April, May en June
- 2019
- 1h 57min
CALIFICACIÓN DE IMDb
6.8/10
1.1 k
TU CALIFICACIÓN
Agrega una trama en tu idiomaThree estranged half-sisters attempt to rekindle their feeble bond when their dying mother implores them to take up the care for their socially-challenged brother.Three estranged half-sisters attempt to rekindle their feeble bond when their dying mother implores them to take up the care for their socially-challenged brother.Three estranged half-sisters attempt to rekindle their feeble bond when their dying mother implores them to take up the care for their socially-challenged brother.
- Premios
- 2 premios ganados en total
- Dirección
- Guionista
- Todo el elenco y el equipo
- Producción, taquilla y más en IMDbPro
Opiniones destacadas
The movie has some good humorous moments. but generally somewhat lengthy. Also the story could have been a little more deepened.
Only 3 stars because the unbelievable spoiled brat the girl is playing. It just doesn't fit in the storyline and is really, really disturbing.
Even though the main story line is a serious and maybe even important one, all the other story lines are very superficial. They are rushed and it had major plot holes. It feels like they want a season of some kind of soap series put in one movie.
The characters and dialogues are neither deep nor witty with a few exceptions. It feels like they're making fun of people with autism (a bad copy of the real Kees, a Dutch person with autism who's portrayed in a documentary) and transgenders.
I really do like actors Tjitske Reidinga and Elise Schaap in general, but they need to say no to these kinds of below average projects. They are worth better material to work with.
The characters and dialogues are neither deep nor witty with a few exceptions. It feels like they're making fun of people with autism (a bad copy of the real Kees, a Dutch person with autism who's portrayed in a documentary) and transgenders.
I really do like actors Tjitske Reidinga and Elise Schaap in general, but they need to say no to these kinds of below average projects. They are worth better material to work with.
I heard Olga Zuiderhoek speak of this movie in a talk show. Weeks later I stumbled upon this on Netflix and was hooked from the first scene with the three (half) sisters and their brother. Great plot, nice texts and the best of Dutch acting at work. Very recognisable family scenes (the little brat, the over-protective mother), although mine are (luckily) less complicated, so far. Then again, it all worked out well. I laughed out loud a lot, and truthfully, shed a small tear as well. A very Dutch movie in the beste sense of the word(s): blunt, in your face, true to life, and death. The end was quick, bringing all the story lines to a good end. I really enjoyed this.
The story itself is clear, but has little surprises. So you just float along with the movie. It was okay, but I really wanted it to be more. More jokes, more surprises, more drama.
And the ending....to me it was like the writers were calling it a day. The end.
And the ending....to me it was like the writers were calling it a day. The end.
¿Sabías que…?
- TriviaLinda de Mol's eight collaboration with director Will Koopman, following Gooische Vrouwen (2005), Terug naar de kust (2009), Gooische Vrouwen (2011), Iedereen is gek op Jack (2011), Divorce (2012), Gooische Vrouwen 2 (2014) and Familie Kruys (2015). For Tjitske Reidinga, it's the sixth, following Gooische Vrouwen (the series and two movies), De verbouwing (2012) and Sneeuwwitje en de zeven kleine mensen (2015). For Elise Schaap, it's her third (Hart tegen hard (2011) and Familie Kruys). That makes this movie the first project that all four collaborated on together.
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Detalles
Taquilla
- Total a nivel mundial
- USD 5,628,939
- Tiempo de ejecución1 hora 57 minutos
- Color
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By what name was April, May en June (2019) officially released in Canada in English?
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