Carl Martin, un tranquilo y discreto ciudadano de Los Ángeles, recoge a personas que se parecen a su esposa rubia y las asesina con unas tijeras de podar.Carl Martin, un tranquilo y discreto ciudadano de Los Ángeles, recoge a personas que se parecen a su esposa rubia y las asesina con unas tijeras de podar.Carl Martin, un tranquilo y discreto ciudadano de Los Ángeles, recoge a personas que se parecen a su esposa rubia y las asesina con unas tijeras de podar.
William Boyett
- Cop Hit by Martin
- (sin créditos)
Sidney Clute
- Bartender
- (sin créditos)
Sayre Dearing
- Detective
- (sin créditos)
George Eldredge
- Sam, Detective at Murder Scene
- (sin créditos)
Roy Engel
- Police Captain
- (sin créditos)
Michael Fox
- Cab Company Dispatcher
- (sin créditos)
Opinión destacada
This is a virtually spotless transfer and for Film Noir fans who have to put up with beaten up prints of unjustly forgotten films that alone I think perhaps has lead other writers here to rate the movie a bit too highly. It is a police procedure picture (with a surprising amount of forensics used for the time) that unfortunately comes to an obvious ending that reduces what came before it. It is especially well scored and photographed on real(and unique) locations that make it seem very fresh.
It is like THE SNIPER, though that film deals with wider issues and has a harder edge and most distinct style, where this plays out like a really good episode of something like THE NAKED CITY, or DRAGNET. The ending is safe and small. The characters although well acted are really stock "types" and don't really become three dimensional.
That said the first half of the film is very good and all the positives other writers on IMDb have said are true. But this doesn't ever become a drama, staying safely in melodrama land and that keeps it as mostly by the numbers B picture. Everybody does their job well but also safely within the confines of a programmer. The script just can't let them break out into a real classic noir.
It is like THE SNIPER, though that film deals with wider issues and has a harder edge and most distinct style, where this plays out like a really good episode of something like THE NAKED CITY, or DRAGNET. The ending is safe and small. The characters although well acted are really stock "types" and don't really become three dimensional.
That said the first half of the film is very good and all the positives other writers on IMDb have said are true. But this doesn't ever become a drama, staying safely in melodrama land and that keeps it as mostly by the numbers B picture. Everybody does their job well but also safely within the confines of a programmer. The script just can't let them break out into a real classic noir.
- HEFILM
- 4 mar 2006
- Enlace permanente
Argumento
¿Sabías que…?
- TriviaMarilee Phelps, who plays Virginia, the undercover policewoman who Carl (Adam Williams) takes on the long ride, was Adam Williams' wife at the time this movie was made. Lee Phelps, the uncredited actor who plays "Doc," the police coroner, was Marilee Phelps' father (and Adam Williams" father-in-law).
- ErroresThe body of the first victim visibly breathes during one shot while the motel manager is outside the room. (a 02:33)
- Citas
Carl Martin: Something wrong?
Blonde: Not anymore. Come and take a look.
- ConexionesFeatured in Vampira: Without Warning! 1952 (1956)
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Detalles
- Fecha de lanzamiento
- País de origen
- Idioma
- También se conoce como
- The Story Without a Name
- Locaciones de filmación
- Chavez Ravine, Elysian Park, Los Ángeles, California, Estados Unidos(As Carl's hilltop home., overlooking the freeway and Los Angeles skyline.)
- Productora
- Ver más créditos de la compañía en IMDbPro
- Tiempo de ejecución1 hora 17 minutos
- Color
- Relación de aspecto
- 1.37 : 1
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Principales brechas de datos
By what name was Without Warning! (1952) officially released in India in English?
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