Las chicas de Harvey

The first person you see is Judy Garland singing an infinitely forgettable song.

For the most part it goes up from there.

This is a film that Vincente Minelly did not direct and even though it shows Judy at her demure best he had a knack for bringing out the best in her performances.

Surprisingly enough, this is not an entirely inaccurate history of the women that opened up the West -- just as much as the men did.

For those that do not know -- Fred Harvey was a railroad tycoon and visionary that realized that the United States could only expand Westward -- and he was there to help fulfill that dream.

His chain of "Railroad Hotels" (some of which still exist) and the women that staffed them, helped to civilize parts of the United States that were raw and uncultured.

This is one of those incredible films that has every face you have ever seen in a movie -- even if you do not always know their names: Ray Bolger, Preston Foster, Virginia O'Brien, John Hodiak, Angela Lansbury, Marjorie Main, Chill Wills and even Cyd Charisse.

This is cameo paradise and there is a character and face there for everyone.

The songs, the costumes, the sets and everything BUT the dialogue and story are top notch. But who needs a good script when you have a cast of STARS! (Especially Judy Garland.)

Take the good parts from this movie and try to pretend the rest never happened.

With Broadway still under the spell of musicals like "Oklahoma", MGM's Arthur Freed was inspired to make a western musical. Originally designed for Lana Turner, the script was altered and songs added to make it a perfect vehicle for Judy Garland. The songs by Johnny Mercer and Harry Warren included two standouts: "On the Atchison, Topeka and the Santa Fe" and "It's A Great Big World".

Judy gives an inspired performance and belts out her songs with gusto, particularly effective in the big set piece, "Atchison", which is photographed and choreographed with great precision to produce a dazzling show-stopping number. The film opened to great reviews and was a big box-office hit in the summer of '46.

Don't believe the "sour grapes" reviews claiming the film is dated and mediocre. It's anything but that. If you enjoy MGM musicals at the height of their popularity with film-goers, you'll enjoy this one! Marjorie Main is a treat, Selena Royle is dignified, Kenny Baker does wonders with a ballad and Cyd Charisse has a couple of nice numbers. It's nice to see Ray Bolger sharing scenes with Judy again, their first reunion since "Oz". The big surprise is Angela Lansbury as the garishly costumed dancehall hostess--a far cry from her "Murder She Wrote" image.

Understandably, "On the Atchison, Topeka and the Santa Fe" won the Academy Award for Best Song, as well as a nomination for Best Scoring of a dramatic or comedy film.

This works quite well as light entertainment. It has a good cast, with Judy Garland giving a lively performance in the lead role. The setting is rather stylized, but it is interesting, and it provides some good story material. The story has quite a few amusing moments, with just enough substance to keep it moving. There is also the top-notch "Atchison, Topeka, & the Santa Fe" number, which would almost make a musical worth watching all by itself.

The story of the conflict between the "Harvey Girls" and their rivals across the road is sometimes a little exaggerated, but it is relatively interesting and it makes for some good sequences. The female cast members get most of the best moments, and they generally use them well. Angela Lansbury seems quite natural as Garland's disagreeable nemesis, Virginia O'Brien has some good lines, and Marjorie Main is quite lively. There's more than enough to make it an enjoyable, if light, feature.

Even though the film starred Judy Garland, what I really enjoyed about The Harvey Girls is that it operates as an ensemble musical, giving features and spotlight numbers to just about everyone in the mammoth cast. This kind of thing is usually reserved for stage musicals only, but back in 1946 MGM's roster of talent was strong, if not yet infamous. Players like deadpan comic Virginia O'Brien and dancer Cyd Charisse were fairly new back then, but this film gives them individual spotlights: not only do they both sing with Garland in the nighttime ballad "It's A Great Big World," but O'Brien gets to sing "The Wild, Wild West" (while assisting blacksmith Ray Bolger in shoeing a horse) and Charisse gets to dance (briefly) opposite Kenny Baker singing "Wait And See." Marjorie Main leads the Harvey waitresses through "The Train Must Be Fed;" Angela Lansbury is featured in two saloon numbers, and Ray Bolger gets to do some of his rubber-legged clowning at the Harvey House party. And, of course, everyone on the planet is assembled for the big, eight minute production number "On The Atchison, Topeka, and Santa Fe." There's literally something for everyone- even the oil-and-water romance between Garland and John Hodiak. And they shine as well, even if Hodiak wasn't the most well-known leading man. Check out this wonderfully scored, written, acted, and costumed tribute to old-fashioned Americana.

As a lover of musicals and of Judy Garland, I watched The Harvey Girls and I really liked it on the whole. The plot though is cardboard especially in the second half and John Hodiak for my liking gives a rather lacklustre performance. Still it is worth seeing. The film with its beautiful costumes, scenery and photography does look gorgeous, the music is fantastic particularly the climatic set-piece On the Atchison, Topeka and The Santa Fe, the choreography is magnificent and the first half is great fun. The film is directed lovingly by George Sidney, and while Angela Lansbury and Ray Bolger are excellent, this is Judy Garland's film and she is absolutely wonderful. Overall, a lovely film. 8/10 Bethany Cox