CALIFICACIÓN DE IMDb
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TU CALIFICACIÓN
Agrega una trama en tu idiomaEmbittered, ambitious Helen Chernen sees an opportunity to escape her drab small-town life by becoming a 'stage mother' to her musically-talented younger sister.Embittered, ambitious Helen Chernen sees an opportunity to escape her drab small-town life by becoming a 'stage mother' to her musically-talented younger sister.Embittered, ambitious Helen Chernen sees an opportunity to escape her drab small-town life by becoming a 'stage mother' to her musically-talented younger sister.
- Premios
- 5 premios ganados en total
Murray Alper
- Joe Duglatz
- (sin créditos)
Jean Ames
- Pudgy Girl
- (sin créditos)
Brooks Benedict
- Guest at Embassy Club Bar
- (sin créditos)
Julie Bishop
- Chorine
- (sin créditos)
Monte Blue
- Man in Audience
- (sin créditos)
Roman Bohnen
- Sam Chernen
- (sin créditos)
Virginia Brissac
- The Dress Saleswoman
- (sin créditos)
Jimmy Butler
- Boy
- (sin créditos)
Eddy Chandler
- Police Officer on Dock
- (sin créditos)
C. Harry Clark
- Working Man at Theatre
- (sin créditos)
Tom Coleman
- Man in Audience at Play
- (sin créditos)
- Dirección
- Guionistas
- Todo el elenco y el equipo
- Producción, taquilla y más en IMDbPro
Opinión destacada
...And too many gray characters with the exception of Jack Carson as the sincere but simple Albert Runkel.
Even the alleged villainess of the story, Helen (Ida Lupino) starts out with the best intentions. She lives in hopeless poverty in a mill town with natural surroundings that are even ugly with coal slag and air clouded with smoke bellowing from the local factories. She doesn't want to see her sister suffer her fate - loveless marriage with never enough money - so she takes her first false step. She pushes younger sister Katie into marriage with malleable vaudevillian Albert Runkel, and uses that marriage as an excuse to leave the poverty of Green Hill and her marriage behind. Poor old underachieving Sam - Helen's husband - is never mentioned again.
The problem is that, over time, Helen forgets that she is doing what she is doing for Katie to get ahead. It's not enough that she get ahead, Katie has to be on top, and there is nobody too close or too vulnerable for Helen to step on to get Katie on the next rung of stardom. Eventually this becomes more about Helen's success with Katie as the golden goose that she is slowly choking to death.
WB emphasizes the dramatic portion of this film rather than the musical, and that is good since the two musical numbers included are underwhelming. Fortunately, WB didn't have Joan Leslie be the centerpiece of more than one of them since singing and dancing were never her forte. Also fortunately, there is at least a number by talented WB tenor Dennis Morgan. It's just too bad that the material wasn't better.
This was probably the best dramatic role Ida Lupino ever had. It's definitely worth it if you are a fan of Warner Brothers' output product in the 1940s.
A question I have - Dennis Morgan is always going on as to how the dream of all humble people is a house in the country with ten kids. But how do you support ten kids in the middle of nowhere? It seems our leading man has high ideals but not many practical ones. It would have been instructive to drop in on him in ten years and see how that "dream of all humble people" was working out for him. But I digress.
Even the alleged villainess of the story, Helen (Ida Lupino) starts out with the best intentions. She lives in hopeless poverty in a mill town with natural surroundings that are even ugly with coal slag and air clouded with smoke bellowing from the local factories. She doesn't want to see her sister suffer her fate - loveless marriage with never enough money - so she takes her first false step. She pushes younger sister Katie into marriage with malleable vaudevillian Albert Runkel, and uses that marriage as an excuse to leave the poverty of Green Hill and her marriage behind. Poor old underachieving Sam - Helen's husband - is never mentioned again.
The problem is that, over time, Helen forgets that she is doing what she is doing for Katie to get ahead. It's not enough that she get ahead, Katie has to be on top, and there is nobody too close or too vulnerable for Helen to step on to get Katie on the next rung of stardom. Eventually this becomes more about Helen's success with Katie as the golden goose that she is slowly choking to death.
WB emphasizes the dramatic portion of this film rather than the musical, and that is good since the two musical numbers included are underwhelming. Fortunately, WB didn't have Joan Leslie be the centerpiece of more than one of them since singing and dancing were never her forte. Also fortunately, there is at least a number by talented WB tenor Dennis Morgan. It's just too bad that the material wasn't better.
This was probably the best dramatic role Ida Lupino ever had. It's definitely worth it if you are a fan of Warner Brothers' output product in the 1940s.
A question I have - Dennis Morgan is always going on as to how the dream of all humble people is a house in the country with ten kids. But how do you support ten kids in the middle of nowhere? It seems our leading man has high ideals but not many practical ones. It would have been instructive to drop in on him in ten years and see how that "dream of all humble people" was working out for him. But I digress.
- AlsExGal
- 21 abr 2023
- Enlace permanente
Argumento
¿Sabías que…?
- TriviaPer director Vincent Sherman, the film was based on dancer-actress Ginger Rogers' relationship with her quintessential stage-mother, Lela E. Rogers.
- ErroresNear the end of the film Dennis Morgan takes a seat to see Joan Leslie's play. He is seated next to a young woman. The next time the camera cuts to him he is in the same seat, but sitting next to an older woman wearing completely different clothing.
- ConexionesFeatured in La realidad de un sueño (1944)
- Bandas sonorasYouth Must Have Its Fling
(1942) (uncredited)
Music by M.K. Jerome (credited)
Lyrics by Jack Scholl (credited)
Played during the opening credits and at the end
Sung by Gladys George at rehearsal with piano accompaniment
Reprised at a show and sung and danced by Joan Leslie (dubbed by Sally Sweetland) and chorus
Sung on a record by Leslie
Played as background music often
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Detalles
- Tiempo de ejecución1 hora 49 minutos
- Color
- Relación de aspecto
- 1.37 : 1
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Principales brechas de datos
What is the Spanish language plot outline for Una mujer perdida (1943)?
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