Tres rostros

The old, forgotten actress, the established, popular actress and an aspiring actress. Against the cultural landscape of Iran it can be tricky to do this profession as a woman.

Metafiction, docufiction and everything in between. Of course, it's Jafar Panahi, it's expected to find plenty of discourse about movie-making and its difficulties. At one point, the actress is trying to explain to an old villager that the actor he admires cannot come back to Iran anymore and Panahi cannot leave Iran. It's a short line, we get it. The man doesn't, of course, but it wasn't really for him. There's also a healthy dose of criticism against the patriarchy by merely observing these people and letting it all play out. There is no discourse served to the audience, no loud, rousing statements. Some of these men would kill to avenge their skewed idea of honour.

Although I appreciated most of the scenes, it did feel a little too long, although it's really not, and maybe Panahi's metafiction is beginning to wear me out. But I guess he did get a chance to make the movie he was referring to in "This Is Not a Film". At least the core idea from there is the same, even if the story goes to a different place. Girl from a conservative family wants to study, but her family forbids it. She contemplates suicide.

To the pantheon of road movies we can add Jafar Panahi's "Se rokh" ("3 Faces" in English), about an actress traveling across the country. Panahi plays himself in the movie. It's amazing that he managed to make the movie, as he's currently banned from making movies, due to depicting things that Iran's government finds inappropriate (such as "Offside", in which women try to attend a soccer game but get kept out of the stadium due to the sight of men in shorts).

Watching this movie, I got the feeling that life in Iran's hinterlands must be a miserable existence. It's not a great movie, but worth seeing as a look at people whom we don't often see.

Jafar Panahi really made a masterpiece here, kinda had a nostalgic vibe to taste of cherry due to some frames and also Through the olive tree (Movies By Abbas Kiarostami), which which I personally enjoyed really well. the camera work was really good as well as the script. this movie was all about small details, about tradition, differences and limitation in Iran. after "This is not a movie", which blown me away, I'm speechless again.

Let's all hope for a day of no limitations and closed borders.

Story: An Iranian girl wants to be an actress & gets a famous Iranian actress to investigate her desire. A relatively tame presentation of the issue. I've seen many movies on what young females, wherever they may be (including unlikely Western democracies), face to maintain family honor though obedience & marriage, e.g. coercion, shaming, disowning, punishment, imprisonment, & death. "A women who wants to study dishonors her family." "God blesses families with a son." "Marriage would make her forget about studies." Others to watch: "Difret", "A Suitable Girl", "What Will People Say", "He Named Me Malala".

First of all I want to share my emotions after the movie (I will not add any words that contain spoilers). This film is just worth to be watched if you want to know what is happening in the lives of people in countries where honor and dignity are above all. Above their desires, their grand dreams, their plans, their lives. How it's difficult for people to live, according to our humble version, in the mountainous settlements of Iran (South Azerbaijan). How hard they have to live when there is not enough help from the townspeople. But despite all this, everything ends at the will of the person himself, whose desires are above honor and dignity.