cast seem to jump in with a joke just slightly before it happens and they seem to comment on everything and anything. I know that MST3K has always been scripted, but the original felt like it was just some friends watching a movie, the jokes felt (mostly) natural and spontaneous. The new one, not so much. There are whole chunks of jokes and talking at times and it's a little off putting personally. I've also noticed that the little silhouette at the bottom seems to be slightly smaller than in the original series! However, the B movies are just as terrible, the actors and robots are funny, which is all you really need for MST3K, I'm sure it'll please new and old viewers alike.
I went into Mystery Science Theater 3000: The Return with a positive outlook. I left wanting to hang myself. One of my major problems is the humor. No longer is it clever puns or jokes. Now MST3K:R is just a bunch of pop culture references because that is what sells. If this is your brand of humor, I get it. You'll probably enjoy this show more than I. However, you must admit that repeating the same brand of joke is lazy. My next major problem is the special effects. They all look terrible. I wouldn't have a problem with the effects if this were the old show. In the old show (MST3K) the effect were crappy because they barely had a budget. Now they have a budget and, should give a crap about the effects. Of course, there are some good things. The show is self aware and, knows it ridiculous. That is the one thing I could appreciate about Mystery Science Theater 3000: The Return.
Rejoice, MiSTies! The Satellite of Love is back, and so is the Gizmonic Institute and all of those terrible movies we love to make fun of!
Under the guidance of Joel Hodgson, Mystery Science Theater 3000: The Return feels like old times. Sure, some things are different. Of course the cast is new, with Jonah Ray taking over command as Jonah Heston, this edition's poor hapless guy who's being tortured with bad movies. His companions are the same (primarily Crow and Tom Servo), but they're voiced by different people (Hampton Yount and Baron Vaughn, respectively). And the Mads (mad scientists) are new as well, with Dr. Forrester's daughter Kinga (Felicia Day) taking over, ineptly assisted by TV's son of TV's Frank (Patton Oswald).
You may need to adjust your set... just a little. We actually get to see poor Jonah's "origin" story...and amusingly, due to crappy recording technology, he has to literally act it out every episode. But at first it's a little jarring to hear the theme song grind to a halt right in the middle.
And whereas the old series used to show silly bits over the opening theme, the new one shows Jonah's kidnapping as a smug Kinga sings about how she'll send him cheesy movies, the worst she can find. Yes, with minor modifications, it's still the same catchy, loopy song. Cha-ching!
There are a few other things to get used to. Gypsy's throaty falsetto voice has been replaced by a midwest woman, and of course Tom and Crow sound different.
And the most important part, the movies? Well, they're actually improved. They're more recent and in color, but they're still B-movies. I have to admit being concerned that the series got off to a REALLY slow start with the first episode's riffs on "Reptilicus". I don't think I laughed once during Jonah and the 'bots' mockery, because the writing just was unfunny, weak, and frankly kind of desperate. Things improved in episode 2, and by episode 3 there were genuine belly laughs to be had. Guess it took them a while to get back into the groove of things.
So if you're still wondering how he eats and breathes and other science facts, repeat to yourselves it's just a show -- you should really just relax.
Mystery Science Theater 3000 is back!
Under the guidance of Joel Hodgson, Mystery Science Theater 3000: The Return feels like old times. Sure, some things are different. Of course the cast is new, with Jonah Ray taking over command as Jonah Heston, this edition's poor hapless guy who's being tortured with bad movies. His companions are the same (primarily Crow and Tom Servo), but they're voiced by different people (Hampton Yount and Baron Vaughn, respectively). And the Mads (mad scientists) are new as well, with Dr. Forrester's daughter Kinga (Felicia Day) taking over, ineptly assisted by TV's son of TV's Frank (Patton Oswald).
You may need to adjust your set... just a little. We actually get to see poor Jonah's "origin" story...and amusingly, due to crappy recording technology, he has to literally act it out every episode. But at first it's a little jarring to hear the theme song grind to a halt right in the middle.
And whereas the old series used to show silly bits over the opening theme, the new one shows Jonah's kidnapping as a smug Kinga sings about how she'll send him cheesy movies, the worst she can find. Yes, with minor modifications, it's still the same catchy, loopy song. Cha-ching!
There are a few other things to get used to. Gypsy's throaty falsetto voice has been replaced by a midwest woman, and of course Tom and Crow sound different.
And the most important part, the movies? Well, they're actually improved. They're more recent and in color, but they're still B-movies. I have to admit being concerned that the series got off to a REALLY slow start with the first episode's riffs on "Reptilicus". I don't think I laughed once during Jonah and the 'bots' mockery, because the writing just was unfunny, weak, and frankly kind of desperate. Things improved in episode 2, and by episode 3 there were genuine belly laughs to be had. Guess it took them a while to get back into the groove of things.
So if you're still wondering how he eats and breathes and other science facts, repeat to yourselves it's just a show -- you should really just relax.
Mystery Science Theater 3000 is back!
¿Sabías que…?
- TriviaSeason 11 (season 1 on IMDb) was initially funded by a Kickstarter campaign.
- ConexionesFeatured in WatchMojo: Top 10 Anticipated Releases of April 2017 (2017)
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- Mystery Science Theater 3000: The Gauntlet
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