CALIFICACIÓN DE IMDb
7.2/10
22 k
TU CALIFICACIÓN
Unos bandidos asaltan un tren, pero se encuentran con una cuadrilla decidida en perseguirlos.Unos bandidos asaltan un tren, pero se encuentran con una cuadrilla decidida en perseguirlos.Unos bandidos asaltan un tren, pero se encuentran con una cuadrilla decidida en perseguirlos.
- Dirección
- Guionistas
- Elenco
- Premios
- 1 premio ganado en total
Gilbert M. 'Broncho Billy' Anderson
- Bandit
- (sin créditos)
- …
A.C. Abadie
- Sheriff
- (sin créditos)
Justus D. Barnes
- Bandit Who Fires at Camera
- (sin créditos)
Walter Cameron
- Sheriff
- (sin créditos)
John Manus Dougherty Sr.
- Fourth Bandit
- (sin créditos)
Donald Gallaher
- Little Boy
- (sin créditos)
Shadrack E. Graham
- Child
- (sin créditos)
Frank Hanaway
- Bandit
- (sin créditos)
Adam Charles Hayman
- Bandit
- (sin créditos)
Robert Milasch
- Trainman
- (sin créditos)
- …
Marie Murray
- Dance-Hall Dancer
- (sin créditos)
Frederick T. Scott
- Man
- (sin créditos)
Mary Snow
- Little Girl
- (sin créditos)
- Dirección
- Guionistas
- Todo el elenco y el equipo
- Producción, taquilla y más en IMDbPro
Opinión destacada
It's easy to see why this was such a sensation in 1903, and why today it is still considered to be an icon in movie history. You can enjoy this either as a historical landmark for its use of such a variety of then-new skills, or you can simply watch it for the story. To be sure, the plot is of a now-familiar type, but this is what so many other movies have imitated over the years.
The story-telling is very good, and it is almost not even necessary to add 'for its time', because much of it still holds up quite well. It tells an action-packed story with plenty of detail, and it uses a good variety of effective techniques to increase the excitement, suspense, and realism. From the motion effects in the scenes inside the train, to the occasional use of color tinting, to the use of outdoor scenes, almost everything works nicely. There are only a few occasions when can you tell that it is almost a century old. There are even things like some basic cross-cutting and a pretty good panning shot. There is plenty to see, and it's worth watching more than once to see what else you can notice.
The story-telling is very good, and it is almost not even necessary to add 'for its time', because much of it still holds up quite well. It tells an action-packed story with plenty of detail, and it uses a good variety of effective techniques to increase the excitement, suspense, and realism. From the motion effects in the scenes inside the train, to the occasional use of color tinting, to the use of outdoor scenes, almost everything works nicely. There are only a few occasions when can you tell that it is almost a century old. There are even things like some basic cross-cutting and a pretty good panning shot. There is plenty to see, and it's worth watching more than once to see what else you can notice.
- Snow Leopard
- 10 abr 2002
- Enlace permanente
Argumento
¿Sabías que…?
- TriviaThe original camera negative still exists in excellent condition. The Library of Congress, who holds it, can still make new prints.
- ErroresWhen the telegraph operator revives with his hands tied behind his back, he uses one of his hands to help him stand up and then quickly puts the hand behind his back again.
- Versiones alternativasThere is an Italian edition of this film on DVD, distributed by DNA srl, "CENTRO! (Straight Shooting, 1917) + IL CAVALLO D'ACCIAIO (The Iron Horse, 1924) + LA GRANDE RAPINA AL TRENO (The Great Train Robbery, 1903)" (3 Films on a single DVD), re-edited with the contribution of film historian Riccardo Cusin. This version is also available for streaming on some platforms.
- ConexionesEdited into Hollywood: The Dream Factory (1972)
Selecciones populares
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Detalles
Taquilla
- Presupuesto
- USD 150 (estimado)
- Tiempo de ejecución11 minutos
- Mezcla de sonido
- Relación de aspecto
- 1.33 : 1
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Principales brechas de datos
By what name was El gran robo del tren (1903) officially released in India in English?
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