Un agente de seguros se deja convencer de un plan de asesinato y fraude, que despierta la sospecha de un investigador.Un agente de seguros se deja convencer de un plan de asesinato y fraude, que despierta la sospecha de un investigador.Un agente de seguros se deja convencer de un plan de asesinato y fraude, que despierta la sospecha de un investigador.
- Dirección
- Guionistas
- Elenco
- Nominado a 7 premios Óscar
- 5 premios ganados y 9 nominaciones en total
Lev Abramov
- Stage Hand
- (sin créditos)
James Adamson
- Pullman Porter
- (sin créditos)
John Berry
- Bit Part
- (sin créditos)
Edmund Cobb
- Train Conductor
- (sin créditos)
Kernan Cripps
- Conductor
- (sin créditos)
Betty Farrington
- Nettie - Dietrichsons' Maid
- (sin créditos)
Bess Flowers
- Norton's Secretary
- (sin créditos)
- Dirección
- Guionistas
- Todo el elenco y el equipo
- Producción, taquilla y más en IMDbPro
Opinión destacada
This is one of the best-liked classic films of all time and I am among that large group of fans as well.
Few movies have ever had dialog this entertaining.....at least the conversations between Barbara Stanwyck and Fred MacMurray. I think it's a big appeal to this movie, except to younger folks who look at it as "cheesy."
I read the book, Double Indemnity written by James Cain, and was surprised that the film's snappy dialog was not in it. This is one of the rare times when the movie was far better than the book. That's not a shock after you find out that literary giant Raymond Chandler and Hall Of Fame director Billy Wilder combined to write the screenplay,
For a murder/suspense story, there is very little action, almost none, yet there are no boring lulls. The three main actors - Stanwyck, MacMurray and Edward G. Robinson, are what make this so good.
MacMurray's narration is fun to hear as he tells the story in flashback, from the beginning by dictating into an old Dictaphone to his co-worker Robinson. The latter is almost mesmerizing in his performance, the way he delivers his lines. He can even make a speech about something as boring as insurance and still keep you riveted to the screen.
Stanwyck was no sex symbol (at least to me) but she looked great here in the most seductive of 1940s clothing and, like Robinson, has a distinctive voice and accent that keeps your attention.
This film was the inspiration for the 1980 movie, "Body Heat," starring William Hurt and Kathleen Turner. That, too, was a very, very good movie....but not many films are in the class of this one.
Few movies have ever had dialog this entertaining.....at least the conversations between Barbara Stanwyck and Fred MacMurray. I think it's a big appeal to this movie, except to younger folks who look at it as "cheesy."
I read the book, Double Indemnity written by James Cain, and was surprised that the film's snappy dialog was not in it. This is one of the rare times when the movie was far better than the book. That's not a shock after you find out that literary giant Raymond Chandler and Hall Of Fame director Billy Wilder combined to write the screenplay,
For a murder/suspense story, there is very little action, almost none, yet there are no boring lulls. The three main actors - Stanwyck, MacMurray and Edward G. Robinson, are what make this so good.
MacMurray's narration is fun to hear as he tells the story in flashback, from the beginning by dictating into an old Dictaphone to his co-worker Robinson. The latter is almost mesmerizing in his performance, the way he delivers his lines. He can even make a speech about something as boring as insurance and still keep you riveted to the screen.
Stanwyck was no sex symbol (at least to me) but she looked great here in the most seductive of 1940s clothing and, like Robinson, has a distinctive voice and accent that keeps your attention.
This film was the inspiration for the 1980 movie, "Body Heat," starring William Hurt and Kathleen Turner. That, too, was a very, very good movie....but not many films are in the class of this one.
- ccthemovieman-1
- 22 dic 2005
- Enlace permanente
Argumento
¿Sabías que…?
- TriviaAuthor James M. Cain later admitted that if he had come up with some of the solutions to the plot that screenwriters Billy Wilder and Raymond Chandler did, he would have employed them in his original novel.
- ErroresWhen Phyllis is listening at Neff's door as he talks with Keyes, Keyes exits into the hallway and Phyllis hides behind the door. The door opens into the hallway which isn't allowed by building codes, even back then, but it does give Phyllis something to hide behind and increases the tension.
- Citas
[last lines]
Walter Neff: Know why you couldn't figure this one, Keyes? I'll tell ya. 'Cause the guy you were looking for was too close. Right across the desk from ya.
Barton Keyes: Closer than that, Walter.
Walter Neff: I love you, too.
- Créditos curiososOpening credits are shown over a silhouette of a man on crutches, walking toward the camera.
- ConexionesEdited into Cliente muerto no paga (1982)
Selecciones populares
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Detalles
- Fecha de lanzamiento
- País de origen
- Sitio oficial
- Idioma
- También se conoce como
- Double Indemnity
- Locaciones de filmación
- 6301 Quebec Drive, Hollywood Hills, Los Ángeles, California, Estados Unidos(Dietrichson house)
- Productora
- Ver más créditos de la compañía en IMDbPro
Taquilla
- Presupuesto
- USD 927,262 (estimado)
- Total a nivel mundial
- USD 21,026
- Tiempo de ejecución1 hora 47 minutos
- Color
- Relación de aspecto
- 1.33 : 1
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